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The Legality of Copyright of Artificial Intelligence Video Works on the SORA Platform Under Intellectual Property Law

Law Research Review Quarterly · Vol. 12 No. 5 (2026) · hlm. 3177–3209

DOI
10.15294/lrrq.v12i5.53989
ISSN
2716-3415
Terbit
2026-05-19
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The rapid emergence of Generative artificial intelligence, particularly the Sora platform's text-to-video capabilities, presents unprecedented challenges to the anthropocentric foundations of Indonesian copyright law. The main problem lies in the legal vacuum regarding the authorship and originality of AI-generated videos, as traditional frameworks strictly require a human's personal touch and intellectual contribution. This research aims to analyze the copyright legality of Sora-generated videos under Law Number 28 of 2014 concerning Copyright, compare the regulatory approaches of the United States and China, and evaluate the juridical consequences of this legal vacuum on the creative industry. This study employs a normative legal research method using statutory, conceptual, and comparative approaches. The findings reveal that under Indonesian law, videos generated purely by AI operate outside the scope of copyright and fall into the Public Domain unless a substantial human intervention is proven. Comparatively, the US strictly denies AI authorship based on the idea-expression dichotomy, whereas China progressively recognizes complex prompt engineering as a protectable human intellectual investment. The study concludes that Indonesia must navigate a middle-ground approach by officially recognizing the category of AI-assisted Works. To prevent industry disruption such as copyright trolling and the spread of low-quality content, the government is urged to update current regulations and establish a specific verification test that requires creators to submit evidence of their iterative creative process and editorial control as a prerequisite for copyright protection.

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  • State University of Semarang
  • Université de Caen Normandie
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Rekan penulisOrganisasiArtikel bersama
Rindia Fanny KusumaningtyasState University of Semarang1
Afifah WidyastutiState University of Semarang1
Ibadurrahman Hanan AbdullahUniversité de Caen Normandie1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/snh/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">The Legality of Copyright of Artificial Intelligence Video Works on the SORA Platform Under Intellectual Property Law</dc:title>
	<dc:creator xml:lang="en">Suri, Vincentius Pieter Noehveltino Bonitu</dc:creator>
	<dc:creator xml:lang="en">Andry Setiawan</dc:creator>
	<dc:subject xml:lang="en">copyright</dc:subject>
	<dc:subject xml:lang="en">generative artificial Intelligence </dc:subject>
	<dc:subject xml:lang="en">sora</dc:subject>
	<dc:subject xml:lang="en">Legal Vacuum</dc:subject>
	<dc:description xml:lang="en">The rapid emergence of Generative artificial intelligence, particularly the Sora platform's text-to-video capabilities, presents unprecedented challenges to the anthropocentric foundations of Indonesian copyright law. The main problem lies in the legal vacuum regarding the authorship and originality of AI-generated videos, as traditional frameworks strictly require a human's personal touch and intellectual contribution. This research aims to analyze the copyright legality of Sora-generated videos under Law Number 28 of 2014 concerning Copyright, compare the regulatory approaches of the United States and China, and evaluate the juridical consequences of this legal vacuum on the creative industry. This study employs a normative legal research method using statutory, conceptual, and comparative approaches. The findings reveal that under Indonesian law, videos generated purely by AI operate outside the scope of copyright and fall into the Public Domain unless a substantial human intervention is proven. Comparatively, the US strictly denies AI authorship based on the idea-expression dichotomy, whereas China progressively recognizes complex prompt engineering as a protectable human intellectual investment. The study concludes that Indonesia must navigate a middle-ground approach by officially recognizing the category of AI-assisted Works. To prevent industry disruption such as copyright trolling and the spread of low-quality content, the government is urged to update current regulations and establish a specific verification test that requires creators to submit evidence of their iterative creative process and editorial control as a prerequisite for copyright protection.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2026-05-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/snh/article/view/53989</dc:identifier>
	<dc:identifier>10.15294/lrrq.v12i5.53989</dc:identifier>
	<dc:source xml:lang="en">Law Research Review Quarterly; Vol. 12 No. 5 (2026): Special Edition Part 1; 3177-3209</dc:source>
	<dc:source>2716-3415</dc:source>
	<dc:source>10.15294/lrrq.v12i5</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/snh/article/view/53989/10606</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2026 Law Research Review Quarterly</dc:rights>
</oai_dc:dc>