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Takut, Bertaut, and Runtuh: Analizing the Authenticity of Autobiographical Lyrics and Their Relation With Youth Reception

Jurnal Seni Musik · Vol. 12 No. 1 (2023) · hlm. 12–24

DOI
10.15294/jsm.v12i1.68877
ISSN
2503-2860, 2301-4091
Terbit
2023-06-24
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Previous studies showed that love has become an eternal theme in pop music. But since the early 2000s, new themes with negative sentiments such as pain, despair, fear, and sadness have emerged in pop music. Along with this phenomenon, recent pop music offers poetic lyrics instead of cliché lyrics. What makes them more interesting is, some of the lyrics are autobiographical. This study aims to analyze the originality of autobiographical lyrics and their relation to young listeners’ reception. The researchers use three songs as the research object: Takut by Idgitaf, Bertaut by Nadin Amizah, and Runtuh by Feby Putri and Fiersa Besari. This qualitative research uses the lyrics of those songs and questionnaire results as its data. The questionnaire respondents are young listeners between 18 and 30 years old who live in different villages and cities in Indonesia with various social economic and educational backgrounds. The collected data are analyzed using Fraith and Hoggarts’ thoughts. Analysis of the works of Idgitaf, Nadin Amizah, Feby Putri, and Fiersa Besari shows that all of them have distinct and unique songwriting skills. They also show consistency in choosing the theme song, including the three songs used as research objects. Out of 64 respondents, 56.3% claim that knowing a song is an autobiographical work does not change their opinion and feelings toward the song. However, the result of the questionnaire shows that young listeners feel connected to song lyrics that represent their feelings.

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  • Universitas Airlangga
  • Universitas Nahdlatul Ulama Surabaya
  • State University of Semarang
  • National University of Singapore
  • Organisasi berbeda
  • Organisasi sama
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Rekan penulisOrganisasiArtikel bersama
Abdika Taslih AmrullahUniversitas Airlangga2
Nina Dwi Hapsari PutriUniversitas Airlangga1
Nimas Kharisma MahananiUniversitas Airlangga1
Athaya Prita BeliaUniversitas Airlangga1
Teddy AfriansyahUniversitas Airlangga1
Dewi MeyrasyawatiUniversitas Airlangga1
Wendy Belinda TiantiniUniversitas Airlangga1
Nadya AfdholyUniversitas Airlangga1
Yulia Mega PuspitaUniversitas Airlangga1
Farah NuriannisaUniversitas Nahdlatul Ulama Surabaya1
Ira DwijayantiUniversitas Nahdlatul Ulama Surabaya1
Muji SulistyowatiUniversitas Airlangga1
Muthmainnah MuthmainnahUniversitas Airlangga1
Diah IndrianiUniversitas Airlangga1
Sasha Anggita RamadhanUniversitas Airlangga1
Trias MahmudionoUniversitas Airlangga1
Eni SugiartiState University of Semarang1
Mochamad Kevin RomadhonaUniversitas Airlangga1
Kisho TsuchiyaNational University of Singapore1
Lina PuryantiUniversitas Airlangga1
Gayung KasumaUniversitas Airlangga1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/jsm/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 6 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Takut, Bertaut, and Runtuh: Analizing the Authenticity of Autobiographical Lyrics and Their Relation With Youth Reception</dc:title>
	<dc:creator>Hartiningtyas, Widjati</dc:creator>
	<dc:creator>Khusyairi, Johny Alfian</dc:creator>
	<dc:creator>Nafi’ah, Wirdatun</dc:creator>
	<dc:creator>Riyanto, Edi Dwi</dc:creator>
	<dc:description xml:lang="en-US">Previous studies showed that love has become an eternal theme in pop music. But since the early 2000s, new themes with negative sentiments such as pain, despair, fear, and sadness have emerged in pop music. Along with this phenomenon, recent pop music offers poetic lyrics instead of cliché lyrics. What makes them more interesting is, some of the lyrics are autobiographical. This study aims to analyze the originality of autobiographical lyrics and their relation to young listeners’ reception. The researchers use three songs as the research object: Takut by Idgitaf, Bertaut by Nadin Amizah, and Runtuh by Feby Putri and Fiersa Besari. This qualitative research uses the lyrics of those songs and questionnaire results as its data. The questionnaire respondents are young listeners between 18 and 30 years old who live in different villages and cities in Indonesia with various social economic and educational backgrounds. The collected data are analyzed using Fraith and Hoggarts’ thoughts. Analysis of the works of Idgitaf, Nadin Amizah, Feby Putri, and Fiersa Besari shows that all of them have distinct and unique songwriting skills. They also show consistency in choosing the theme song, including the three songs used as research objects. Out of 64 respondents, 56.3% claim that knowing a song is an autobiographical work does not change their opinion and feelings toward the song. However, the result of the questionnaire shows that young listeners feel connected to song lyrics that represent their feelings. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-06-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/jsm/article/view/68877</dc:identifier>
	<dc:identifier>10.15294/jsm.v12i1.68877</dc:identifier>
	<dc:source xml:lang="en-US">Jurnal Seni Musik; Vol 12 No 1 (2023): June 2023; 12-24</dc:source>
	<dc:source>2503-2860</dc:source>
	<dc:source>2301-4091</dc:source>
	<dc:source>10.15294/jsm.v12i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/jsm/article/view/68877/24572</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Jurnal Seni Musik</dc:rights>
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