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Cultural Code in the Serat Pasindhen Bedhaya Mintaraga Yasan Dalem of Sri Sultan Hamengku Bawono Ka-10

Sutasoma : Jurnal Sastra Jawa · Vol. 14 No. 1 (2026) · hlm. 72–82

DOI
10.15294/sjsj.v14i1.47430
ISSN
2686-5408, 2252-6463
Terbit
2026-07-05
Penerbit
Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang
Bahasa
eng
Lisensi
creativecommons.org/licenses/by-sa/4.0

Abstrak

Bedhaya is a dance performed by female dancers within the royal palace environment. One of the Bedhaya dances preserved in the Karaton Ngayogyakarta Hadiningrat is Bedhaya Mintaraga, the yasan dalem of Sri Sultan Hamengku Bawono Ka-10. Bedhaya Mintaraga conveys messages about the noble values a ksatria must possess, represented by Raden Arjuna during his ascetic period, titled Begawan Mintaraga. These messages are conveyed not only through dance movements but also through the Serat Pasindhen sung by the sindhen. In this context, A.Teeuw’s semiotic theory, particularly cultural codes, is used to examine how cultural codes in the Bedhaya Mintaraga represent and transmit life values through artistic symbols. The results of the study show that the cultural code in the Serat Pasindhen Bedhaya Mintaraga reflects the social practices in the Karaton Ngayogyakarta Hadiningrat environment, when the Serat Pasindhen Bedhaya Mintaraga includes the concept of babahan hawa sanga, forms of symbolic legitimization, representations of prayer, and the figure of Raden Arjuna, as well as life teachings that emphasize the principle of memayu hayuning Buwono. This research shows that the performing arts of the Karaton Ngayogyakarta Hadiningrat can be understood as a cultural text that serves to preserve philosophical teachings and strengthen cultural identities, both of which remain relevant to society.

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/sutasoma/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en">Cultural Code in the Serat Pasindhen Bedhaya Mintaraga Yasan Dalem of Sri Sultan Hamengku Bawono Ka-10</dc:title>
	<dc:creator xml:lang="en">Raihan Adib Ghifari</dc:creator>
	<dc:creator xml:lang="en">Rahma Ari Widihastuti</dc:creator>
	<dc:creator xml:lang="en">Yusro Edy Nugroho</dc:creator>
	<dc:creator xml:lang="en">Kumar, Rajeev </dc:creator>
	<dc:subject xml:lang="en">Serat Pasindhen Bedhaya Mintaraga, A. Teeuw’s semiotics, cultural code</dc:subject>
	<dc:description xml:lang="en">Bedhaya is a dance performed by female dancers within the royal palace environment. One of the Bedhaya dances preserved in the Karaton Ngayogyakarta Hadiningrat is Bedhaya Mintaraga, the yasan dalem of Sri Sultan Hamengku Bawono Ka-10. Bedhaya Mintaraga conveys messages about the noble values a ksatria must possess, represented by Raden Arjuna during his ascetic period, titled Begawan Mintaraga. These messages are conveyed not only through dance movements but also through the Serat Pasindhen sung by the sindhen. In this context, A.Teeuw’s semiotic theory, particularly cultural codes, is used to examine how cultural codes in the Bedhaya Mintaraga represent and transmit life values through artistic symbols. The results of the study show that the cultural code in the Serat Pasindhen Bedhaya Mintaraga reflects the social practices in the Karaton Ngayogyakarta Hadiningrat environment, when the Serat Pasindhen Bedhaya Mintaraga includes the concept of babahan hawa sanga, forms of symbolic legitimization, representations of prayer, and the figure of Raden Arjuna, as well as life teachings that emphasize the principle of memayu hayuning Buwono. This research shows that the performing arts of the Karaton Ngayogyakarta Hadiningrat can be understood as a cultural text that serves to preserve philosophical teachings and strengthen cultural identities, both of which remain relevant to society.</dc:description>
	<dc:publisher xml:lang="en">Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang</dc:publisher>
	<dc:date>2026-07-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/sutasoma/article/view/47430</dc:identifier>
	<dc:identifier>10.15294/sjsj.v14i1.47430</dc:identifier>
	<dc:source xml:lang="en">Sutasoma : Jurnal Sastra Jawa; Vol. 14 No. 1 (2026): Sutasoma: Jurnal Sastra Jawa; 72-82</dc:source>
	<dc:source>2686-5408</dc:source>
	<dc:source>2252-6463</dc:source>
	<dc:source>10.15294/sjsj.v14i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/sutasoma/article/view/47430/10578</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2026 Sutasoma : Jurnal Sastra Jawa</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by-sa/4.0</dc:rights>
</oai_dc:dc>