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Comparative Analysis of David Lynch's Dune (1984) and Denis Villeneuve's Dune (2021 & 2024)

MONOGATARI: Journal of Literature and Culture · Vol. 1 No. 1 (2026) · pp. 41–54

DOI
10.69908/monogatari.v1i1.50623
ISSN
3163-8732
Published
2026-07-21
Publisher
Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin
Language
en
License
creativecommons.org/licenses/by-nc/4.0

Abstract

This study examines the similarities and differences in intrinsic elements such as plot, characterization, and settings between the movies Dune (1984) by David Lynch and Dune (2021 & 2024) by Denis Villeneuve. This study employs a qualitative descriptive method using a comparative approach. The data are derived from the two film adaptations as primary sources. The findings indicate that while both adaptations follow the same foundational narrative structure derived from Frank Herbert’s novel, significant differences emerge in their depiction of plot progression, character development, setting, and narrative resolution. These differences are largely influenced by the historical era in which each film was produced. Lynch’s adaptation reflects the cinematic conventions and technological limitations of the 1980s, resulting in a more direct heroic narrative, simplified characterization, and stylized setting. In contrast, Villeneuve’s adaptation, shaped by contemporary filmmaking practices and technological advancements, presents a more complex plot structure, psychologically nuanced characters, immersive world-building, and a more critical approach to messianic power. Therefore, this study concludes that the era serves as the central factor shaping the divergent interpretations of Dune, demonstrating that film adaptation is influenced not only by the source text but also by the cultural, technological, and cinematic context of its production.

Keywords

Collaboration network of the authors

14 authors · 35 co-authorship links

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Co-authorOrganisationJoint articles
Citra AndiniAffiliation unknown7
Ahmad MuzzammilAffiliation unknown3
Aan MujizatAffiliation unknown2
Dahlan DahlanAffiliation unknown2
Azis Muh. DzulhijjahAffiliation unknown2
AhmadAffiliation unknown1
NurhidayahAffiliation unknown1
Nissa Atun AtsyaniaAffiliation unknown1
Aryani Nurul RahmawatiAffiliation unknown1
MUHAMMAD TAUFIKAffiliation unknown1
Adinda Dwi CahyaniAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/monogatari/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en">Comparative Analysis of David Lynch's Dune (1984) and Denis Villeneuve's Dune (2021 &amp; 2024)</dc:title>
	<dc:creator xml:lang="en">Budiman, Andi Omar Pallawa</dc:creator>
	<dc:creator xml:lang="en">Nahdhiyah, Nahdhiyah</dc:creator>
	<dc:creator xml:lang="en">Junaid, Syahruni</dc:creator>
	<dc:subject xml:lang="en">Comparative literature</dc:subject>
	<dc:subject xml:lang="en">Comparative analysis</dc:subject>
	<dc:subject xml:lang="en">Intrinsic elements</dc:subject>
	<dc:subject xml:lang="en">Adaptation Movies</dc:subject>
	<dc:subject xml:lang="en">Dune</dc:subject>
	<dc:description xml:lang="en">This study examines the similarities and differences in intrinsic elements such as plot, characterization, and settings between the movies Dune (1984) by David Lynch and Dune (2021 &amp;amp; 2024) by Denis Villeneuve. This study employs a qualitative descriptive method using a comparative approach. The data are derived from the two film adaptations as primary sources. The findings indicate that while both adaptations follow the same foundational narrative structure derived from Frank Herbert’s novel, significant differences emerge in their depiction of plot progression, character development, setting, and narrative resolution. These differences are largely influenced by the historical era in which each film was produced. Lynch’s adaptation reflects the cinematic conventions and technological limitations of the 1980s, resulting in a more direct heroic narrative, simplified characterization, and stylized setting. In contrast, Villeneuve’s adaptation, shaped by contemporary filmmaking practices and technological advancements, presents a more complex plot structure, psychologically nuanced characters, immersive world-building, and a more critical approach to messianic power. Therefore, this study concludes that the era serves as the central factor shaping the divergent interpretations of Dune, demonstrating that film adaptation is influenced not only by the source text but also by the cultural, technological, and cinematic context of its production.</dc:description>
	<dc:publisher xml:lang="en">Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin</dc:publisher>
	<dc:date>2026-07-21</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/monogatari/article/view/50623</dc:identifier>
	<dc:identifier>10.69908/monogatari.v1i1.50623</dc:identifier>
	<dc:source xml:lang="en">MONOGATARI: Journal of Literature and Culture; Vol. 1 No. 1 (2026): May 2026; 41-54</dc:source>
	<dc:source>3163-8732</dc:source>
	<dc:source>10.69908/monogatari.v1i1</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/monogatari/article/view/50623/14440</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2026 Nahdhiyah Nahdhiyah</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>