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The Aesthetics of Rock Music in Musical Drama Performances

Catharsis · Vol. 13 No. 2 (2024) · pp. 225–242

DOI
10.15294/catharsis.v13i2.18103
ISSN
2502-4531, 2252-6900
Published
2024-11-30
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Drama is one of the components of theater education that can be integrated with other art forms. Within the various elements of theater or drama, there is a collaboration of visual arts, music, dance, drama, and literature. Popular music has been developing in Indonesia since the colonial era, particularly in the 20th century. During this period, genres such a Krontjong, Jazz, orchestral music, and rock music began to emerge. In the world of popular music, rock music has carved out its own space among enthusiasts, symbolizing freedom, rebellion, and high creativity, marked by its dynamic melodies and rhythms, as well as its profound lyrical content. Rock music has become a medium through which listeners express themselves. This article aims to elaborate on musical drama as a form of performance conducted by secondary school students, who take on the dual roles of actors and production team members, in exploring rock music through musical theatre. Such an approach enriches the students’ acting experiences within a musical context. Integrating rock music into the performing arts provides a fresh atmosphere that can influence the students’ characteristics and experiences. This study employs an exploratory qualitative method, involving various stakeholders, to analyze the implementation and impact not only to enhance students’ experiences in acting, but also to stimulate creativity by encouraging the analysis of rock music characteristics, which are expressed through drama. This process supports the development of diverse ideas in musical theatre, ultimately contributing to the quality and elements of school-based musical performance

Keywords

Collaboration network of the authors

40 authors · 124 co-authorship links · 1 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • IPB University
  • Sebelas Maret University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Sunarto SunartoAffiliation unknown11
Wadiyo WadiyoAffiliation unknown9
Agus CahyonoAffiliation unknown8
Syakir SyakirAffiliation unknown7
Totok Sumaryanto FlorentinusState University of Semarang7
Triyanto TriyantoAffiliation unknown7
Wandah WibawantoAffiliation unknown7
Widodo WidodoIPB University4
Slamet HaryonoAffiliation unknown4
Totok Sumaryanto. FAffiliation unknown3
Hartono HartonoAffiliation unknown3
Malarsih MalarsihAffiliation unknown3
Kemal Budi MulyonoAffiliation unknown2
Muh Fakhrihun NaamAffiliation unknown2
Achmad ZairinAffiliation unknown2
Retnoningrum HidayahAffiliation unknown2
Arif FiyantoAffiliation unknown2
Tjetjep Rohendi RohidiAffiliation unknown2
Rahina NugrahaniState University of Semarang2
Muhammad JazuliAffiliation unknown2
Totok Sumaryanto FlorentinusAffiliation unknown2
Restu Ayu MumpuniAffiliation unknown1
Hany NurpratiwiAffiliation unknown1
Siti Ekowati RusdiniAffiliation unknown1
Dwi Wahyuni KurniawatiAffiliation unknown1
Muhammad ZulmiAffiliation unknown1
Reza KhatamiAffiliation unknown1
Mantaaba Zukhruf NabilunnuhaAffiliation unknown1
Tri Danu SatriaAffiliation unknown1
Abdul AzizSebelas Maret University1
Adhytia RizkyhimawanAffiliation unknown1
Pratama WidagdoAffiliation unknown1
Indrianna Dyah Pamarti NingrumAffiliation unknown1
Vika AfriliyaniAffiliation unknown1
Rossalia Reza TrisnawatiAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en">The Aesthetics of Rock Music in Musical Drama Performances</dc:title>
	<dc:creator xml:lang="en">Prima Suci Lestari</dc:creator>
	<dc:creator xml:lang="en">Syahrul Syah Sinaga</dc:creator>
	<dc:creator xml:lang="en">Suharto S</dc:creator>
	<dc:creator xml:lang="en">Udi Utomo</dc:creator>
	<dc:creator xml:lang="en">Eko Sugiarto</dc:creator>
	<dc:subject xml:lang="en">aesthetics, rock music, performances, musical drama</dc:subject>
	<dc:description xml:lang="en">Drama is one of the components of theater education that can be integrated with other art forms. Within the various elements of theater or drama, there is a collaboration of visual arts, music, dance, drama, and literature. Popular music has been developing in Indonesia since the colonial era, particularly in the 20th century. During this period, genres such a Krontjong, Jazz, orchestral music, and rock music began to emerge. In the world of popular music, rock music has carved out its own space among enthusiasts, symbolizing freedom, rebellion, and high creativity, marked by its dynamic melodies and rhythms, as well as its profound lyrical content. Rock music has become a medium through which listeners express themselves. This article aims to elaborate on musical drama as a form of performance conducted by secondary school students, who take on the dual roles of actors and production team members, in exploring rock music through musical theatre. Such an approach enriches the students’ acting experiences within a musical context. Integrating rock music into the performing arts provides a fresh atmosphere that can influence the students’ characteristics and experiences. This study employs an exploratory qualitative method, involving various stakeholders, to analyze the implementation and impact not only to enhance students’ experiences in acting, but also to stimulate creativity by encouraging the analysis of rock music characteristics, which are expressed through drama. This process supports the development of diverse ideas in musical theatre, ultimately contributing to the quality and elements of school-based musical performance</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2024-11-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/catharsis/article/view/18103</dc:identifier>
	<dc:identifier>10.15294/catharsis.v13i2.18103</dc:identifier>
	<dc:source xml:lang="en">Catharsis; Vol. 13 No. 2 (2024): November 2024; 225-242</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/catharsis/article/view/18103/4296</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2024 Catharsis</dc:rights>
</oai_dc:dc>