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Journal

The Performance of Killer of Gods Band in Semarang

Jurnal Seni Musik · Vol. 12 No. 1 (2023) · pp. 98–106

DOI
10.15294/jsm.v12i1.68029
ISSN
2503-2860, 2301-4091
Published
2023-06-30
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Killer of Gods, also known as KOG, has participated in events such as Rockin Solo and Jakarta. The performance style of KOG has successfully created an energetic atmosphere on stage, and captivated the audience with the use of dynamic lighting to enhance the musical experience. This research aimed to explore the performance format of the band Killer of Gods, serving as a reference for musicians and other researchers. The study employed a qualitative method with a phenomenological approach. Data collection was conducted through observation, interviews, and documentation. Data validity was ensured through triangulation. The data analysis process involved data collection, data reduction, data presentation, and drawing conclusions. The performance format of Killer of Gods consists of two aspects, namely composition and presentation. The composition aspect includes rhythm, melody, harmony, instruments, lyrics, arrangement, formation, and performance elements. Meanwhile, the presentation aspect includes stage design, sound system, lighting, makeup, performance timing, and music presentation. In addition, Killer of Gods exclusively performs their own compositions during their music performances.

Collaboration network of the authors

25 authors · 46 co-authorship links

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Co-authorOrganisationJoint articles
Suharto SuhartoAffiliation unknown2
Nafik SalafiyahAffiliation unknown2
Sheila Vallenta CiptoningtyasAffiliation unknown1
Nathaniel Dhiar RamaputraAffiliation unknown1
Arum Purwinda PutraAffiliation unknown1
Eko RaharjoAffiliation unknown1
Ratna Luhung StrinariswariAffiliation unknown1
Ciptaning Indra WangsaAffiliation unknown1
Ali FatkhurrohmanAffiliation unknown1
Asep SofyanAffiliation unknown1
Istiso LikhameliaAffiliation unknown1
Agam HerlambangAffiliation unknown1
Agnes Firda KristerikaAffiliation unknown1
Birgita Iyona YulitaAffiliation unknown1
Irfanda Riski Harmono SejatiAffiliation unknown1
Sunarto SunartoAffiliation unknown1
Irfanda Rizki Harmono SejatiAffiliation unknown1
Kidung Sukma AsmaraniAffiliation unknown1
Sestri Indah PebriantiAffiliation unknown1
Muhammad MuttaqinAffiliation unknown1
Moh. MuttaqinAffiliation unknown1
Slamet HaryonoAffiliation unknown1
Siti AesijahAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/jsm/oai, first harvested 6 Nov 2026, last seen 6 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">The Performance of Killer of Gods Band in Semarang</dc:title>
	<dc:creator>Aprilliano, Rico</dc:creator>
	<dc:creator>Susetyo, Bagus</dc:creator>
	<dc:description xml:lang="en-US">Killer of Gods, also known as KOG, has participated in events such as Rockin Solo and Jakarta. The performance style of KOG has successfully created an energetic atmosphere on stage, and captivated the audience with the use of dynamic lighting to enhance the musical experience. This research aimed to explore the performance format of the band Killer of Gods, serving as a reference for musicians and other researchers. The study employed a qualitative method with a phenomenological approach. Data collection was conducted through observation, interviews, and documentation. Data validity was ensured through triangulation. The data analysis process involved data collection, data reduction, data presentation, and drawing conclusions. The performance format of Killer of Gods consists of two aspects, namely composition and presentation. The composition aspect includes rhythm, melody, harmony, instruments, lyrics, arrangement, formation, and performance elements. Meanwhile, the presentation aspect includes stage design, sound system, lighting, makeup, performance timing, and music presentation. In addition, Killer of Gods exclusively performs their own compositions during their music performances.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-06-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/jsm/article/view/68029</dc:identifier>
	<dc:identifier>10.15294/jsm.v12i1.68029</dc:identifier>
	<dc:source xml:lang="en-US">Jurnal Seni Musik; Vol 12 No 1 (2023): June 2023; 98-106</dc:source>
	<dc:source>2503-2860</dc:source>
	<dc:source>2301-4091</dc:source>
	<dc:source>10.15294/jsm.v12i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/jsm/article/view/68029/24586</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Jurnal Seni Musik</dc:rights>
</oai_dc:dc>