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Representation of Indigeneity in Women’s Reproductivities in Sophie Mackintosh’s Blue Ticket

Rainbow: Journal of Literature, Linguistics and Culture Studies · Vol. 14 (2025) · hlm. 40–48

DOI
10.15294/rainbow.v14i.29956
ISSN
2721-4540, 2252-6323
Terbit
2025-07-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng
Lisensi
creativecommons.org/licenses/by/4.0

Abstrak

This research examines the representation of indigeneity in women's reproductivities in Sophie Mackintosh's Blue Ticket, focusing on how the patriarchal system controls women's bodies and identities. The novel depicts a dystopian society where women's reproductive fate is determined through a lottery system, reflecting the way state power shapes and marginalizes women's subjectivity. With a qualitative method and close reading approach, this study uses Simone de Beauvoir's existentialist feminism and Gayatri Spivak's postcolonial feminism to analyze the interrelationship between reproduction, indigeneity, and gender-based oppression. The research findings reveal that the main character, Calla, portrays resistance to a system that erases women's agency and authority over their bodies. Despite demonstrating an attempt at freedom, Calla must face the consequences of exclusion and violence. This representation shows that women's efforts to resist patriarchal structures are frequently undermined by the system that supports their dominance. This research concludes that Blue Ticket presents reproduction as a realm of conflict between identities shaped by the system and women's struggle to achieve an autonomous existence.

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  • State University of Semarang
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Rekan penulisOrganisasiArtikel bersama
Sri Wuli FitriatiState University of Semarang3
Widhiyanto WidhiyantoState University of Semarang2
Bintang Priyanto PutriState University of Semarang2
Hendi PratamaState University of Semarang1
Tomy WidiyantoState University of Semarang1
Bintang ShofiarizqiState University of Semarang1
Hariyadi HariyadiDiponegoro University1
Millatuz ZulfaState University of Semarang1
Ana TherianaAfiliasi tidak diketahui1
Khatarina RustipaAfiliasi tidak diketahui1
Ramiro Santiago IkhsanAfiliasi tidak diketahui1
Ripda ErwinAfiliasi tidak diketahui1
Sri WahyuniState University of Semarang1
Asti Veto MortiniState University of Semarang1
Juan Carlos RodriguezAfiliasi tidak diketahui1
Dennis Audria PramanaState University of Semarang1
Syifa' Zhafirah YumnaState University of Semarang1
Nada Kamila ChairunisaState University of Semarang1
Miftahul JanahState University of Semarang1
Oxa Ardyan FathuroziState University of Semarang1
Ergi Wian SeptiandikoState University of Semarang1
Azriel Akbar FaizalState University of Semarang1
Angga Brian FernandiState University of Semarang1
Fatma HetamiState University of Semarang1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/rainbow/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en">Representation of Indigeneity in Women’s Reproductivities in Sophie Mackintosh’s Blue Ticket</dc:title>
	<dc:creator xml:lang="en">Kumala, Sabrina Indah</dc:creator>
	<dc:creator xml:lang="en">Haryanti, Rahayu Puji</dc:creator>
	<dc:subject xml:lang="en">indigeneity</dc:subject>
	<dc:subject xml:lang="en">reproductivities</dc:subject>
	<dc:subject xml:lang="en">subaltern</dc:subject>
	<dc:subject xml:lang="en">the other</dc:subject>
	<dc:subject xml:lang="en">women's agency</dc:subject>
	<dc:description xml:lang="en">This research examines the representation of indigeneity in women's reproductivities in Sophie Mackintosh's Blue Ticket, focusing on how the patriarchal system controls women's bodies and identities. The novel depicts a dystopian society where women's reproductive fate is determined through a lottery system, reflecting the way state power shapes and marginalizes women's subjectivity. With a qualitative method and close reading approach, this study uses Simone de Beauvoir's existentialist feminism and Gayatri Spivak's postcolonial feminism to analyze the interrelationship between reproduction, indigeneity, and gender-based oppression. The research findings reveal that the main character, Calla, portrays resistance to a system that erases women's agency and authority over their bodies. Despite demonstrating an attempt at freedom, Calla must face the consequences of exclusion and violence. This representation shows that women's efforts to resist patriarchal structures are frequently undermined by the system that supports their dominance. This research concludes that Blue Ticket presents reproduction as a realm of conflict between identities shaped by the system and women's struggle to achieve an autonomous existence.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-07-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/rainbow/article/view/29956</dc:identifier>
	<dc:identifier>10.15294/rainbow.v14i.29956</dc:identifier>
	<dc:source xml:lang="en">Rainbow: Journal of Literature, Linguistics and Culture Studies; Vol. 14 (2025): Special Issue; 40-48</dc:source>
	<dc:source>2721-4540</dc:source>
	<dc:source>2252-6323</dc:source>
	<dc:source>10.15294/rainbow.v14i</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/rainbow/article/view/29956/5484</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Sabrina Indah Kumala, Dr. Rahayu Puji Haryanti, M.Hum. (Author)</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>