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Analisis Wacana Kritis Film Pendek Ngapak Tegal "Mardiyah"

Sutasoma : Jurnal Sastra Jawa · Vol. 10 No. 2 (2022) · hlm. 166–178

DOI
10.15294/sutasoma.v10i2.58610
ISSN
2686-5408, 2252-6463
Terbit
2022-11-30
Penerbit
Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang
Bahasa
eng
Lisensi
creativecommons.org/licenses/by-nc-sa/4.0

Abstrak

The short film ngapak Mardiyah from the Tegal area produced by Mr. Hidayah from the Hidayah Official youtube channel, according to the cultural and linguistic aspects. The researcher took this film as the object of research because it fits the title Mardiyah, but there is no female figure named Mardiyah, which might make the audience wonder why Mardiyah is not shown. The existence of these problems, the researchers analyzed using Teun A. Van Dijk's discourse analysis which focused on three dimensions: text structure, social cognition, and social context. This approach uses descriptive qualitative discourse analysis with data collection techniques document study and literature study. This study uses content analysis techniques to determine the content of a message, the results of the first study, the structure of the text found that there are four scenes that were analyzed based on the macro structure, superstructure and micro structure. Second, on social cognition based on the awareness of the short film maker Mardiyah regarding her ideas, there are three elements, namely elements of knowledge, opinions and attitudes, ideology. Third, in the social context, it is found that the problems that arise in the short film ngapak Mardiyah are not only social disparities, but the figure of Mardiyah as a parable to express one's frustration. Keywords: film analysis; language; culture

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  • State University of Semarang
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Rekan penulisOrganisasiArtikel bersama
Ermi Dyah KurniaState University of Semarang2
Retno Purnama IrawatiState University of Semarang2
Ika NurhidayahState University of Semarang1
Nur FateahState University of Semarang1
R. Ndaru Bagus PrasetyoState University of Semarang1
Yusuf MargonoState University of Semarang1
Rezza Aldi Dwi MulanaState University of Semarang1
Miftah Putri Nur AiniAfiliasi tidak diketahui1
Muhammad Dzulfikar Al FaruqAfiliasi tidak diketahui1
Indira DuatyAfiliasi tidak diketahui1
Pinta MarastiState University of Semarang1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/sutasoma/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 6 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">Analisis Wacana Kritis Film Pendek Ngapak Tegal "Mardiyah"</dc:title>
	<dc:creator>Dzikrianti, Desi Dwi</dc:creator>
	<dc:creator>Lestari, Prembayun Miji</dc:creator>
	<dc:description xml:lang="en-US">The short film ngapak Mardiyah from the Tegal area produced by Mr. Hidayah from the Hidayah Official youtube channel, according to the cultural and linguistic aspects. The researcher took this film as the object of research because it fits the title Mardiyah, but there is no female figure named Mardiyah, which might make the audience wonder why Mardiyah is not shown. The existence of these problems, the researchers analyzed using Teun A. Van Dijk's discourse analysis which focused on three dimensions: text structure, social cognition, and social context. This approach uses descriptive qualitative discourse analysis with data collection techniques document study and literature study. This study uses content analysis techniques to determine the content of a message, the results of the first study, the structure of the text found that there are four scenes that were analyzed based on the macro structure, superstructure and micro structure. Second, on social cognition based on the awareness of the short film maker Mardiyah regarding her ideas, there are three elements, namely elements of knowledge, opinions and attitudes, ideology. Third, in the social context, it is found that the problems that arise in the short film ngapak Mardiyah are not only social disparities, but the figure of Mardiyah as a parable to express one's frustration.
Keywords: film analysis; language; culture</dc:description>
	<dc:publisher xml:lang="en-US">Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-11-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
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	<dc:identifier>https://journal.unnes.ac.id/sju/sutasoma/article/view/58610</dc:identifier>
	<dc:identifier>10.15294/sutasoma.v10i2.58610</dc:identifier>
	<dc:source xml:lang="en-US">Sutasoma : Jurnal Sastra Jawa; Vol 10 No 2 (2022): Sutasoma: Jurnal Sastra Jawa; 166-178</dc:source>
	<dc:source>2686-5408</dc:source>
	<dc:source>2252-6463</dc:source>
	<dc:source>10.15294/sutasoma.v10i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/sutasoma/article/view/58610/23001</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Sutasoma : Jurnal Sastra Jawa</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
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