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Performance Structure of Barongan Kademangan at the Barongan Kademangan Art Studio in Bonang Subdistrict Demak Regency

Jurnal Seni Tari · Vol. 14 No. 1 (2025) · hlm. 64–71

DOI
10.15294/ayp5r117
ISSN
2503-2585, 2252-6714
Terbit
2025-07-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

This study aims to describe and analyze the structure of the Barongan Kademangan performance as presented by the Barongan Kademangan Art Studio in Bonang Subdistrict, Demak Regency. This research employs a descriptive-analytic method with a qualitative approach. Data collection techniques include observation, interviews, documentation, and literature study. The findings reveal that Barongan Kademangan is a form of folk art that integrates elements of dance, traditional music, and theatrical performance, with the barong figure serving as the central focus. The performance is composed of distinctive elements such as movement, musical accompaniment, costume and makeup, props, as well as floor patterns and staging. In addition to serving as entertainment, Barongan Kademangan functions as a medium of social communication that fosters community bonding, reinforces local cultural identity, and acts as a means of preserving traditional values. Thus, this art form plays a vital role in strengthening social cohesion and deserves ongoing support for its preservation.

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  • State University of Semarang
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Rekan penulisOrganisasiArtikel bersama
Sunarno SunarnoState University of Semarang1
Langlang HandayaniState University of Semarang1
Teguh DarsonoState University of Semarang1
Slamet HaryonoState University of Semarang1
Haydnn Caesha MaulanaState University of Semarang1
Musa Abdul HalimState University of Semarang1
Iklas Adi PangestuState University of Semarang1
Nabila Rakha PutriState University of Semarang1
Winduadi GupitaState University of Semarang1
Pratiwi Esti SusantyState University of Semarang1
RosidaState University of Semarang1
Junarto EfendiAfiliasi tidak diketahui1
Helmi SusantiAfiliasi tidak diketahui1
Elisabeth Tri Kurnianti SudjonoState University of Semarang1
Wahidah Wahyu MartyastutiState University of Semarang1
Rifa SalsabielaState University of Semarang1
Sri UtamiState University of Semarang1
Harist Harjanti Wijaya Mulya Catur TunggalState University of Semarang1
Andika Wahyu KurniyawanState University of Semarang1
Chiga Maro'atussofaState University of Semarang1
Muhammad JazuliState University of Semarang1
Deantika Puspita WardaniState University of Semarang1
Chrisan TiyansaState University of Semarang1
Lukluil Maknun Al-izzaState University of Semarang1
Restu LanjariState University of Semarang1
Utami ArsihState University of Semarang1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/jst/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">Performance Structure of Barongan Kademangan at the Barongan Kademangan Art Studio in Bonang Subdistrict Demak Regency</dc:title>
	<dc:creator xml:lang="en">Fachrunnisa, Amaril</dc:creator>
	<dc:creator xml:lang="en">Kusumastuti, Eny </dc:creator>
	<dc:creator xml:lang="en">Tani Utina, Usrek </dc:creator>
	<dc:subject xml:lang="en">Barongan Kademangan, local culture, performance structure.</dc:subject>
	<dc:description xml:lang="en">



This study aims to describe and analyze the structure of the Barongan Kademangan performance as presented by the Barongan Kademangan Art Studio in Bonang Subdistrict, Demak Regency. This research employs a descriptive-analytic method with a qualitative approach. Data collection techniques include observation, interviews, documentation, and literature study. The findings reveal that Barongan Kademangan is a form of folk art that integrates elements of dance, traditional music, and theatrical performance, with the barong figure serving as the central focus. The performance is composed of distinctive elements such as movement, musical accompaniment, costume and makeup, props, as well as floor patterns and staging. In addition to serving as entertainment, Barongan Kademangan functions as a medium of social communication that fosters community bonding, reinforces local cultural identity, and acts as a means of preserving traditional values. Thus, this art form plays a vital role in strengthening social cohesion and deserves ongoing support for its preservation.



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	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-07-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/jst/article/view/27882</dc:identifier>
	<dc:identifier>10.15294/ayp5r117</dc:identifier>
	<dc:source xml:lang="en">Jurnal Seni Tari; Vol. 14 No. 1 (2025); 64-71</dc:source>
	<dc:source>2503-2585</dc:source>
	<dc:source>2252-6714</dc:source>
	<dc:source>10.15294/1ehckg58</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/jst/article/view/27882/5650</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Jurnal Seni Tari</dc:rights>
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