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Kesenian Rampak Kenthong sebagai Media Ekspresi Estetik Masyarakat Desa Kalirejo Kabupaten Pekalongan

Catharsis · Vol. 6 No. 1 (2017) · pp. 1–8

DOI
10.15294/catharsis.v6i1.17019
ISSN
2502-4531, 2252-6900
Published
2017-08-24
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Kesenian Rampak kenthong adalah alat musik yang terbuat dari bambu, dalam bahasa Banyumas lazim disebut thek-thekan. Disebut thek-thekan karena sesuai dengan bunyi yang dihasilkan pada saat dipukul. Kesenian Rampak Kenthong di Kecamatan Talun memiliki keistimewaan yang ditunjukkan melalui syair lagu yang bernuansa religi dan tradisi, selain pertunjukan tari dan silat. Alat musik yang digunakan dalam kesenian Rampak Kenthong meliputi angklung, calung, bedhug, tam-tam dan kenthongan. Tujuan penelitian ini adalah (1) Untuk mengetahui dan mendeskripsikan bentuk lagu dalam penampilan grup Rampak Kenthong di Desa Kalirejo Kabupaten Pekalongan.,(2) Untuk mengetahui dan mendeskripsikan alasan kesenian Rampak Kenthong digunakan sebagai media ekspresi estetis masyarakat Desa Kalirejo Kabupaten Pekalongan. Penelitian ini menggunakan metode kualitatif. Teknik pengumpulan data yang digunakan adalah metode observasi, wawancara, serta metode dokumen, sedangkan teknik analisis terdiri dari tiga alur kegiatan yang terjadi secara bersamaan yaitu reduksi data, penyajian data, penarikan kesimpulan/verifikasi. Hasil penelitian ini menunjukkan bahwa (1) bentuk lagu dalam penampilan grup Rampak Kenthong meliputi diatonis minor, melangkah, A-B-C, baku, merah diatonis mayor, berurutan, irama semangat, pentatonis selendro, berurutan, syair bahasa arab, 2 pola bentuk lagu, 3 pola irama, gerak melangkah, pentatonis selendro, pentatonis pelog patet lima, gerak melodi melangkah. (2) Setiap lagu dalam pertunjukan Rampak Kenthong memilki makna dan ekspresi tersendiri. Hal itu ditentukan dari bentuk musik dan syair lagu tersebut. Rampak Kenthong art is a musical instrument made of bamboo, in language banyumas commonly called thek-thekan.Called thek-thekan because in line with of sounds produced at struck. Rampak kenthong art in Pekalongan regency different than other regions, things that are different from other regions located at then the words religious nuances and traditions. In a art rampak kenthong also served dance and performing arts. An instrument used in the arts of Rampak Kenthong covering angklung, calung, bedhug, tam-tam and kenthongan. The purpose of this research are (1) to know and described the form of song in appearance group rampak kenthong in the Kalirejo village, Pekalongan regency., (2) to know and described reason art Rampak Kenthongused as a medium of expression aesthetically the village community kalirejo pekalongan regency. This research uses the method-qualitative study.Technique data collection used is the method observation, interview, and a method of documents, while technique analysis consisting of three grooves activities that happen simultaneously namely reduction data, presentation of data, withdrawal conclusion / verification. This research result indicates that (1) the song in appearance group includes diatonic rampak kenthong minor, stepped, a-b-c, raw, major red diatonic, successive, rhythm spirit, pentatonis selendro, successive, lyrical arabic, 2 pattern the song, 3 the rhythm, motion step, pentatonis selendro, pentatonis pelog patet five, motion melody step. (2) Any song in a Rampak Kenthong have meaning and expression of its own.It determined from musical form the and then the words. Based on the results of research, researchers suggested that coaching held business through training organization arts society-based by the district government pekalongan, revamping the presence of businesses and guidance in the fields of music by the village government Talun.

