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Reevaluating Femininity: Gender Stereotypes in Percy Jackson and the Sea of Monsters

Rainbow: Journal of Literature, Linguistics and Culture Studies · Vol. 14 (2025) · hlm. 164–172

DOI
10.15294/rainbow.v14i.29177
ISSN
2721-4540, 2252-6323
Terbit
2025-07-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng
Lisensi
creativecommons.org/licenses/by/4.0

Abstrak

An examination of the way femininity is represented in young adult literature, particularly characters such as the female demigods in “Percy Jackson and the Sea of Monsters,” is important to demonstrate how prevalent gender stereotypes can have a direct impact on nuanced representations. Cultural stories often stereotype women into set emotions or characteristics, such as scared or angry, in order to maintain the social order and to keep a male power structure (Ni, 2024). This paper applies narrative discourse analysis and Stuart Hall’s representation theory and uncovers the ways in which identity is constructed in these stories as the essays demonstrate how the conventional representations stand in the way of more nuanced characterizations of female characters (Kimsey, 2020). By centring the creative power at the junction of feeling and power, this research raises questions about depictions of emotion and their implications for perceptions of the feminine in the young reader. Finally, this article argues for richer and more complex plotlines, which lead to critical and thoughtful reflection of the course of female identity and agency in opposition to the established genre pattern.

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  • State University of Semarang
  • Diponegoro University
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Rekan penulisOrganisasiArtikel bersama
Sri Wuli FitriatiState University of Semarang3
Widhiyanto WidhiyantoState University of Semarang2
Bintang Priyanto PutriState University of Semarang2
Hendi PratamaState University of Semarang1
Tomy WidiyantoState University of Semarang1
Bintang ShofiarizqiState University of Semarang1
Hariyadi HariyadiDiponegoro University1
Millatuz ZulfaState University of Semarang1
Ana TherianaAfiliasi tidak diketahui1
Khatarina RustipaAfiliasi tidak diketahui1
Ramiro Santiago IkhsanAfiliasi tidak diketahui1
Ripda ErwinAfiliasi tidak diketahui1
Sri WahyuniState University of Semarang1
Asti Veto MortiniState University of Semarang1
Juan Carlos RodriguezAfiliasi tidak diketahui1
Dennis Audria PramanaState University of Semarang1
Nada Kamila ChairunisaState University of Semarang1
Sabrina Indah KumalaState University of Semarang1
Miftahul JanahState University of Semarang1
Oxa Ardyan FathuroziState University of Semarang1
Ergi Wian SeptiandikoState University of Semarang1
Azriel Akbar FaizalState University of Semarang1
Angga Brian FernandiState University of Semarang1
Fatma HetamiState University of Semarang1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/rainbow/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">Reevaluating Femininity: Gender Stereotypes in Percy Jackson and the Sea of Monsters</dc:title>
	<dc:creator xml:lang="en">Yumna, Syifa' Zhafirah</dc:creator>
	<dc:creator xml:lang="en">Haryanti, Rahayu Puji</dc:creator>
	<dc:description xml:lang="en">An examination of the way femininity is represented in young adult literature, particularly characters such as the female demigods in “Percy Jackson and the Sea of Monsters,” is important to demonstrate how prevalent gender stereotypes can have a direct impact on nuanced representations. Cultural stories often stereotype women into set emotions or characteristics, such as scared or angry, in order to maintain the social order and to keep a male power structure (Ni, 2024). This paper applies narrative discourse analysis and Stuart Hall’s representation theory and uncovers the ways in which identity is constructed in these stories as the essays demonstrate how the conventional representations stand in the way of more nuanced characterizations of female characters (Kimsey, 2020). By centring the creative power at the junction of feeling and power, this research raises questions about depictions of emotion and their implications for perceptions of the feminine in the young reader. Finally, this article argues for richer and more complex plotlines, which lead to critical and thoughtful reflection of the course of female identity and agency in opposition to the established genre pattern.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-07-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/rainbow/article/view/29177</dc:identifier>
	<dc:identifier>10.15294/rainbow.v14i.29177</dc:identifier>
	<dc:source xml:lang="en">Rainbow: Journal of Literature, Linguistics and Culture Studies; Vol. 14 (2025): Special Issue; 164-172</dc:source>
	<dc:source>2721-4540</dc:source>
	<dc:source>2252-6323</dc:source>
	<dc:source>10.15294/rainbow.v14i</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/rainbow/article/view/29177/5524</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Syifa' Zhafirah Yumna, Dr. Rahayu Puji Haryanti, M.Hum. (Author)</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>