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Function Changes on Brendung Art Performance in Sarwodadi Community Pemalang Regency: Between Preservation and Development

Catharsis · Vol. 10 No. 1 (2021) · pp. 41–56

DOI
10.15294/catharsis.v10i1.48192
ISSN
2502-4531, 2252-6900
Published
2021-05-31
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

The purpose of this study is to analyze the shift of function in the context of art preservation and development on Brendung art perfomance in Sarwodadi community, Pemalang Regency. The research method used qualitative data and the research used a case study design. This research used both primary and secondary data sources and the data collection techniques used observation, interview, and document studies. The data analysis technique used interactive data analysis. Brendung is an art in Sarwodadi community, Pemalang and it is part of a performance, which shows a Brendung doll dance under the influence of spirits. The form of its performances have some changes in terms of a form of preservation effort, but it does not abandon the tradition or typical parts of Brendung art. Some preservation efforts of Brendung Art are done in order to maintain the existence of Brendung art itself so that it can still exist and is accepted by the society. The changes in the art are there but they do not abandon the old tradition. The shift of Brendung art performance in Sarwodadi community is as the effort so that the art will survive and does not disappear by the development of the era. It changes but it does not abandon the old tradition or the typical parts of Brendung art. Some preservation efforts of Brendung Art are done in order to maintain the existence of Brendung art itself so that it can still exist and is accepted by the society. The changes in the art are there but they do not abandon the old tradition. Brendung art was initially an art performance that functioned as a means of ritual and related to society and their belief, however, as the time goes by, it changes into an entertainment platform and aesthetic presence for its community.

Collaboration network of the authors

40 authors · 132 co-authorship links · showing the 40 most connected

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  • State University of Semarang
  • State University of Jakarta
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Hartono HartonoAffiliation unknown13
Wadiyo WadiyoAffiliation unknown11
Sunarto SunartoAffiliation unknown10
Totok Sumaryanto FlorentinusState University of Semarang8
Triyanto TriyantoAffiliation unknown8
Muhammad JazuliAffiliation unknown7
Widodo WidodoState University of Jakarta5
Eko SugiartoAffiliation unknown4
Malarsih MalarsihAffiliation unknown4
Syahrul Syah SinagaAffiliation unknown3
Totok Sumaryanto. FAffiliation unknown3
Tjetjep Rohendi RohidiAffiliation unknown3
Syakir SyakirAffiliation unknown2
Totok Sumaryanto FlorentinusAffiliation unknown2
Syahrul Syah SinagaAffiliation unknown2
Faruq AlfiantoAffiliation unknown2
Slamet HaryonoAffiliation unknown2
Suharto SuhartoAffiliation unknown2
Tri Danu SatriaAffiliation unknown1
Nimas Agustin Purwaningtyas Nimas Agustin PurwaningtyasAffiliation unknown1
Daniar Hafri AhsaniAffiliation unknown1
Wandah WibawantoAffiliation unknown1
Metha BertinaAffiliation unknown1
Prima Suci LestariAffiliation unknown1
Suharto SAffiliation unknown1
Tegar AnugrahitaAffiliation unknown1
Esti VerulitasariAffiliation unknown1
Dedy FirduansyahAffiliation unknown1
Willy LontohAffiliation unknown1
Opta SeptianaAffiliation unknown1
Totok SumaryantoAffiliation unknown1
Setyati Dyah HandayaniAffiliation unknown1
Firdaus PerdanaAffiliation unknown1
Ardin ArdinAffiliation unknown1
Fitrya Ali ImranAffiliation unknown1
Prasena ArisyantoAffiliation unknown1
Dwi Tiya JuwitaAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">Function Changes on Brendung Art Performance in Sarwodadi Community Pemalang Regency: Between Preservation and Development</dc:title>
	<dc:creator>Nirwanto, Bagus</dc:creator>
	<dc:creator>Cahyono, Agus</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:description xml:lang="en-US">The purpose of this study is to analyze the shift of function in the context of art preservation and development on Brendung art perfomance in Sarwodadi community, Pemalang Regency. The research method used qualitative data and the research used a case study design. This research used both primary and secondary data sources and the data collection techniques used observation, interview, and document studies. The data analysis technique used interactive data analysis. Brendung is an art in Sarwodadi community, Pemalang and it is part of a performance, which shows a Brendung doll dance under the influence of spirits. The form of its performances have some changes in terms of a form of preservation effort, but it does not abandon the tradition or typical parts of Brendung art. Some preservation efforts of Brendung Art are done in order to maintain the existence of Brendung art itself so that it can still exist and is accepted by the society. The changes in the art are there but they do not abandon the old tradition. The shift of Brendung art performance in Sarwodadi community is as the effort so that the art will survive and does not disappear by the development of the era. It changes but it does not abandon the old tradition or the typical parts of Brendung art. Some preservation efforts of Brendung Art are done in order to maintain the existence of Brendung art itself so that it can still exist and is accepted by the society. The changes in the art are there but they do not abandon the old tradition. Brendung art was initially an art performance that functioned as a means of ritual and related to society and their belief, however, as the time goes by, it changes into an entertainment platform and aesthetic presence for its community.
&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2021-05-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/48192</dc:identifier>
	<dc:identifier>10.15294/catharsis.v10i1.48192</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 10 No 1 (2021); 41-56</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v10i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/48192/19883</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Catharsis</dc:rights>
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