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State reproduction through structural power and ideological continuity in Suzanne Collins' Mockingjay

Rainbow: Journal of Literature, Linguistics and Culture Studies · Vol. 14 (2025) · hlm. 205–214

DOI
10.15294/rainbow.v14i.29978
ISSN
2721-4540, 2252-6323
Terbit
2025-07-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng
Lisensi
creativecommons.org/licenses/by/4.0

Abstrak

In Mockingjay, the fall of the Capitol gives way to a disturbing continuity of power, where the rhetoric of freedom masks familiar forms of control. While District 13 positions itself as the revolutionary alternative, its use of surveillance, propaganda, and authoritarian discipline reflects the very structures it claims to overthrow. This article argues that through Katniss Everdeen’s final act, Suzanne Collins exposes the cyclical nature of state power and the persistence of ideology in legitimizing domination. Drawing on Nicos Poulantzas’s theory of authoritarian statism and the state as a condensation of class struggle, the analysis reveals how the narrative critiques the reproduction of hierarchical structures under the guise of liberation. Rather than celebrating victory, Mockingjay asks whether the revolution truly dismantled power, or simply rebranded it.

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26 penulis · 48 tautan kepenulisan bersama · 2 lintas organisasi

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  • State University of Semarang
  • Diponegoro University
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Rekan penulisOrganisasiArtikel bersama
Sri Wuli FitriatiState University of Semarang3
Widhiyanto WidhiyantoState University of Semarang2
Bintang Priyanto PutriState University of Semarang2
Hendi PratamaState University of Semarang1
Tomy WidiyantoState University of Semarang1
Bintang ShofiarizqiState University of Semarang1
Hariyadi HariyadiDiponegoro University1
Millatuz ZulfaState University of Semarang1
Ana TherianaAfiliasi tidak diketahui1
Khatarina RustipaAfiliasi tidak diketahui1
Ramiro Santiago IkhsanAfiliasi tidak diketahui1
Ripda ErwinAfiliasi tidak diketahui1
Sri WahyuniState University of Semarang1
Asti Veto MortiniState University of Semarang1
Juan Carlos RodriguezAfiliasi tidak diketahui1
Dennis Audria PramanaState University of Semarang1
Syifa' Zhafirah YumnaState University of Semarang1
Nada Kamila ChairunisaState University of Semarang1
Sabrina Indah KumalaState University of Semarang1
Oxa Ardyan FathuroziState University of Semarang1
Ergi Wian SeptiandikoState University of Semarang1
Azriel Akbar FaizalState University of Semarang1
Angga Brian FernandiState University of Semarang1
Fatma HetamiState University of Semarang1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/rainbow/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">State reproduction through structural power and ideological continuity in Suzanne Collins' Mockingjay</dc:title>
	<dc:creator xml:lang="en">Janah, Miftahul</dc:creator>
	<dc:creator xml:lang="en">Haryanti, Rahayu Puji</dc:creator>
	<dc:subject xml:lang="en">Ideological Continuity</dc:subject>
	<dc:subject xml:lang="en">Mockingjay</dc:subject>
	<dc:subject xml:lang="en">State Reproduction</dc:subject>
	<dc:subject xml:lang="en">Structural Power</dc:subject>
	<dc:subject xml:lang="en">Suzanne Collins</dc:subject>
	<dc:description xml:lang="en">In Mockingjay, the fall of the Capitol gives way to a disturbing continuity of power, where the rhetoric of freedom masks familiar forms of control. While District 13 positions itself as the revolutionary alternative, its use of surveillance, propaganda, and authoritarian discipline reflects the very structures it claims to overthrow. This article argues that through Katniss Everdeen’s final act, Suzanne Collins exposes the cyclical nature of state power and the persistence of ideology in legitimizing domination. Drawing on Nicos Poulantzas’s theory of authoritarian statism and the state as a condensation of class struggle, the analysis reveals how the narrative critiques the reproduction of hierarchical structures under the guise of liberation. Rather than celebrating victory, Mockingjay asks whether the revolution truly dismantled power, or simply rebranded it.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-07-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/rainbow/article/view/29978</dc:identifier>
	<dc:identifier>10.15294/rainbow.v14i.29978</dc:identifier>
	<dc:source xml:lang="en">Rainbow: Journal of Literature, Linguistics and Culture Studies; Vol. 14 (2025): Special Issue; 205-214</dc:source>
	<dc:source>2721-4540</dc:source>
	<dc:source>2252-6323</dc:source>
	<dc:source>10.15294/rainbow.v14i</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/rainbow/article/view/29978/5579</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Miftahul Janah, Dr. Rahayu Puji Haryanti, M.Hum. (Author)</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>