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Management of Royalties for Copyright Local Songs and Music: Implementation and Urgency

Lex Scientia Law Review · Vol. 9 No. 2 (2025) · hlm. 1637–1667

DOI
10.15294/lslr.v9i2.30243
ISSN
2598-9685, 2598-9677
Terbit
2025-12-05
Penerbit
Universitas Negeri Semarang
Bahasa
eng
Lisensi
creativecommons.org/licenses/by-nc-sa/4.0

Abstrak

This study is driven by the ongoing challenges in royalty management arrangements for copyrighted songs and regional music, despite the existence of relevant regulations. In this context, the issues originated from the public’s limited understanding of copyright infringement, as well as a lack of awareness regarding the rights of songwriters and regional musicians to receive royalties. In some cases, songwriters and musicians resort to informal or underhanded agreements concerning the use of respective songs. Therefore, this study aims to thoroughly examine the royalty management policies for copyrighted songs and local music in Indonesia, to emphasize the urgency of royalty management in the sector, and to explore the issue from a human rights perspective. In order to achieve the stated objectives, a normative study approach was utilized, adopting both a legislative approach and legal concept analysis. The obtained results showed that royalty management policies for copyrighted songs and regional music were regulated under Government Regulation 56/2021, implemented through National Collective Management Institution (Lembaga Manajemen Kolektif Nasional/LMKN) and Collective Management Institution (LMK). The management of royalties is very important, as it provides benefits not only to creators and related stakeholders but also contributes to the development of music in society. Furthermore, royalty management, as an expression of economic rights, was recognized as part of ECOSOB human rights.

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I Nyoman SujanaWarmadewa University1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/lslr/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">Management of Royalties for Copyright Local Songs and Music: Implementation and Urgency</dc:title>
	<dc:creator xml:lang="en">Yohanes Usfunan</dc:creator>
	<dc:creator xml:lang="en">Jimmy Z. Usfunan</dc:creator>
	<dc:creator xml:lang="en">Made Aditya Pramana Putra</dc:creator>
	<dc:creator xml:lang="en">Ni Wayan Ella Apryani</dc:creator>
	<dc:creator xml:lang="en">Leonito Ribeiro</dc:creator>
	<dc:subject xml:lang="en">Copyright</dc:subject>
	<dc:subject xml:lang="en">Regional Songs and Music</dc:subject>
	<dc:subject xml:lang="en">Human Rights</dc:subject>
	<dc:subject xml:lang="en">Royalties</dc:subject>
	<dc:description xml:lang="en">This study is driven by the ongoing challenges in royalty management arrangements for copyrighted songs and regional music, despite the existence of relevant regulations. In this context, the issues originated from the public’s limited understanding of copyright infringement, as well as a lack of awareness regarding the rights of songwriters and regional musicians to receive royalties. In some cases, songwriters and musicians resort to informal or underhanded agreements concerning the use of respective songs. Therefore, this study aims to thoroughly examine the royalty management policies for copyrighted songs and local music in Indonesia, to emphasize the urgency of royalty management in the sector, and to explore the issue from a human rights perspective. In order to achieve the stated objectives, a normative study approach was utilized, adopting both a legislative approach and legal concept analysis. The obtained results showed that royalty management policies for copyrighted songs and regional music were regulated under Government Regulation 56/2021, implemented through National Collective Management Institution (Lembaga Manajemen Kolektif Nasional/LMKN) and Collective Management Institution (LMK). The management of royalties is very important, as it provides benefits not only to creators and related stakeholders but also contributes to the development of music in society. Furthermore, royalty management, as an expression of economic rights, was recognized as part of ECOSOB human rights.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-12-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/lslr/article/view/30243</dc:identifier>
	<dc:identifier>10.15294/lslr.v9i2.30243</dc:identifier>
	<dc:source xml:lang="en">Lex Scientia Law Review; Vol. 9 No. 2 (2025): November, 2025: Law, Policy, and Governance in Contemporary Socio-Economic Transformation; 1637-1667</dc:source>
	<dc:source>2598-9685</dc:source>
	<dc:source>2598-9677</dc:source>
	<dc:source>10.15294/lslr.v9i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/lslr/article/view/30243/7404</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Yohanes Usfunan, Jimmy Z. Usfunan, Made Aditya Pramana Putra, Ni Wayan Ella Apryani, Leonito Ribeiro (Author)</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
</oai_dc:dc>