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KOMODIFIKASI KEMISKINAN DALAM TELEVISI INDONESIA

KAREBA : Jurnal Ilmu Komunikasi · Vol. 2 No. 2 (2016) · pp. 175–186

ISSN
2528-2891, 2088-4117
Published
2016-06-20
Publisher
Fakultas Ilmu Sosial dan Ilmu Politik Universitas Hasanuddin
Language
en

Abstract

Abstrak Kemiskinan bukan hanya persoalan sosial, tetapi kemiskinan telah menjadi komoditas yang ‘seksi’ di media televisi Indonesia. Tujuan penelitian ini; (1) menganalisis proses representasi kemiskinan yang ada pada program “Jika Aku Menjadi” dan “Bedah Rumah”, (2) menganalisis bentuk komodifikasi kemiskinan yang berlangsung pada kedua program tersebut, dan (3) menganalisis perbedaan (komparasi) secara signifikan antara kedua program tersebut dalam merepresentasikan bentuk komodifikasi kemiskinan. Penelitian ini menggunakan pendekatan penelitian campuran. Metode kualitatif digunakan untuk menganalisis bentuk komodifikasi kemiskinan yang ditampilkan dalam kedua program. Sedangkan metode kuantitatif digunakan untuk membandingkan frekuensi kemunculan bentuk komodifikasi kemiskinan di antara kedua program tersebut. Hasil penelitian ini menunjukkan bahwa program “Jika Aku Menjadi” dan “Bedah Rumah” secara kualitatif merepresentasikan proses komodifikasi kemiskinan dalam momen dramatis yang terdiri dari gambaran situasi kemiskinan, sensasi kegembiraan, mengundang simpati dan rasa haru bagi pemirsanya, dan merangsang syaraf tawa bagi pemirsanya. Kedua program tersebut juga mempraktikkan bentuk komodifikasi, antara lain: komodifikasi pekerja, komodifikasi khalayak, dan komodifikasi isi. Dan dengan menggunakan teknik statistik uji beda chi kuadrat, dihasilkan bahwa terdapat perbedaan yang cukup signifikan antara kedua program dalam merepresentasikan bentuk-bentuk komodifikasi kemiskinan.Abstract Poverty is not only as a social issue, but also become a ‘sexy’ commodity in Indonesian electronic media, television. The aims of this study were: (1) to analyze the representation of poverty that was showed in the “Jika Aku Menjadi” and “Bedah Rumah” programs, (2) to analyze the form of poverty commodification on the both programs, and (3) to analyze the significant differences (comparisons) between the two programs in the representing the form of poverty commodification. This study used a mixed research methods. Qualitative methods were used to analyze the form of poverty commodification which was shown in the both programs. On the other hand, quantitative methods were used to compare the frequency of occurrence in the form of poverty commodification between the both programs. The results showed that the program “Jika Aku Menjadi” and “Bedah Rumah” represented qualitatively the process of poverty commodification in the dramatic moments. They consisted of the picture the poverty situation, sensation of excitement, sympathy and compassion for the viewers, and stimulate nervous laughter to the viewers. The both programs also practiced a form of commodification, among others: the commodification of labor, commodification of audiences, and commodification of content. In addition, there was a significant difference both of programs in representing the form of poverty commodification by using different statistical techniques “chi square” test.

