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The Performance Form of Dzikir Saman, Banjarsari Lebak Banten

Catharsis · Vol. 12 No. 1 (2023) · pp. 65–72

DOI
10.15294/catharsis.v12i1.67712
ISSN
2502-4531, 2252-6900
Published
2023-05-31
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Arts is always considered to be related to culture, which becomes a feature. One of the performing arts that continues to exist and develop in Banten is Dzikir Saman. The Dzikir Saman performance is closely related to religious overtones, and thanksgiving is given with aesthetic wrapping. Therefore this research aims to examine the form of Dzikir Saman performances in Banjar Sari, Lebak Banten. This research used qualitative approach and data collection techniques, with observation, interviews, and documentation. From the results of data collection and data analysis, it can be seen that the Dzikir Saman art is divided into three performance structures, the first being tawasul, asyrokol, and saman, which contain elements of performance, such as performers, costumes, music, make-up, property of place and time. Keywords: Form of performance, arts, Dzikir Saman,

Collaboration network of the authors

40 authors · 105 co-authorship links · showing the 40 most connected

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  • State University of Semarang
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Triyanto TriyantoAffiliation unknown9
Agus CahyonoAffiliation unknown8
Wahyu LestariAffiliation unknown7
Ani RusilowatiState University of Semarang6
Malarsih MalarsihAffiliation unknown5
Udi UtomoAffiliation unknown5
Wiyanto WiyantoState University of Semarang4
Totok Sumaryanto FlorentinusState University of Semarang3
Syakir SyakirAffiliation unknown3
Sunyoto Eko NugrohoState University of Semarang3
Wadiyo WadiyoAffiliation unknown2
Totok Sumaryanto FlorentinusAffiliation unknown2
Ian YuliantiAffiliation unknown2
St. Budi WaluyaAffiliation unknown2
Langlang HandayaniAffiliation unknown2
Masturi MasturiState University of Semarang2
Moh. Hasan BisriAffiliation unknown2
Makkulau MakkulauAffiliation unknown1
Hafiludin SamparadjaAffiliation unknown1
Heri SetyawanAffiliation unknown1
Koko SetiawanAffiliation unknown1
Subakho Aryo SalokoAffiliation unknown1
Nurdjanah HamidAffiliation unknown1
Ria Mardiana YusufAffiliation unknown1
Suharto SuhartoAffiliation unknown1
Budi UtomoAffiliation unknown1
Adi Kurniawan YusimAffiliation unknown1
Lusi HariniAffiliation unknown1
Thesa Adi Saputra YusriAffiliation unknown1
Afifah HayatiAffiliation unknown1
Syamsudin Mas'udAffiliation unknown1
Karyati KaryatiAffiliation unknown1
Fitriana Yuli SaptaningtyasAffiliation unknown1
Randi GitaAffiliation unknown1
Febianti VaniaAffiliation unknown1
Anita WidyatiAffiliation unknown1
Nimas Agustin Purwaningtyas Nimas Agustin PurwaningtyasAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Performance Form of Dzikir Saman, Banjarsari Lebak Banten</dc:title>
	<dc:creator>Hartomi, Teguh</dc:creator>
	<dc:creator>Lanjari, Restu</dc:creator>
	<dc:creator>Hartono, Hartono</dc:creator>
	<dc:description xml:lang="en-US">Arts is always considered to be related to culture, which becomes a feature. One of the performing arts that continues to exist and develop in Banten is Dzikir Saman. The Dzikir Saman performance is closely related to religious overtones, and thanksgiving is given with aesthetic wrapping. Therefore this research aims to examine the form of Dzikir Saman performances in Banjar Sari, Lebak Banten. This research used qualitative approach and data collection techniques, with observation, interviews, and documentation. From the results of data collection and data analysis, it can be seen that the Dzikir Saman art is divided into three performance structures, the first being tawasul, asyrokol, and saman, which contain elements of performance, such as performers, costumes, music, make-up, property of place and time.
&amp;nbsp;
Keywords: Form of performance, arts, Dzikir Saman,</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-05-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/67712</dc:identifier>
	<dc:identifier>10.15294/catharsis.v12i1.67712</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 12 No 1 (2023); 65-72</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v12i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/67712/25017</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Catharsis</dc:rights>
</oai_dc:dc>