Melola Discovery

← Melola Discovery

Jurnal

Reinterpretation of the Material and Meaning of the Encim Kebaya in the Dynamics of Social Practice

Longda Xiaokan: Journal of Mandarin Learning and Teaching · Vol. 9 No. 1 (2026) · hlm. 85–102

DOI
10.15294/longdaxiaokan.v9i1.49019
ISSN
2715-1611, 2528-5734
Terbit
2026-06-09
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

This study aims to understand the dynamics of social practices surrounding the Kebaya Encim by focusing on changes in its material elements and meanings. The Kebaya Encim is a form of traditional attire that emerged from a blend of Javanese, Dutch, Chinese, and Betawi cultures, giving it strong historical and cultural significance within society. As times have changed, the Kebaya Encim is no longer used solely as traditional attire but has undergone transformations in both function and appearance to align with the needs and trends of modern society. This study employs the social dynamics theory proposed by Shove, Pantzar, and Watson (2012) to examine how changes in social practices occur through the interplay between material, competence, and meaning. The focus of this study is to examine the changes in the Kebaya Encim regarding its material elements and meanings resulting from social and cultural developments. The research method employed is descriptive qualitative, utilizing in-depth interviews, snowball sampling, as well as direct and digital observations via the social media platform TikTok. The results of the study indicate that the material elements of the Kebaya Encim have undergone changes in fabric, cut, motifs, color, and increasingly modern production technology. Meanwhile, the symbolic meaning of the Kebaya Encim has also evolved, encompassing its symbolic function, cultural identity, and the way people view it as part of their lifestyle and self-expression. These changes in both material and symbolic aspects influence one another and shape new social practices surrounding the use of the Kebaya Encim in contemporary society.

Kata kunci

Jaringan kolaborasi para penulis

27 penulis · 61 tautan kepenulisan bersama · 30 lintas organisasi

Arahkan kursor atau ketuk sebuah nama untuk menyorot rekan penulisnya. Klik dua kali untuk membuka halaman penulis.

  • Gunadarma University
  • Universitas Muhammadiyah Parepare
  • Universitas Muhamadiyah Sorong
  • Maranatha Christian University
  • State University of Gorontalo
  • State University of Semarang
  • Hasanuddin University
  • Organisasi lain
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Rajab RitongaGunadarma University1
Nadinta Rafifah SuaibGunadarma University1
Bahruddin BahruddinUniversitas Muhammadiyah Parepare1
Sukmawati SukmawatiUniversitas Muhamadiyah Sorong1
Sri Nur QadriUniversitas Muhammadiyah Parepare1
Iradhatullah RahimUniversitas Muhammadiyah Parepare1
Suherman SuhermanMaranatha Christian University1
Mayasari YaminState University of Gorontalo1
Syamsiar ZamzamUniversitas Muhammadiyah Parepare1
Lu Li Qian QianAfiliasi tidak diketahui1
Tiara Kurniawati WahdahGunadarma University1
Elvira SeptevanyNanchang University1
Ria Riski MarsukiState University of Semarang1
Dian Sari Unga WaruHasanuddin University1
Abimanyu AbimanyuGunadarma University1
Fatmawati FatmawatiGunadarma University1
Fransiska Sella PratiwiGunadarma University1
Batari AndiniGunadarma University1
Ayesa AyesaGunadarma University1
Rawdhah Binti YasaUniversitas Islam Negeri Ar-Raniry1
Yusrizal YusrizalUniversitas Syiah Kuala1
Rizki HandayaniAfiliasi tidak diketahui1
Ayu MirandaAfiliasi tidak diketahui1
Mahmood RezaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/longdaxiaokan/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">Reinterpretation of the Material and Meaning of the Encim Kebaya in the Dynamics of Social Practice</dc:title>
	<dc:creator xml:lang="en">Amalia, Winda</dc:creator>
	<dc:creator xml:lang="en">Fatmawati, Fatmawati</dc:creator>
	<dc:creator xml:lang="en">Ningsih, Tri Wahyu Retno</dc:creator>
	<dc:subject xml:lang="en">Kebaya Encim, Social  Practice Dynamic, Material,  Meaning and  Culture</dc:subject>
	<dc:description xml:lang="en">This study aims to understand the dynamics of social practices surrounding the Kebaya Encim by focusing on changes in its material elements and meanings. The Kebaya Encim is a form of traditional attire that emerged from a blend of Javanese, Dutch, Chinese, and Betawi cultures, giving it strong historical and cultural significance within society. As times have changed, the Kebaya Encim is no longer used solely as traditional attire but has undergone transformations in both function and appearance to align with the needs and trends of modern society. This study employs the social dynamics theory proposed by Shove, Pantzar, and Watson (2012) to examine how changes in social practices occur through the interplay between material, competence, and meaning. The focus of this study is to examine the changes in the Kebaya Encim regarding its material elements and meanings resulting from social and cultural developments. The research method employed is descriptive qualitative, utilizing in-depth interviews, snowball sampling, as well as direct and digital observations via the social media platform TikTok. The results of the study indicate that the material elements of the Kebaya Encim have undergone changes in fabric, cut, motifs, color, and increasingly modern production technology. Meanwhile, the symbolic meaning of the Kebaya Encim has also evolved, encompassing its symbolic function, cultural identity, and the way people view it as part of their lifestyle and self-expression. These changes in both material and symbolic aspects influence one another and shape new social practices surrounding the use of the Kebaya Encim in contemporary society.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2026-06-09</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/longdaxiaokan/article/view/49019</dc:identifier>
	<dc:identifier>10.15294/longdaxiaokan.v9i1.49019</dc:identifier>
	<dc:source xml:lang="en">Longda Xiaokan: Journal of Mandarin Learning and Teaching; Vol. 9 No. 1 (2026); 85-102</dc:source>
	<dc:source>2715-1611</dc:source>
	<dc:source>2528-5734</dc:source>
	<dc:source>10.15294/longdaxiaokan.v9i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/longdaxiaokan/article/view/49019/9984</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2026 Longda Xiaokan: Journal of Mandarin Learning and Teaching</dc:rights>
</oai_dc:dc>