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Jacko Hendrik Ayub Bullan's Sasando Akustik Elektrik as a Cultural Dissemination

Catharsis (2022) · pp. 342–349

DOI
10.15294/catharsis.v11i3.65105
ISSN
2502-4531, 2252-6900
Published
2022-12-25
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

This research focuses on the Sasando Acoustic Electric instrument developed by Jacob as a cultural transfer strategy. The aim of this research is to demonstrate that Sasando is a part of the cultural heritage of the Rote Island community, and Jacob, as an artist, plays an important role in the development of the instrument. Sasando Acoustic Electric was created as an effort to preserve culture while maintaining its traditional characteristics, yet also able to adapt to the changing times. This musical instrument has become popular and is used for various purposes, including performances, beginners, and courses. Therefore, the researcher chose to investigate Jacob's Sasando Acoustic Electric instrument as one strategy for cultural transfer.The research method used a qualitative approach, using a case study design that analyzed the phenomena that occurred. Qualitative research is considered appropriate for exploring art phenomena. Data analysis in this study went through three stages, namely data collection, data reduction, and data presentation, using the Interactive Model for Qualitative Research by Miles and Huberman. To maintain data credibility, data triangulation and theory were employed. Data was collected through observation, interviews, and document study.The results of this study show that Jacob's Sasando Acoustic Electric is an innovation that successfully transfers traditional culture into a modern form. As an artist, Jacob was able to maintain the traditional characteristics of Sasando while also adapting to the changing times by adding acoustic and electric elements to the instrument. The results of this study can also contribute to the development of traditional culture and art in Indonesia.

Collaboration network of the authors

40 authors · 109 co-authorship links · 11 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Jakarta
  • IPB University
  • Universitas Halu Oleo
  • State University of Semarang
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Udi UtomoAffiliation unknown13
Sunarto SunartoAffiliation unknown8
Triyanto TriyantoAffiliation unknown4
Slamet HaryonoAffiliation unknown3
Agus CahyonoAffiliation unknown3
Yatim RiyantoAffiliation unknown2
Malarsih MalarsihAffiliation unknown2
Hartono HartonoAffiliation unknown2
Mujimin MujiminAffiliation unknown2
Suharto SuhartoAffiliation unknown2
Abdul RachmanAffiliation unknown2
Asmar HasanUniversitas Halu Oleo1
Kikin Hamzah MutaqinIPB University1
Muhammad TaufikUniversitas Halu Oleo1
Sri Hendrastuti HidayatIPB University1
Jiel Vayyad RamadhanState University of Jakarta1
Muhammad Ficky DuskarnaenAffiliation unknown1
Via Tuhamah FauziastutiState University of Jakarta1
Chelsea Zaomi PondayuState University of Jakarta1
Mada Rekadarma SeptiandaState University of Jakarta1
NurfaidaAffiliation unknown1
Dino RimanthoAffiliation unknown1
Alma Dita Mia NarfaisAffiliation unknown1
Gunarti Dwi LestariAffiliation unknown1
Wiwin YulianingsihAffiliation unknown1
Mega WulandariAffiliation unknown1
Rahina NugrahaniState University of Semarang1
Eko HaryantoAffiliation unknown1
Johan SutarjoAffiliation unknown1
Fitri aji Nury astutiAffiliation unknown1
Eko SugiartoAffiliation unknown1
Achmad ZairinAffiliation unknown1
May Sari LubisAffiliation unknown1
Meyltsan Herbert MaraganiAffiliation unknown1
Willy LontohAffiliation unknown1
Wulan WidiyantiAffiliation unknown1
Hanifah Suaidi HanifahAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">Jacko Hendrik Ayub Bullan's Sasando Akustik Elektrik as a Cultural Dissemination</dc:title>
	<dc:creator>Homklom, Treyanus</dc:creator>
	<dc:creator>Wadiyo, Wadiyo</dc:creator>
	<dc:creator>Widodo, Widodo</dc:creator>
	<dc:description xml:lang="en-US">This research focuses on the Sasando Acoustic Electric instrument developed by Jacob as a cultural transfer strategy. The aim of this research is to demonstrate that Sasando is a part of the cultural heritage of the Rote Island community, and Jacob, as an artist, plays an important role in the development of the instrument. Sasando Acoustic Electric was created as an effort to preserve culture while maintaining its traditional characteristics, yet also able to adapt to the changing times. This musical instrument has become popular and is used for various purposes, including performances, beginners, and courses. Therefore, the researcher chose to investigate Jacob's Sasando Acoustic Electric instrument as one strategy for cultural transfer.The research method used a qualitative approach, using a case study design that analyzed the phenomena that occurred. Qualitative research is considered appropriate for exploring art phenomena. Data analysis in this study went through three stages, namely data collection, data reduction, and data presentation, using the Interactive Model for Qualitative Research by Miles and Huberman. To maintain data credibility, data triangulation and theory were employed. Data was collected through observation, interviews, and document study.The results of this study show that Jacob's Sasando Acoustic Electric is an innovation that successfully transfers traditional culture into a modern form. As an artist, Jacob was able to maintain the traditional characteristics of Sasando while also adapting to the changing times by adding acoustic and electric elements to the instrument. The results of this study can also contribute to the development of traditional culture and art in Indonesia.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-12-25</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/65105</dc:identifier>
	<dc:identifier>10.15294/catharsis.v11i3.65105</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Special Edition 2022; 342-349</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v11i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/65105/23799</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Catharsis</dc:rights>
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