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Forms of Presentation of Ma'barutung Music Art in Parombean village, Curio district, Enrekang regency

Catharsis · Vol. 12 No. 1 (2023) · pp. 15–26

ISSN
2502-4531, 2252-6900
Published
2023-08-16
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Ma'Barutung is a traditional art inherited from our ancestors which is still being maintained by the people in Parombean village, Curio district, Enrekang regency. Ma'barutung is a traditional music that uses bamboo as the main musical instrument and the type of bamboo used is pattung tara bamboo with a size of more than 1 meter. This ma'barutung music is a routine activity of local residents and has become a tradition in Parombean Village which is performed at certain events so that this music becomes an important tradition in which there are musical performances consisting of players, singers, instruments, clothing and stage setting. Ma'barutung music is highly guarded by the people of Parombean village because this art is the only art inherited from their ancestors that has musical presentations that are different from other musical arts and has cultural values and character education values in the performances. This study aims to analyze and discuss the form of presentation of ma'barutung music in Parombean village. This study used a descriptive qualitative method and its research approach used an ethnomusicological approach. data collection techniques namely observation techniques, interview techniques and documentation. The results of this study provide answers regarding the form of presentation of ma'barutung music which is a musical ensemble consisting of players, instruments, singers, songs, costumes, make-up and stage. Based on the results of the research, the researcher's suggestion is that the art of ma'barutung music can still be further developed in terms of its performance, namely the formation and stage setting, as well as the infrastructure, so that the government pays attention to and facilitates the performers of the art of ma'barutung music so that it is more developed and its existence can be recognized and more appreciated.

Collaboration network of the authors

40 authors · 110 co-authorship links · 11 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Jakarta
  • IPB University
  • Universitas Halu Oleo
  • State University of Semarang
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Udi UtomoAffiliation unknown12
Sunarto SunartoAffiliation unknown8
Triyanto TriyantoAffiliation unknown4
Slamet HaryonoAffiliation unknown3
Agus CahyonoAffiliation unknown3
Yatim RiyantoAffiliation unknown2
Malarsih MalarsihAffiliation unknown2
Hartono HartonoAffiliation unknown2
Mujimin MujiminAffiliation unknown2
Suharto SuhartoAffiliation unknown2
Asmar HasanUniversitas Halu Oleo1
Kikin Hamzah MutaqinIPB University1
Muhammad TaufikUniversitas Halu Oleo1
Sri Hendrastuti HidayatIPB University1
Jiel Vayyad RamadhanState University of Jakarta1
Muhammad Ficky DuskarnaenAffiliation unknown1
Via Tuhamah FauziastutiState University of Jakarta1
Chelsea Zaomi PondayuState University of Jakarta1
Mada Rekadarma SeptiandaState University of Jakarta1
NurfaidaAffiliation unknown1
Dino RimanthoAffiliation unknown1
Alma Dita Mia NarfaisAffiliation unknown1
Gunarti Dwi LestariAffiliation unknown1
Wiwin YulianingsihAffiliation unknown1
Mega WulandariAffiliation unknown1
Rahina NugrahaniState University of Semarang1
Eko HaryantoAffiliation unknown1
Johan SutarjoAffiliation unknown1
Fitri aji Nury astutiAffiliation unknown1
Eko SugiartoAffiliation unknown1
Achmad ZairinAffiliation unknown1
May Sari LubisAffiliation unknown1
Meyltsan Herbert MaraganiAffiliation unknown1
Willy LontohAffiliation unknown1
Wulan WidiyantiAffiliation unknown1
Hanifah Suaidi HanifahAffiliation unknown1
Totok Sumaryanto. FAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">Forms of Presentation of Ma'barutung Music Art in Parombean village, Curio district, Enrekang regency</dc:title>
	<dc:creator>Warsono, Ekomagrah</dc:creator>
	<dc:creator>Widodo, Widodo</dc:creator>
	<dc:creator>Wadiyo, Wadiyo</dc:creator>
	<dc:description xml:lang="en-US">Ma'Barutung is a traditional art inherited from our ancestors which is still being maintained by the people in Parombean village, Curio district, Enrekang regency. Ma'barutung is a traditional music that uses bamboo as the main musical instrument and the type of bamboo used is pattung tara bamboo with a size of more than 1 meter. This ma'barutung music is a routine activity of local residents and has become a tradition in Parombean Village which is performed at certain events so that this music becomes an important tradition in which there are musical performances consisting of players, singers, instruments, clothing and stage setting. Ma'barutung music is highly guarded by the people of Parombean village because this art is the only art inherited from their ancestors that has musical presentations that are different from other musical arts and has cultural values and character education values in the performances. This study aims to analyze and discuss the form of presentation of ma'barutung music in Parombean village. This study used a descriptive qualitative method and its research approach used an ethnomusicological approach. data collection techniques namely observation techniques, interview techniques and documentation. The results of this study provide answers regarding the form of presentation of ma'barutung music which is a musical ensemble consisting of players, instruments, singers, songs, costumes, make-up and stage. Based on the results of the research, the researcher's suggestion is that the art of ma'barutung music can still be further developed in terms of its performance, namely the formation and stage setting, as well as the infrastructure, so that the government pays attention to and facilitates the performers of the art of ma'barutung music so that it is more developed and its existence can be recognized and more appreciated.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-08-16</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/72555</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 12 No 1 (2023); 15-26</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v12i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/72555/24983</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Catharsis</dc:rights>
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