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An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra

Catharsis · Vol. 9 No. 3 (2020) · pp. 220–228

DOI
10.15294/catharsis.v9i3.44612
ISSN
2502-4531, 2252-6900
Published
2020-12-31
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning

Collaboration network of the authors

40 authors · 119 co-authorship links · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • State University of Jakarta
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Sunarto SunartoAffiliation unknown10
Wadiyo WadiyoAffiliation unknown10
Totok Sumaryanto FlorentinusState University of Semarang8
Triyanto TriyantoAffiliation unknown7
Hartono HartonoAffiliation unknown7
Agus CahyonoAffiliation unknown5
Widodo WidodoState University of Jakarta4
Syahrul Syah SinagaAffiliation unknown3
Totok Sumaryanto. FAffiliation unknown3
Tjetjep Rohendi RohidiAffiliation unknown2
Muhammad JazuliAffiliation unknown2
Malarsih MalarsihAffiliation unknown2
Syahrul Syah SinagaAffiliation unknown2
I Made SudanaAffiliation unknown2
Faruq AlfiantoAffiliation unknown2
Slamet HaryonoAffiliation unknown1
Tri Danu SatriaAffiliation unknown1
Suharto SuhartoAffiliation unknown1
Wandah WibawantoAffiliation unknown1
Metha BertinaAffiliation unknown1
Eko SugiartoAffiliation unknown1
Prima Suci LestariAffiliation unknown1
Suharto SAffiliation unknown1
Tegar AnugrahitaAffiliation unknown1
Dedy FirduansyahAffiliation unknown1
Willy LontohAffiliation unknown1
Setyati Dyah HandayaniAffiliation unknown1
Firdaus PerdanaAffiliation unknown1
Masayu Selly SabillahAffiliation unknown1
Richard Junior KapoyosAffiliation unknown1
Bahtiar ArbiAffiliation unknown1
Eryaya NirbayaAffiliation unknown1
Setiorini Rahma SafitriAffiliation unknown1
Rofiandri SuardiAffiliation unknown1
Ahmad Zahry MujadidAffiliation unknown1
Awang KautzarAffiliation unknown1
Reza Nepilia SariAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra</dc:title>
	<dc:creator>Pamungkas, Benidiktus Candra</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:creator>Sumaryanto Florentinus, Totok</dc:creator>
	<dc:description xml:lang="en-US">Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-12-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/44612</dc:identifier>
	<dc:identifier>10.15294/catharsis.v9i3.44612</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 9 No 3 (2020); 220-228</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v9i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/44612/18414</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
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