Keywords

Collaboration network of the authors

40 authors · 88 co-authorship links · 11 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Hasanuddin University
  • Universitas Indonesia Timur
  • Diponegoro University
  • University of Indonesia
  • LSPR Institute of Communication and Business
  • Universitas Ahmad Dahlan
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Tuti BahfiartiHasanuddin University9
Hasrullah HasrullahAffiliation unknown8
Muhammad Iqbal SultanAffiliation unknown7
Muhammad FaridHasanuddin University7
Jeanny Maria FatimahAffiliation unknown4
Samsuddin AminAffiliation unknown3
Dwia Aries Tina PulubuhuHasanuddin University2
Hasrullah HasrullahHasanuddin University2
Fuad Husain AkbarAffiliation unknown2
Purwanto PurwantoDiponegoro University2
Asma Amne AmbarwatiAffiliation unknown2
Sudirman KarnayAffiliation unknown2
Muhammad NadjibAffiliation unknown2
Agus Surya BaktiHasanuddin University1
Eriyanto EriyantoUniversity of Indonesia1
Hasrullah HasrullahHasanuddin University1
Ani NigeriawatiLSPR Institute of Communication and Business1
Joevi RoedyatiAffiliation unknown1
Mitha Mayestika KuenUniversitas Indonesia Timur1
St. ShofiyahUniversitas Indonesia Timur1
Fyan Andinasari KuenUniversitas Indonesia Timur1
Fajar Dwi PutraUniversitas Ahmad Dahlan1
Nurdin SibawehAffiliation unknown1
Nur QalbyAffiliation unknown1
Muh. Arya Atthobarani Sarianto LatiefAffiliation unknown1
M. Iqbal SultanAffiliation unknown1
Fauzan HidayatullahAffiliation unknown1
Muhammad KurniaAffiliation unknown1
Ilham JayaAffiliation unknown1
Abdul Rasyid JalilAffiliation unknown1
Awaluddin AwaluddinAffiliation unknown1
Muh Fachrul Razi BadawiAffiliation unknown1
Fathul RahmanAffiliation unknown1
Muh. Nur Iskandar ZulkarnainAffiliation unknown1
Muh. Rivai ArsyadAffiliation unknown1
Noor AliyahAffiliation unknown1
Muhammad Yunus AmarAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/kareba/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en">KOMODIFIKASI KEMISKINAN DALAM TELEVISI INDONESIA</dc:title>
	<dc:creator xml:lang="en">Arya, Nosakros</dc:creator>
	<dc:creator xml:lang="en">Cangara, Hafied</dc:creator>
	<dc:creator xml:lang="en">Unde, Andi Alimuddin</dc:creator>
	<dc:subject xml:lang="en">commodification</dc:subject>
	<dc:subject xml:lang="en">poverty</dc:subject>
	<dc:subject xml:lang="en">reality show</dc:subject>
	<dc:subject xml:lang="en">television</dc:subject>
	<dc:description xml:lang="en">Abstrak Kemiskinan bukan hanya persoalan sosial, tetapi kemiskinan telah menjadi komoditas yang ‘seksi’ di media televisi Indonesia. Tujuan penelitian ini ; (1) menganalisis proses representasi kemiskinan yang ada pada program “Jika Aku Menjadi” dan “Bedah Rumah”, (2) menganalisis bentuk komodifikasi kemiskinan yang berlangsung pada kedua program tersebut, dan (3) menganalisis perbedaan (komparasi) secara signifikan antara kedua program tersebut dalam merepresentasikan bentuk komodifikasi kemiskinan. Penelitian ini menggunakan pendekatan penelitian campuran. Metode kualitatif digunakan untuk menganalisis bentuk komodifikasi kemiskinan yang ditampilkan dalam kedua program. Sedangkan metode kuantitatif digunakan untuk membandingkan frekuensi kemunculan bentuk komodifikasi kemiskinan di antara kedua program tersebut. Hasil penelitian ini menunjukkan bahwa program “Jika Aku Menjadi” dan “Bedah Rumah” secara kualitatif merepresentasikan proses komodifikasi kemiskinan dalam momen dramatis yang terdiri dari gambaran situasi kemiskinan, sensasi kegembiraan, mengundang simpati dan rasa haru bagi pemirsanya, dan merangsang syaraf tawa bagi pemirsanya. Kedua program tersebut juga mempraktikkan bentuk komodifikasi, antara lain: komodifikasi pekerja, komodifikasi khalayak, dan komodifikasi isi. Dan dengan menggunakan teknik statistik uji beda chi kuadrat, dihasilkan bahwa terdapat perbedaan yang cukup signifikan antara kedua program dalam merepresentasikan bentuk-bentuk komodifikasi kemiskinan.Abstract Poverty is not only as a social issue, but also become a ‘sexy’ commodity in Indonesian electronic media, television. The aims of this study were: (1) to analyze the representation of poverty that was showed in the “Jika Aku Menjadi” and “Bedah Rumah” programs, (2) to analyze the form of poverty commodification on the both programs, and (3) to analyze the significant differences (comparisons) between the two programs in the representing the form of poverty commodification. This study used a mixed research methods. Qualitative methods were used to analyze the form of poverty commodification which was shown in the both programs. On the other hand, quantitative methods were used to compare the frequency of occurrence in the form of poverty commodification between the both programs. The results showed that the program “Jika Aku Menjadi” and “Bedah Rumah” represented qualitatively the process of poverty commodification in the dramatic moments. They consisted of the picture the poverty situation, sensation of excitement, sympathy and compassion for the viewers, and stimulate nervous laughter to the viewers. The both programs also practiced a form of commodification, among others: the commodification of labor, commodification of audiences, and commodification of content. In addition, there was a significant difference both of programs in representing the form of poverty commodification by using different statistical techniques “chi square” test. </dc:description>
	<dc:publisher xml:lang="en">Fakultas Ilmu Sosial dan Ilmu Politik Universitas Hasanuddin</dc:publisher>
	<dc:date>2016-06-20</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/kareba/article/view/361</dc:identifier>
	<dc:source xml:lang="en">KAREBA : Jurnal Ilmu Komunikasi; Vol.2 No.2 April - Juni 2013; 175-186</dc:source>
	<dc:source>2528-2891</dc:source>
	<dc:source>2088-4117</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/kareba/article/view/361/218</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2016 KAREBA : Jurnal Ilmu Komunikasi</dc:rights>
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