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“Analysis of Penanian Dolo Musical Composition Entitled: Ia Ke Ka’tumo Tu Sunga’ku”

Catharsis · Vol. 11 No. 2 (2022) · pp. 195–207

DOI
10.15294/catharsis.v11i2.59642
ISSN
2502-4531, 2252-6900
Published
2022-09-15
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

This study discusses the art forms in Toraja cultural rituals, which are more precisely held in Lembang Gandangbatu, Gandangbatu Sillanan District. The ritual is called Ma'bulle Tomate. The Ma'bulle Tomate ritual is an activity of carrying the corpse to the burial place. The community performs the Ma'bulle Tomate ritual while singing a spiritual song called Penanian Dolo. This study aims to reveal the structure of the Penanian Dolo musical composition entitled Ia Ke Ka'tumo tu Sunga'ku as one of the songs in the funeral ritual. This research is qualitative research using musicology and sociology approaches. It was conducted in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency. Data was obtained through observation, interviews, and documentation. The data obtained were then analyzed using qualitative data analysis techniques: data reduction, data presentation, and conclusions. The results of this study explain that the musical composition of Penanian Dolo entitled Ia Ke Ka'tumo tu Sunga'ku belongs to the form of a two-part song with symmetrical sentence pieces (AA'BA'). Like a hymn song that has simple melodic movements and is easy to learn and remember, that is the character of the song Ia Ke Ka'tumo tu Sunga'ku. The community's interpretation of singing the song Ia Ke Ka'tumo Tu Sunga'ku uses a 6/4 time rhythm pattern with an Adagietto tempo which means slow with a speed of 63-69 beats per minute. The heart-rending recitation of the verses and the resulting three-voice harmony can bring a sad and gripping feel, even though the song does not start with a minor chord. This research would be an effort and contribution of thought in the form of written works as a form of preserving Toraja cultural music as well as adding insight into the art of music in Indonesia.

Collaboration network of the authors

40 authors · 88 co-authorship links · 10 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Jakarta
  • IPB University
  • Universitas Halu Oleo
  • Sebelas Maret University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Udi UtomoAffiliation unknown14
Wadiyo WadiyoAffiliation unknown11
Triyanto TriyantoAffiliation unknown4
Malarsih MalarsihAffiliation unknown4
Wahyu LestariAffiliation unknown3
Slamet HaryonoAffiliation unknown3
Martien Herna SusantiAffiliation unknown3
Yatim RiyantoAffiliation unknown2
Syahrul Syah SinagaAffiliation unknown2
Kidung Sukma AsmaraniAffiliation unknown2
Syahrul Syah SinagaAffiliation unknown2
Mujimin MujiminAffiliation unknown2
Puji LestariAffiliation unknown2
Sumarno SumarnoAffiliation unknown2
Satria Dwi AstutiAffiliation unknown2
Asmar HasanUniversitas Halu Oleo1
Kikin Hamzah MutaqinIPB University1
Muhammad TaufikUniversitas Halu Oleo1
Sri Hendrastuti HidayatIPB University1
Jiel Vayyad RamadhanState University of Jakarta1
Muhammad Ficky DuskarnaenAffiliation unknown1
Via Tuhamah FauziastutiState University of Jakarta1
Chelsea Zaomi PondayuState University of Jakarta1
Mada Rekadarma SeptiandaState University of Jakarta1
NurfaidaAffiliation unknown1
Dino RimanthoAffiliation unknown1
Kartika AdyaniAffiliation unknown1
Friska RealitaAffiliation unknown1
Arum MeirannyAffiliation unknown1
Alma Dita Mia NarfaisAffiliation unknown1
Gunarti Dwi LestariAffiliation unknown1
Wiwin YulianingsihAffiliation unknown1
Mega WulandariAffiliation unknown1
Siti NafisahAffiliation unknown1
Nurul Asma MazlanAffiliation unknown1
Abdul AzizSebelas Maret University1
Mantaaba Zukhruf NabilunnuhaAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">“Analysis of Penanian Dolo Musical Composition Entitled: Ia Ke Ka’tumo Tu Sunga’ku”</dc:title>
	<dc:creator>Tandililing, Sostenes Mono</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:creator>Widodo, Widodo</dc:creator>
	<dc:description xml:lang="en-US">This study discusses the art forms in Toraja cultural rituals, which are more precisely held in Lembang Gandangbatu, Gandangbatu Sillanan District. The ritual is called Ma'bulle Tomate. The Ma'bulle Tomate ritual is an activity of carrying the corpse to the burial place. The community performs the Ma'bulle Tomate ritual while singing a spiritual song called Penanian Dolo. This study aims to reveal the structure of the Penanian Dolo musical composition entitled Ia Ke Ka'tumo tu Sunga'ku as one of the songs in the funeral ritual. This research is qualitative research using musicology and sociology approaches. It was conducted in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency. Data was obtained through observation, interviews, and documentation. The data obtained were then analyzed using qualitative data analysis techniques: data reduction, data presentation, and conclusions. The results of this study explain that the musical composition of Penanian Dolo entitled Ia Ke Ka'tumo tu Sunga'ku belongs to the form of a two-part song with symmetrical sentence pieces (AA'BA'). Like a hymn song that has simple melodic movements and is easy to learn and remember, that is the character of the song Ia Ke Ka'tumo tu Sunga'ku. The community's interpretation of singing the song Ia Ke Ka'tumo Tu Sunga'ku uses a 6/4 time rhythm pattern with an Adagietto tempo which means slow with a speed of 63-69 beats per minute. The heart-rending recitation of the verses and the resulting three-voice harmony can bring a sad and gripping feel, even though the song does not start with a minor chord. This research would be an effort and contribution of thought in the form of written works as a form of preserving Toraja cultural music as well as adding insight into the art of music in Indonesia.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/59642</dc:identifier>
	<dc:identifier>10.15294/catharsis.v11i2.59642</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 11 No 2 (2022); 195-207</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v11i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/59642/23281</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Catharsis</dc:rights>
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