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The Production Process and Aesthetics of Batik Motifs at Wardah Batik Industry House in Banjarnegara Regency

Eduarts: Jurnal Pendidikan Seni · Vol. 14 No. 1 (2025) · pp. 76–94

DOI
10.15294/eduarts.v14i1.785
ISSN
2721-785X, 2252-6625
Published
2025-01-01
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Nowadays, the process of producing batik motifs has become an important subject of study due to the declining aesthetic value found in each piece created. Aesthetic value plays a role as a mediator in conveying the moral message inherent in each work. It also has a vital role as the spirit offered in each piece, making it crucial to preserve its existence. This study aims to describe the production process and understand the aesthetics of batik motifs at the Wardah Batik Industry House. The research uses a qualitative approach with data collection techniques such as observation, interviews, and document studies. The study found that the batik production process at the Wardah Batik Industry House includes the stages of creating batik designs, with ideas sourced from the local potential of Banjarnegara, which are explored and sketched into batik designs, followed by the production stages: transferring designs, batiking, dyeing, stripping, and soaking in softener. The aesthetics of the batik motifs at the Wardah Batik Industry House, from a Javanese aesthetic perspective, include: First, the cultural cosmological value, the order of the universe manifested in the depiction and repetition of motifs such as Batik Daun Kelapa (Coconut Leaf Batik), Batik Dawet Ayu (Ayu Dawet Batik), Batik Wajan Canting (Canting Wajan Batik), Batik Ikan (Fish Batik), and Batik Parang Mrica (Parang Mrica Batik), which are depicted symmetrically, balanced, and orderly, with repetition in both vertical and horizontal alignment. Second, symbolic classification, empan papan in the use of batik fabric for clothing, sarongs, and the depiction of motifs that apply the two-pattern categories like top-bottom and left-right. Third, the orientation of life values, harmony, religiosity, justice, mutual cooperation, family, egalitarianism, and respect, which are embodied in the distinctive batik motifs of the Wardah Batik Industry House.

Keywords

Collaboration network of the authors

40 authors · 74 co-authorship links · 13 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Medan Area University
  • Andalas University
  • Universiti Malaysia Perlis
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Habib SatriaMedan Area University8
Indri DayanaMedan Area University4
Moranain MungkinMedan Area University3
Dadan RamdanMedan Area University3
Dina MaizanaMedan Area University3
Muhammad Fadlan SiregarMedan Area University3
Andi PawawoiAndalas University3
Nukhe Andri SilvianaMedan Area University2
Muhammad IrwantoUniversiti Malaysia Perlis2
Novizon NovizonAffiliation unknown2
Refdinal NazirAffiliation unknown2
Fajril AkbarAffiliation unknown2
Rahmad B. Y. SyahAffiliation unknown2
Rahmad SyahMedan Area University1
Sulistyo Agung Dwi KurniawanAffiliation unknown1
Kamsidjo Budi UtomoAffiliation unknown1
Lusi Ngestina PutriAffiliation unknown1
Anggi Verresya DwiAffiliation unknown1
Apri YuliyanaAffiliation unknown1
Triyanto TriyantoAffiliation unknown1
Dewi Barata Siswa LelanaAffiliation unknown1
Novita Tri LestariAffiliation unknown1
Onang MurtiyosoAffiliation unknown1
Restu Angening PawekasAffiliation unknown1
Eko SugiartoAffiliation unknown1
Qoimatun NajahAffiliation unknown1
Rivaldi AditiantoAffiliation unknown1
Widodo KurniantoAffiliation unknown1
Alfi Sholehah Dwi MeyraniAffiliation unknown1
Rina Aenun RohmadiatiAffiliation unknown1
Dewi SetianingrumAffiliation unknown1
Muhammad KarimunAffiliation unknown1
Cermat Gentur PambukoAffiliation unknown1
Lisna Zaida HusnyAffiliation unknown1
Mohammad Nova PurnamaAffiliation unknown1
Dwi Ayu WulandariAffiliation unknown1
Anggun Mega Yuli YanaAffiliation unknown1
Annis Laela FardaniAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/eduart/oai, first harvested 5 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en">The Production Process and Aesthetics of Batik Motifs at Wardah Batik Industry House in Banjarnegara Regency</dc:title>
	<dc:creator xml:lang="en">Imam Fauzi Ath Thaariq</dc:creator>
	<dc:creator xml:lang="en">Syafii, Syafii</dc:creator>
	<dc:subject xml:lang="en">aesthetic</dc:subject>
	<dc:subject xml:lang="en">batik</dc:subject>
	<dc:subject xml:lang="en">production</dc:subject>
	<dc:description xml:lang="en">Nowadays, the process of producing batik motifs has become an important subject of study due to the declining aesthetic value found in each piece created. Aesthetic value plays a role as a mediator in conveying the moral message inherent in each work. It also has a vital role as the spirit offered in each piece, making it crucial to preserve its existence. This study aims to describe the production process and understand the aesthetics of batik motifs at the Wardah Batik Industry House. The research uses a qualitative approach with data collection techniques such as observation, interviews, and document studies. The study found that the batik production process at the Wardah Batik Industry House includes the stages of creating batik designs, with ideas sourced from the local potential of Banjarnegara, which are explored and sketched into batik designs, followed by the production stages: transferring designs, batiking, dyeing, stripping, and soaking in softener. The aesthetics of the batik motifs at the Wardah Batik Industry House, from a Javanese aesthetic perspective, include: First, the cultural cosmological value, the order of the universe manifested in the depiction and repetition of motifs such as Batik Daun Kelapa (Coconut Leaf Batik), Batik Dawet Ayu (Ayu Dawet Batik), Batik Wajan Canting (Canting Wajan Batik), Batik Ikan (Fish Batik), and Batik Parang Mrica (Parang Mrica Batik), which are depicted symmetrically, balanced, and orderly, with repetition in both vertical and horizontal alignment. Second, symbolic classification, empan papan in the use of batik fabric for clothing, sarongs, and the depiction of motifs that apply the two-pattern categories like top-bottom and left-right. Third, the orientation of life values, harmony, religiosity, justice, mutual cooperation, family, egalitarianism, and respect, which are embodied in the distinctive batik motifs of the Wardah Batik Industry House.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-01-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/eduart/article/view/785</dc:identifier>
	<dc:identifier>10.15294/eduarts.v14i1.785</dc:identifier>
	<dc:source xml:lang="en">Eduarts: Jurnal Pendidikan Seni; Vol. 14 No. 1 (2025): Eduarts: Jurnal Pendidikan Seni; 76-94</dc:source>
	<dc:source>2721-785X</dc:source>
	<dc:source>2252-6625</dc:source>
	<dc:source>10.15294/eduarts.v14i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/eduart/article/view/785/3330</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Eduarts: Jurnal Pendidikan Seni</dc:rights>
</oai_dc:dc>