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Apokaliptik Sastra dalam Tradisi Kebo-Keboan Desa Alas Malang, Banyuwangi

Sutasoma : Jurnal Sastra Jawa · Vol. 8 No. 2 (2020) · hlm. 146–155

DOI
10.15294/sutasoma.v8i2.43010
ISSN
2686-5408, 2252-6463
Terbit
2020-12-29
Penerbit
Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang
Bahasa
eng

Abstrak

A tradition that offers a magical element in its implementation always attracts the human senses. This magical element is one of the sacred factors in a tradition. One tradition that is thick with elements of sacredness is the tradition of boredom in the village of Alas Malang, Banyuwangi. Therefore, this research is written as an effort to maintain the existence of the kebo-keboan tradition so that it is in line with the development of the tourism world in Banyuwangi and to explain apocalyptic values ​​in a tradition called kebo-keboan. This apocalyptic value is a form of harmony between humans and nature in the implementation of the boredom tradition. This research is a qualitative descriptive study using ethnographic method approach. The data in this research is the speech or behavior of the people of Alas Malang Village related to apocalyptic elements. In collecting data, researchers used observation and interview techniques. Meanwhile, in analyzing the data, the researcher took several steps, namely data reduction, data presentation, and drawing conclusions. The results of the research show the stages in the implementation of the kebo-keboan tradition which are divided into three, namely the opening, the core in the form of the earth ider, and the closing. Literary apocalyptic in the cultural tradition is described in the figure of Mbah Buyut Karti who is considered a hero, the agricultural environment and pageblug as an apocalyptic environment, and whisik as a vision or prophecy.

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  • University of Brawijaya
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Rekan penulisOrganisasiArtikel bersama
Niken Diah Ayu SafitriUniversity of Brawijaya1
Abdul Faiq BafanaUniversity of Brawijaya1
Teddy AfriansyahUniversity of Brawijaya1
Lalita Sasa HarfianUniversity of Brawijaya1
Azizah Hana SalsabilaUniversity of Brawijaya1
Esavalin Oktavia RufianjaniUniversity of Brawijaya1
Habibah Rizka Nur Annisa'University of Brawijaya1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/sutasoma/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 6 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Apokaliptik Sastra dalam Tradisi Kebo-Keboan Desa Alas Malang, Banyuwangi</dc:title>
	<dc:creator>Rizal, Maulfi Syaiful</dc:creator>
	<dc:creator>Walida, Vina</dc:creator>
	<dc:description xml:lang="en-US">A tradition that offers a magical element in its implementation always attracts the human senses. This magical element is one of the sacred factors in a tradition. One tradition that is thick with elements of sacredness is the tradition of boredom in the village of Alas Malang, Banyuwangi. Therefore, this research is written as an effort to maintain the existence of the kebo-keboan tradition so that it is in line with the development of the tourism world in Banyuwangi and to explain apocalyptic values ​​in a tradition called kebo-keboan. This apocalyptic value is a form of harmony between humans and nature in the implementation of the boredom tradition. This research is a qualitative descriptive study using ethnographic method approach. The data in this research is the speech or behavior of the people of Alas Malang Village related to apocalyptic elements. In collecting data, researchers used observation and interview techniques. Meanwhile, in analyzing the data, the researcher took several steps, namely data reduction, data presentation, and drawing conclusions. The results of the research show the stages in the implementation of the kebo-keboan tradition which are divided into three, namely the opening, the core in the form of the earth ider, and the closing. Literary apocalyptic in the cultural tradition is described in the figure of Mbah Buyut Karti who is considered a hero, the agricultural environment and pageblug as an apocalyptic environment, and whisik as a vision or prophecy.</dc:description>
	<dc:publisher xml:lang="en-US">Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-12-29</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/sutasoma/article/view/43010</dc:identifier>
	<dc:identifier>10.15294/sutasoma.v8i2.43010</dc:identifier>
	<dc:source xml:lang="en-US">Sutasoma : Jurnal Sastra Jawa; Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa; 146-155</dc:source>
	<dc:source>2686-5408</dc:source>
	<dc:source>2252-6463</dc:source>
	<dc:source>10.15294/sutasoma.v8i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/sutasoma/article/view/43010/17721</dc:relation>
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