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Perlindungan Hukum Bagi Pencipta Atas Pembajakan Film Di Era Digital Guna Memberikan Kepastian Hukum

Zaaken: Journal of Civil and Business Law · Vol. 6 No. 3 (2025) · hlm. 476–486

DOI
10.22437/zaaken.v6i3.45182
ISSN
2721-5318, 2721-8759
Terbit
2025-11-20
Penerbit
Universitas Jambi, Fakultas Hukum
Bahasa
en
Lisensi
creativecommons.org/licenses/by/4.0

Abstrak

This research highlights the continued weakness of legal protection against the rapidly growing practice of film piracy in the digital era, especially through platforms such as Telegram and illegal streaming sites. The main objective of this study is to identify and analyze applicable legal provisions, as well as to evaluate the effectiveness of government policies in ensuring legal certainty for film creators. The method used is a normative juridical approach, by examining laws and regulations, socio-legal dynamics, and relevant case studies. Research data is sourced from primary, secondary, and tertiary legal materials, which are analyzed deductively to produce a deep and systematic understanding. The main findings indicate that legal protection against digital copyright infringement has not been effective, due to the ambiguity of norms in Article 40 paragraph (1) letter m and Article 55 paragraph (1) of Law Number 28 of 2014, which hinders the law enforcement process. This regulatory inaccuracy indicates that existing legal instruments have not been able to address the complexity of violations in the constantly evolving digital space. Therefore, it is concluded that legal reforms are needed that are more firm and responsive to the development of information technology, as well as increased coordination among related institutions, in order to create a comprehensive legal protection system capable of protecting both the economic and moral rights of cinematographic creators.

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  • Universitas Jambi
  • Universitas Batanghari
  • Symbiosis International University
  • Sultan Sharif Ali Islamic University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
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Rekan penulisOrganisasiArtikel bersama
Supeno SupenoUniversitas Batanghari3
Dony Yusra PebriantoUniversitas Jambi3
Indriya FathniUniversitas Jambi3
Sasmiar SasmiarUniversitas Jambi2
Syed Mohd Uzair IqbalSymbiosis International University1
Elizabaeth SiregarAfiliasi tidak diketahui1
Yulia MonitaUniversitas Jambi1
Erwin ErwinUniversitas Jambi1
Elizabeth SiregarUniversitas Jambi1
M HosenAfiliasi tidak diketahui1
Indriyah FatniAfiliasi tidak diketahui1
Valiant Asri NugrahaAfiliasi tidak diketahui1
Hafrida HafridaUniversitas Jambi1
Retno KusniatiUniversitas Jambi1
Bustanuddin BustanuddinUniversitas Jambi1
Helmi HelmiUniversitas Jambi1
Indra LestariAfiliasi tidak diketahui1
M. HosenUniversitas Jambi1
Astra VigoUniversitas Jambi1
Yosephine Mory Kezia SimbolonUniversitas Jambi1
Raffles RafflesUniversitas Jambi1
Ariyanto AriyantoUniversitas Jambi1
Alya Rihadatul Aisy SetyonegoroUniversitas Jambi1
Fitria YusevaUniversitas Jambi1
Rifda Marsall AqilaUniversitas Jambi1
Oldie GilbertUniversitas Jambi1
Pahlefi PahlefiUniversitas Jambi1
Shelomita Retno WulandariUniversitas Jambi1
ENJELINA SIMANULLANGUniversitas Jambi1
Ineke Dian PrameswariUniversitas Jambi1
Firya OktaviarniUniversitas Jambi1
Mohamad RapikUniversitas Jambi1
Andi NajemiUniversitas Jambi1
Yusuf Sani AbubakarSultan Sharif Ali Islamic University1
Sitta Saraya Sitta SarayaAfiliasi tidak diketahui1
Rian Saputra Rian SaputraAfiliasi tidak diketahui1
Seguito Monteiro Seguito MonteiroAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://online-journal.unja.ac.id/index.php/Zaaken/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">Perlindungan Hukum Bagi Pencipta  Atas Pembajakan Film Di Era Digital Guna Memberikan Kepastian Hukum </dc:title>
	<dc:creator xml:lang="en">Furqon, Muhammad</dc:creator>
	<dc:creator xml:lang="en">Rosmidah, Rosmidah</dc:creator>
	<dc:subject xml:lang="en">Copyright</dc:subject>
	<dc:subject xml:lang="en">Film</dc:subject>
	<dc:subject xml:lang="en">Legal Protection</dc:subject>
	<dc:subject xml:lang="en">Digital Piracy</dc:subject>
	<dc:subject xml:lang="en">Legal Certainty</dc:subject>
	<dc:subject xml:lang="en">Digital Era</dc:subject>
	<dc:description xml:lang="en">This research highlights the continued weakness of legal protection against the rapidly growing practice of film piracy in the digital era, especially through platforms such as Telegram and illegal streaming sites. The main objective of this study is to identify and analyze applicable legal provisions, as well as to evaluate the effectiveness of government policies in ensuring legal certainty for film creators. The method used is a normative juridical approach, by examining laws and regulations, socio-legal dynamics, and relevant case studies. Research data is sourced from primary, secondary, and tertiary legal materials, which are analyzed deductively to produce a deep and systematic understanding. The main findings indicate that legal protection against digital copyright infringement has not been effective, due to the ambiguity of norms in Article 40 paragraph (1) letter m and Article 55 paragraph (1) of Law Number 28 of 2014, which hinders the law enforcement process. This regulatory inaccuracy indicates that existing legal instruments have not been able to address the complexity of violations in the constantly evolving digital space. Therefore, it is concluded that legal reforms are needed that are more firm and responsive to the development of information technology, as well as increased coordination among related institutions, in order to create a comprehensive legal protection system capable of protecting both the economic and moral rights of cinematographic creators.</dc:description>
	<dc:publisher xml:lang="en">Universitas Jambi, Fakultas Hukum</dc:publisher>
	<dc:date>2025-11-20</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://online-journal.unja.ac.id/Zaaken/article/view/45182</dc:identifier>
	<dc:identifier>10.22437/zaaken.v6i3.45182</dc:identifier>
	<dc:source xml:lang="en">Zaaken: Journal of Civil and Business Law; Vol. 6 No. 3 (2025): Oktober 2025; 476 – 486</dc:source>
	<dc:source>2721-5318</dc:source>
	<dc:source>2721-8759</dc:source>
	<dc:source>10.22437/zaaken.v6i3</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://online-journal.unja.ac.id/Zaaken/article/view/45182/23843</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Muhammad Furqon, Rosmidah</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>