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Representation Of Women's Masculinity In Somethinc And Batman Co-Branding Communication

Jurnal Sains Sosio Humaniora · Vol. 10 No. 2 (2026) · hlm. 421–437

DOI
10.22437/jssh.v10i2.57911
ISSN
2580-2305, 2580-1244
Terbit
2026-07-03
Penerbit
LPPM Universitas Jambi
Bahasa
en
Lisensi
creativecommons.org/licenses/by/4.0

Abstrak

The beauty industry increasingly employs co-branding strategies to strengthen brand positioning and attract consumer attention. One notable collaboration is Somethinc x Batman, which combines the identity of a beauty brand with a popular superhero franchise. Beyond its marketing function, this collaboration presents an interesting phenomenon regarding the representation of female masculinity through visual communication. This study aims to analyze the representation of female masculinity in the co-branding communication of Somethinc x Batman through a teaser video uploaded on the Instagram account @somethincmakeup. This research employed a descriptive qualitative approach with an interpretive paradigm and Roland Barthes’ semiotic analysis. The data were analyzed through the stages of denotative, connotative, and mythological meanings to identify visual signs representing female masculinity. The findings reveal that the Somethinc x Batman campaign represents women as dominant, brave, independent, rational, and self-controlled figures through sharp gazes, upright body posture, aggressive gestures, dark visual tones, and the symbolic attributes of Catwoman. However, the representation of masculinity does not entirely eliminate femininity, as it remains intertwined with beauty and sensuality associated with the cosmetic industry. This study concludes that female masculinity in beauty media is constructed through a negotiation between masculine and feminine attributes within popular culture and co-branding communication practices.

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  • Universitas Pembangunan Nasional Veteran Jakarta
  • University of Liberal Arts Bangladesh
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Rekan penulisOrganisasiArtikel bersama
Fitria AyuningtyasUniversitas Pembangunan Nasional Veteran Jakarta1
Jude William GeniloUniversity of Liberal Arts Bangladesh1
Drina IntyaswatiUniversitas Pembangunan Nasional Veteran Jakarta1
Irpan Ripai SutowoAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://online-journal.unja.ac.id/index.php/JSSH/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">Representation Of Women's Masculinity In Somethinc And Batman Co-Branding Communication</dc:title>
	<dc:creator xml:lang="en">Hazimah, Ayu Zahra</dc:creator>
	<dc:creator xml:lang="en">Venus, Anter</dc:creator>
	<dc:subject xml:lang="en">female masculinity</dc:subject>
	<dc:subject xml:lang="en">representation</dc:subject>
	<dc:subject xml:lang="en">co-branding</dc:subject>
	<dc:subject xml:lang="en">roland barthes semiotics</dc:subject>
	<dc:subject xml:lang="en">beauty industry</dc:subject>
	<dc:subject xml:lang="en">popular culture</dc:subject>
	<dc:description xml:lang="en">The beauty industry increasingly employs co-branding strategies to strengthen brand positioning and attract consumer attention. One notable collaboration is Somethinc x Batman, which combines the identity of a beauty brand with a popular superhero franchise. Beyond its marketing function, this collaboration presents an interesting phenomenon regarding the representation of female masculinity through visual communication. This study aims to analyze the representation of female masculinity in the co-branding communication of Somethinc x Batman through a teaser video uploaded on the Instagram account @somethincmakeup. This research employed a descriptive qualitative approach with an interpretive paradigm and Roland Barthes’ semiotic analysis. The data were analyzed through the stages of denotative, connotative, and mythological meanings to identify visual signs representing female masculinity. The findings reveal that the Somethinc x Batman campaign represents women as dominant, brave, independent, rational, and self-controlled figures through sharp gazes, upright body posture, aggressive gestures, dark visual tones, and the symbolic attributes of Catwoman. However, the representation of masculinity does not entirely eliminate femininity, as it remains intertwined with beauty and sensuality associated with the cosmetic industry. This study concludes that female masculinity in beauty media is constructed through a negotiation between masculine and feminine attributes within popular culture and co-branding communication practices.</dc:description>
	<dc:publisher xml:lang="en">LPPM Universitas Jambi</dc:publisher>
	<dc:date>2026-07-03</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://online-journal.unja.ac.id/JSSH/article/view/57911</dc:identifier>
	<dc:identifier>10.22437/jssh.v10i2.57911</dc:identifier>
	<dc:source xml:lang="en">Jurnal Sains Sosio Humaniora; Vol. 10 No. 2 (2026): Volume 10, Nomor 2 July - December 2026 (On Progress); 421 - 437</dc:source>
	<dc:source>2580-2305</dc:source>
	<dc:source>2580-1244</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://online-journal.unja.ac.id/JSSH/article/view/57911/24742</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2026 Ayu Zahra Hazimah, Anter Venus</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>