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RELIGIOUS DOGMA IN SEBASTIÁN LELIO’S THE WONDER (2022)

Saksama: Jurnal Sastra · Vol. 2 No. 1 (2023) · pp. 55–63

DOI
10.15575/sksm.v2i1.26975
ISSN
2986-4550
Published
2023-07-14
Publisher
Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung
Language
eng

Abstract

Religious issues that are no longer relevant to modern living are represented in The Wonder (2022) film by Sebastián Lelio. This research aims to unravel the Religious Dogma in the film by focusing on examining the religious situation of Irish society in the nineteenth century. Tracing the religious life of the Irish community in the nineteenth century, where the majority adhered to Roman Catholicism, this research uses the sociology of literature method. In more detail, this research applies Max Weber's theory of the sociology of religion approach. The Wonder film entirely is the research data, but specifically, the writer takes the socio-religious context, screenshots from several scenes, and film dialogues as the secondary data. So it can be said that data collection in this research used documentation and literature study techniques. Analysis of the sociology of religion in The Wonder (2022) film by Sebastián Lelio is still rare to find, so this research is essential so that it can add to criticism resources of the sociology of literature. Aside from that, the results of this research are that the modernization and logicalization of religion can occur along with times of development and the relevance of public interest.Â

Keywords

Collaboration network of the authors

20 authors · 29 co-authorship links

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Co-authorOrganisationJoint articles
Riza PahleviAffiliation unknown1
Samsul RomliAffiliation unknown1
Fahmi Hasan NugrohoAffiliation unknown1
Muhammad Fikri Asy SyamilAffiliation unknown1
Badri KhaerumanAffiliation unknown1
Dadan FirdausAffiliation unknown1
Dewi KustantiAffiliation unknown1
Lisa NurhanifahAffiliation unknown1
Alfi Muhammad FirdausAffiliation unknown1
Hasbi AssiddiqiAffiliation unknown1
Sopa MarwatiAffiliation unknown1
Tenny SudjatnikaAffiliation unknown1
Debiliya DebiliyaAffiliation unknown1
Dedi SulaemanAffiliation unknown1
Yasinta Sahla RamadaniAffiliation unknown1
Sri NurainiAffiliation unknown1
Yoga SudarismanAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/saksama/oai, first harvested 7 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">RELIGIOUS DOGMA IN SEBASTIÁN LELIO’S THE WONDER (2022)</dc:title>
	<dc:creator>Hanifah, Anisa</dc:creator>
	<dc:creator>Hkikmat, Mahi M.</dc:creator>
	<dc:creator>Nurholis, Nurholis</dc:creator>
	<dc:subject xml:lang="en-US">Church Catholics</dc:subject>
	<dc:subject xml:lang="en-US">Religious Dogma</dc:subject>
	<dc:subject xml:lang="en-US">Irish’ society</dc:subject>
	<dc:subject xml:lang="en-US">Religion</dc:subject>
	<dc:subject xml:lang="en-US">Sociology</dc:subject>
	<dc:subject xml:lang="en-US">The Wonder.</dc:subject>
	<dc:subject xml:lang="en-US">Saksama</dc:subject>
	<dc:description xml:lang="en-US">Religious issues that are no longer relevant to modern living are represented in The Wonder (2022) film by Sebastián Lelio. This research aims to unravel the Religious Dogma in the film by focusing on examining the religious situation of Irish society in the nineteenth century. Tracing the religious life of the Irish community in the nineteenth century, where the majority adhered to Roman Catholicism, this research uses the sociology of literature method. In more detail, this research applies Max Weber's theory of the sociology of religion approach. The Wonder film entirely is the research data, but specifically, the writer takes the socio-religious context, screenshots from several scenes, and film dialogues as the secondary data. So it can be said that data collection in this research used documentation and literature study techniques. Analysis of the sociology of religion in The Wonder (2022) film by Sebastián Lelio is still rare to find, so this research is essential so that it can add to criticism resources of the sociology of literature. Aside from that, the results of this research are that the modernization and logicalization of religion can occur along with times of development and the relevance of public interest. </dc:description>
	<dc:publisher xml:lang="en-US">Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung</dc:publisher>
	<dc:date>2023-07-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/saksama/article/view/26975</dc:identifier>
	<dc:identifier>10.15575/sksm.v2i1.26975</dc:identifier>
	<dc:source xml:lang="en-US">Saksama: Jurnal Sastra; Vol. 2 No. 1 (2023): Saksama; 55 - 63</dc:source>
	<dc:source>2986-4550</dc:source>
	<dc:source>10.15575/sksm.v2i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/saksama/article/view/26975/9333</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Saksama</dc:rights>
</oai_dc:dc>