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A Study of Dakwah Pattern on Dramatic Text and Its Transformation From Serat Menak Lare Literature to the Choreography Text of Srimpi Dance

Hanifiya: Jurnal Studi Agama-Agama · Vol. 3 No. 1 (2020) · pp. 1–13

DOI
10.15575/hanifiya.v3i1.8031
ISSN
2722-2772, 2089-8835
Published
2020-06-25
Publisher
Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung
Language
eng

Abstract

The Srimpi dance is a Javanese dance which is presented by four female dancers. Usually, the Srimpi dancers are four female teenagers. The dance itself is based on literature. On the Srimpi Menak lare variation, the dance is performed by four child dancers, specifically by two boys and two girls. The Srimpi Menak Lare dance was inspired from the childhood tale of Tiyang Agung Jayengrana or Amir Ambyah, one of the uncles of Prophet Muhammad on a play by R.Ng. Yosodipuro I. The dramatical transformation in said play, when choreographically visualized, becomes a topic of discussion. This article will examines a study of dance elements which is pattered by da’wah in Islamic point of view. Based on said discussion, the creation of Srimpi Menak Lare dance is a research-based dance creation from the idea forming, exploration, concept building, and the forming of the dance itself. The methodological application in this artistic research refers to the analitycal form of the innovative choreography of the Srimpi Menak Lare dance. Through this specific term of da’wah pattern this article applied an exploration of elements of dance creation related to the contens of da’wah in Islamic values.

Keywords

Collaboration network of the authors

9 authors · 13 co-authorship links

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  • Sebelas Maret University
  • National Research and Innovation Agency
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Sriyadi SriyadiAffiliation unknown1
Slamet SlametSebelas Maret University1
Enis Niken HerawatiAffiliation unknown1
RM. Pramutomo RM. PramutomoAffiliation unknown1
Irawan SukmaNational Research and Innovation Agency1
Aton Rustandi MulyanaAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/hanifiya/oai, first harvested 7 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">A Study of Dakwah Pattern on Dramatic Text and Its Transformation From Serat Menak Lare Literature to the Choreography Text of Srimpi Dance</dc:title>
	<dc:creator>Pramutomo, R.M.</dc:creator>
	<dc:creator>Widyastutieningrum, Sri Rochana</dc:creator>
	<dc:creator>Kuncoro, Jonet Sri</dc:creator>
	<dc:subject xml:lang="en-US">Srimpi dance</dc:subject>
	<dc:subject xml:lang="en-US">concept of choreography</dc:subject>
	<dc:subject xml:lang="en-US">dance forming.</dc:subject>
	<dc:description xml:lang="en-US">The Srimpi dance is a Javanese dance which is presented by four female dancers. Usually, the Srimpi dancers are four female teenagers. The dance itself is based on literature. On the Srimpi Menak lare variation, the dance is performed by four child dancers, specifically by two boys and two girls. The Srimpi Menak Lare dance was inspired from the childhood tale of Tiyang Agung Jayengrana or Amir Ambyah, one of the uncles of Prophet Muhammad on a play by R.Ng. Yosodipuro I. The dramatical transformation in said play, when choreographically visualized, becomes a topic of discussion. This article will examines a study of dance elements which is pattered by da’wah in Islamic point of view. Based on said discussion, the creation of Srimpi Menak Lare dance is a research-based dance creation from the idea forming, exploration, concept building, and the forming of the dance itself. The methodological application in this artistic research refers to the analitycal form of the innovative choreography of the Srimpi Menak Lare dance. Through this specific term of da’wah pattern this article applied an exploration of elements of dance creation related to the contens of da’wah in Islamic values.</dc:description>
	<dc:publisher xml:lang="en-US">Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung</dc:publisher>
	<dc:date>2020-06-25</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/hanifiya/article/view/8031</dc:identifier>
	<dc:identifier>10.15575/hanifiya.v3i1.8031</dc:identifier>
	<dc:source xml:lang="en-US">Hanifiya: Jurnal Studi Agama-Agama; Vol. 3 No. 1 (2020): Hanifiya: Jurnal Studi Agama-Agama; 1-13</dc:source>
	<dc:source>2722-2772</dc:source>
	<dc:source>2089-8835</dc:source>
	<dc:source>10.15575/hanifiya.v3i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/hanifiya/article/view/8031/4159</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 R.M. Pramutomo, Sri Rochana Widyastutieningrum, Jonet Sri Kuncoro</dc:rights>
</oai_dc:dc>