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The Aesthetic Expression for the Nanyin Music by the Lam Kwan Boen Hian Tong Community

Catharsis · Vol. 8 No. 3 (2019) · pp. 258–263

DOI
10.15294/catharsis.v8i3.33110
ISSN
2502-4531, 2252-6900
Published
2019-08-19
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Nanyin is a piece of Chinese traditional music. The music is preserved as anaesthetics ethnic expression of the Chinese community in Semarang. This research aims to analyze the aesthetic expression of nanyin by the Lam Kwan Boen Hiang Tong in Semarang. The research employs the method of descriptive qualitative with aesthetics approach. The data were collected from observation, interview, and documentation. The research was validated from triangulation. The analysis was through data reduction, presentation, and conclusion. The used theory is the theory of aesthetics. The research founds that (1) nanyin has the unique tone of music in the instrument and vocal tone; (2) the music uses simple melody with pentatonic bar; (3) the pitch is higher in each filler of dizi instrument part; (4) nanyin is performed in a dynamic tone; (5) most instrument plays some lyrical song; and (6) the performer wears cheongsam or dang zhuang during the performance.

Collaboration network of the authors

40 authors · 145 co-authorship links · 3 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • State University of Jakarta
  • Universitas Gajayana Malang
  • Cenderawasih University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Sunarto SunartoAffiliation unknown14
Hartono HartonoAffiliation unknown14
Wadiyo WadiyoAffiliation unknown13
Totok Sumaryanto FlorentinusState University of Semarang9
Sri IswidayatiAffiliation unknown8
Agus CahyonoAffiliation unknown7
Muh. Ibnan SyarifAffiliation unknown6
Tjetjep Rohendi RohidiAffiliation unknown5
Widodo WidodoState University of Jakarta4
Tjetjep Rohendi RohidiAffiliation unknown4
Ratih Ayu PratiwinindyaAffiliation unknown3
Syahrul Syah SinagaAffiliation unknown3
Totok Sumaryanto. FAffiliation unknown3
Totok Sumaryanto FlorentinusAffiliation unknown3
Malarsih MalarsihAffiliation unknown3
Tjatur RebowoAffiliation unknown2
Muhammad JazuliAffiliation unknown2
Syakir SyakirAffiliation unknown2
Muh. Ibnan SyarifAffiliation unknown2
Syahrul Syah SinagaAffiliation unknown2
Gunadi GunadiUniversitas Gajayana Malang2
Onang MurtiyosoAffiliation unknown2
Purwanto PurwantoCenderawasih University2
Faruq AlfiantoAffiliation unknown2
Nursyirwani NursyirwaniAffiliation unknown2
W. AsmaraAffiliation unknown2
A.E.T.H. WahyuniAffiliation unknown2
Eko SugiartoAffiliation unknown2
Ascariena RafindaAffiliation unknown1
Rahina NugrahaniState University of Semarang1
Slamet HaryonoAffiliation unknown1
Tri Danu SatriaAffiliation unknown1
Suharto SuhartoAffiliation unknown1
Wandah WibawantoAffiliation unknown1
Metha BertinaAffiliation unknown1
Prima Suci LestariAffiliation unknown1
Suharto SAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">The Aesthetic Expression for the Nanyin Music by the Lam Kwan Boen Hian Tong Community</dc:title>
	<dc:creator>Ulfah, Zulfia</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:creator>Triyanto, Triyanto</dc:creator>
	<dc:description xml:lang="en-US">Nanyin is a piece of Chinese traditional music. The music is preserved as anaesthetics ethnic expression of the Chinese community in Semarang. This research aims to analyze the aesthetic expression of nanyin by the Lam Kwan Boen Hiang Tong in Semarang. The research employs the method of descriptive qualitative with aesthetics approach. The data were collected from observation, interview, and documentation. The research was validated from triangulation. The analysis was through data reduction, presentation, and conclusion. The used theory is the theory of aesthetics. The research founds that (1) nanyin has the unique tone of music in the instrument and vocal tone; (2) the music uses simple melody with pentatonic bar; (3) the pitch is higher in each filler of dizi instrument part; (4) nanyin is performed in a dynamic tone; (5) most instrument plays some lyrical song; and (6) the performer wears cheongsam or dang zhuang during the performance.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-08-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/33110</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i3.33110</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 3 (2019); 258-263</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/33110/14001</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
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