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The Image of Javanese Women in Gadis Pantai Novel by Pramodeya Ananta Toer; Social Realism Review

Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia · Vol. 8 No. 1 (2019) · hlm. 66–72

DOI
10.15294/seloka.v8i1.29680
ISSN
2502-4493, 2301-6744
Terbit
2019-04-07
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The image of Javanese women become an interesting review matter in a novel study. The image can be seen in Gadis Pantai novel by Pramoedya Ananta Toer in which is full of cultural values and social stratum classes. The focus of this research is the image of Javanese women in the novel by using social realism review. The method was hermeneutic by reading repetition in the novel, allowing the reader to deconstruct structurally to reveal the meaning inside of the novel. The data source is the excerpts of the novel in the form of statement, written words, and the actions of the characters in the novel. The data collection techniques were literature study, observation, and notes. The data analysis technique was content analysis. The findings are: (1) the image of Javanese women in the novel could be found on Gadis Pantai character, maid, mother, and Mardinah. The image of Javanese women in the novel showed nglaras rasa and angon rasa, welas asih, nrima and rasa rumangsa, kanthong bolong and gangsir ngenthir, kridha grahita, ngelmu begja, the feeling to have and jealousy, fear, and humble, and (2) the representations of Javanese woman image in the novel could be seen from social aspect, covering from ethics toward people, higher social stratum person, and society inside.

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  • State University of Semarang
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Teguh SupriyantoAfiliasi tidak diketahui3
Masrukhi MasrukhiAfiliasi tidak diketahui1
Yanuar AkhmadAfiliasi tidak diketahui1
Mukh DoyinAfiliasi tidak diketahui1
Ratih AnjarwaniAfiliasi tidak diketahui1
Agus YuwonoAfiliasi tidak diketahui1
nur izza fadhlianiAfiliasi tidak diketahui1
Imelda Dian PertiwiAfiliasi tidak diketahui1
Nurula Ma FazaAfiliasi tidak diketahui1
Mujimin MujiminAfiliasi tidak diketahui1
Titi Puji LestariAfiliasi tidak diketahui1
Apik Ilma AnnisaAfiliasi tidak diketahui1
Hildan UdayanaAfiliasi tidak diketahui1
Nurhannah WidiantiAfiliasi tidak diketahui1
Liliyek Puji RustantiAfiliasi tidak diketahui1
Fathur RokhmanState University of Semarang1
Mohammad Saiful AnamAfiliasi tidak diketahui1
Shabrina AlaniaAfiliasi tidak diketahui1
Hari Bakti MardikantoroAfiliasi tidak diketahui1
Endang Pudji DwirahayuAfiliasi tidak diketahui1
Krisnani WiryadiningsihAfiliasi tidak diketahui1
Satria Nugraha AdiwijayaAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/seloka/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 6 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">The Image of  Javanese Women in Gadis Pantai Novel by Pramodeya Ananta Toer; Social Realism Review</dc:title>
	<dc:creator>Purnamasari, Riris</dc:creator>
	<dc:creator>Indiatmoko, Bambang</dc:creator>
	<dc:description xml:lang="en-US">The image of Javanese women become an interesting review matter in a novel study. The image can be seen in Gadis Pantai novel by Pramoedya Ananta Toer in which is full of cultural values and social stratum classes. The focus of this research is the image of Javanese women in the novel by using social realism review. The method was hermeneutic by reading repetition in the novel, allowing the reader to deconstruct structurally to reveal the meaning inside of the novel. The data source is the excerpts of the novel in the form of statement, written words, and the actions of the characters in the novel. The data collection techniques were literature study, observation, and notes. The data analysis technique was content analysis. The findings are: (1) the image of Javanese women in the novel could be found on Gadis Pantai character, maid, mother, and Mardinah. The image of Javanese women in the novel showed nglaras rasa and angon rasa, welas asih, nrima and rasa rumangsa, kanthong bolong and gangsir ngenthir, kridha grahita, ngelmu begja, the feeling to have and jealousy, fear, and humble, and (2) the representations of Javanese woman image in the novel could be seen from social aspect, covering from ethics toward people, higher social stratum person, and society inside.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-04-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/seloka/article/view/29680</dc:identifier>
	<dc:identifier>10.15294/seloka.v8i1.29680</dc:identifier>
	<dc:source xml:lang="en-US">Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia; Vol 8 No 1 (2019): April 2019; 66-72</dc:source>
	<dc:source>2502-4493</dc:source>
	<dc:source>2301-6744</dc:source>
	<dc:source>10.15294/seloka.v0i-</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/seloka/article/view/29680/13059</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia</dc:rights>
</oai_dc:dc>