Collaboration network of the authors

40 authors · 127 co-authorship links · 1 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • State University of Jakarta
  • Yogyakarta State University
  • Tarumanagara University
  • Jenderal Soedirman University
  • Universitas Gadjah Mada
  • Sebelas Maret University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Wadiyo WadiyoAffiliation unknown16
Triyanto TriyantoAffiliation unknown10
Totok Sumaryanto FlorentinusState University of Semarang9
Hartono HartonoAffiliation unknown8
Agus CahyonoAffiliation unknown5
Widodo WidodoState University of Jakarta5
Syahrul Syah SinagaAffiliation unknown5
Malarsih MalarsihAffiliation unknown4
Syahrul Syah SinagaAffiliation unknown4
Wahyu LestariYogyakarta State University3
Totok Sumaryanto. FAffiliation unknown3
Martien Herna SusantiAffiliation unknown3
Tjetjep Rohendi RohidiAffiliation unknown2
Muhammad JazuliAffiliation unknown2
Totok Sumaryanto FlorentinusAffiliation unknown2
Kidung Sukma AsmaraniAffiliation unknown2
Faruq AlfiantoAffiliation unknown2
Puji LestariJenderal Soedirman University2
Sumarno SumarnoAffiliation unknown2
Satria Dwi AstutiAffiliation unknown2
Junun SartohadiUniversitas Gadjah Mada2
Mochamad Rudyansyah IsmailAffiliation unknown2
Wasino WasinoTarumanagara University2
Haryadi HaryadiAffiliation unknown2
Tri Joko RaharjoAffiliation unknown2
Siti NafisahAffiliation unknown1
Nurul Asma MazlanAffiliation unknown1
Abdul AzizSebelas Maret University1
Mantaaba Zukhruf NabilunnuhaAffiliation unknown1
Slamet HaryonoAffiliation unknown1
Tri Danu SatriaAffiliation unknown1
Suharto SuhartoAffiliation unknown1
Wandah WibawantoAffiliation unknown1
Metha BertinaAffiliation unknown1
Eko SugiartoAffiliation unknown1
Prima Suci LestariAffiliation unknown1
Suharto SAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">Kesenian Rampak Kenthong sebagai Media Ekspresi Estetik Masyarakat Desa Kalirejo Kabupaten Pekalongan</dc:title>
	<dc:creator>Perdana, Firdaus</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:description xml:lang="en-US">Kesenian Rampak kenthong adalah alat musik yang terbuat dari bambu, dalam bahasa Banyumas lazim disebut thek-thekan. Disebut thek-thekan karena sesuai dengan bunyi yang dihasilkan pada saat dipukul. Kesenian Rampak Kenthong di Kecamatan Talun memiliki keistimewaan yang ditunjukkan melalui syair lagu yang bernuansa religi dan tradisi, selain pertunjukan tari dan silat. Alat musik yang digunakan dalam kesenian Rampak Kenthong meliputi angklung, calung, bedhug, tam-tam dan kenthongan. Tujuan penelitian ini adalah (1) Untuk mengetahui dan mendeskripsikan bentuk lagu dalam penampilan grup Rampak Kenthong di Desa Kalirejo Kabupaten Pekalongan.,(2) Untuk mengetahui dan mendeskripsikan alasan kesenian Rampak Kenthong digunakan sebagai media ekspresi estetis masyarakat Desa Kalirejo Kabupaten Pekalongan. Penelitian ini menggunakan metode kualitatif. Teknik pengumpulan data yang digunakan adalah metode observasi, wawancara, serta metode dokumen, sedangkan teknik analisis terdiri dari tiga alur kegiatan yang terjadi secara bersamaan yaitu reduksi data, penyajian data, penarikan kesimpulan/verifikasi. Hasil penelitian ini menunjukkan bahwa (1) bentuk lagu dalam penampilan grup Rampak Kenthong meliputi diatonis minor, melangkah, A-B-C, baku, merah diatonis mayor, berurutan, irama semangat, pentatonis selendro, berurutan, syair bahasa arab, 2 pola bentuk lagu, 3 pola irama, gerak melangkah, pentatonis selendro, pentatonis pelog patet lima, gerak melodi melangkah. (2)&amp;nbsp; Setiap lagu dalam pertunjukan Rampak Kenthong memilki makna dan ekspresi tersendiri. Hal itu ditentukan dari bentuk musik dan syair lagu tersebut.
Rampak Kenthong art is a musical instrument made of bamboo, in language banyumas commonly called thek-thekan.Called thek-thekan because in line with of sounds produced at struck. Rampak kenthong art in Pekalongan regency different than other regions, things that are different from other regions located at then the words religious nuances and traditions. In a art rampak kenthong also served dance and performing arts. An instrument used in the arts of Rampak Kenthong covering angklung, calung, bedhug, tam-tam and kenthongan. The purpose of this research are (1) to know and described the form of song in appearance group rampak kenthong in the Kalirejo village, Pekalongan regency., (2) to know and described reason art Rampak Kenthongused as a medium of expression aesthetically the village community kalirejo pekalongan regency. This research uses the method-qualitative study.Technique data collection used is the method observation, interview, and a method of documents, while technique analysis consisting of three grooves activities that happen simultaneously namely reduction data, presentation of data, withdrawal conclusion / verification. This research result indicates that (1) the song in appearance group includes diatonic rampak kenthong minor, stepped, a-b-c, raw, major red diatonic, successive, rhythm spirit, pentatonis selendro, successive, lyrical arabic, 2 pattern the song, 3 the rhythm, motion step, pentatonis selendro, pentatonis pelog patet five, motion melody step. (2) Any song in a Rampak Kenthong have meaning and expression of its own .It determined from musical form the and then the words. Based on the results of research , researchers suggested that coaching held business through training organization arts society-based by the district government pekalongan , revamping the presence of businesses and guidance in the fields of music by the village government Talun.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2017-08-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/17019</dc:identifier>
	<dc:identifier>10.15294/catharsis.v6i1.17019</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 6 No 1 (2017); 1-8</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v6i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/17019/8655</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2017 Catharsis</dc:rights>
</oai_dc:dc>