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The Symbolic Meaning of Charaters in Wayang Lupit and Slentheng By Ki Entus Susmono

Catharsis · Vol. 8 No. 4 (2020) · pp. 453–458

DOI
10.15294/catharsis.v8i4.37111
ISSN
2502-4531, 2252-6900
Published
2020-01-30
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Wayang Lupit and Slentheng are the characters played in Carangan performance by Ki Entus Susmono. The characters are based on Punawakan. This research analyses the visual elements of Wayang Lupit and Slentheng by Ki Entus Susmono. This research uses qualitative method with semiotic approach. The researchers collected the data from observation, interviews, and documentation. The data were validated by triangulation. The analyses of the data were through data reduction, presentation, and verification. The visual analysis of the characters implemented the theories of Ferdinand De Saussure and Roland Barthes. The findings show that: 1) The characters of Wayang Lupit wear Tegalese costumes, which are clothes, black trousers (in some cases wear Sarong), and iket wulung (a head band); 2) The character of Slentheng wears moslem apparel with sarong and kupluk/peci (moslem cap). Besides, the researchers found that the symbolic meaning of Wayang Lupit and Slentheng are reflected through its use of traditional costume. pakaian adat. In the end, this research can become a reference for similar study in the future, specifically for art education study in the future.

Collaboration network of the authors

40 authors · 122 co-authorship links · 2 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Universitas Gajayana Malang
  • Diponegoro University
  • State University of Semarang
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Hartono HartonoAffiliation unknown10
Muh. Ibnan SyarifAffiliation unknown6
Udi UtomoAffiliation unknown6
Tjetjep Rohendi RohidiAffiliation unknown5
Tjetjep Rohendi RohidiAffiliation unknown5
Sunarto SunartoAffiliation unknown4
Wadiyo WadiyoAffiliation unknown4
Ratih Ayu PratiwinindyaAffiliation unknown4
Syakir SyakirAffiliation unknown3
Tjatur RebowoAffiliation unknown2
Agus CahyonoAffiliation unknown2
Muh. Ibnan SyarifAffiliation unknown2
Gunadi GunadiUniversitas Gajayana Malang2
Onang MurtiyosoAffiliation unknown2
Purwanto PurwantoDiponegoro University2
Eko HaryantoAffiliation unknown2
Wahyu LestariAffiliation unknown2
Yudi Ari AdiAffiliation unknown1
Ario WirayaAffiliation unknown1
Laila FitrianaAffiliation unknown1
Amellia PutriAffiliation unknown1
Mujiyono MujiyonoAffiliation unknown1
Eko NusantoroAffiliation unknown1
Ardiyan Adhi WibowoAffiliation unknown1
RM. Bambang Setyohadi Kuswarna PutraAffiliation unknown1
Agung BudiwirawanAffiliation unknown1
Sherley Ika ChristantiAffiliation unknown1
Muhammad Harits Al RasyidAffiliation unknown1
Janae Christie Nemorai EmbongdumaAffiliation unknown1
Syira Riskiyani SinambelaAffiliation unknown1
Ascariena RafindaAffiliation unknown1
Rahina NugrahaniState University of Semarang1
Septi DiyantiAffiliation unknown1
Rimasari Pramesthi PutriAffiliation unknown1
Fivin Bagus Septiya PambudiAffiliation unknown1
Teguh SupriyantoAffiliation unknown1
Risca DamayantiAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">The Symbolic Meaning of Charaters in Wayang Lupit and Slentheng By Ki Entus Susmono</dc:title>
	<dc:creator>Kuntoro, Adi</dc:creator>
	<dc:creator>Iswidayati, Sri</dc:creator>
	<dc:creator>Triyanto, Triyanto</dc:creator>
	<dc:description xml:lang="en-US">&amp;nbsp;&amp;nbsp;&amp;nbsp; Wayang Lupit and Slentheng are the characters played in Carangan performance by Ki Entus Susmono. The characters are based on Punawakan. This research analyses the visual elements of Wayang Lupit and Slentheng by Ki Entus Susmono. This research uses qualitative method with semiotic approach. The researchers collected the data from observation, interviews, and documentation. The data were validated by triangulation. The analyses of the data were through data reduction, presentation, and verification. The visual analysis of the characters implemented the theories of Ferdinand De Saussure and Roland Barthes. The findings show that: 1) The characters of Wayang Lupit wear Tegalese costumes, which are clothes, black trousers (in some cases wear Sarong), and iket wulung (a head band); 2) The character of Slentheng wears moslem apparel with sarong and kupluk/peci (moslem cap). Besides, the researchers found that the symbolic meaning of Wayang Lupit and Slentheng are reflected through its use of traditional costume. pakaian adat. In the end, this research can become a reference for similar study in the future, specifically for art education study in the future.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-01-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/37111</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i4.37111</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 4 (2019); 453-458</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i4</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/37111/15295</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
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