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Pengaruh Reog Trimudho Rahayu Terhadap Sikap Sosial Penonton Di Desa Gatak Kecamatan Ampel Kabupaten Boyolali

Jurnal Seni Tari · Vol. 9 No. 1 (2020) · pp. 11–18

DOI
10.15294/jst.v9i1.37940
ISSN
2503-2585, 2252-6714
Published
2020-07-05
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Reog Trimudho Rahayu art tells about people who fight for throne in the past. This art comes from Boyolali Regency. This study is focused on the show of the Reog Trimudho Rahayu and the influence of the art on social attitudes of society. The aims of this research is to describe the show of the Reog Trimudho Rahayu art and the influence of it in Gatak village, Ampel, Boyolali Regency. Describtive qualitative is used as the method in this study. The approach which is used in the emic ethical approach. Data are collected by doing observation, interview, and documentation. The data are analyzied by using Ashead theory. The validity technique which are used are source triangulation, method triangulation, and time triangulation. The influence of this art on soscial attitudes of society in Gatak village, Ampel, Boyolali Regency is on the form of show. It includes movement, actor, cosmetics and cotumes, music or accompaniment, stage or lighting. Positive attitude includes cooperation, solidarity, and tolerance. The suggestion for Reog Trimudho Rahayu group is creating new innovations in working on movements, music, and clothing so they dont look monotonous, so that people are more enthusiastic to see the Reog Trimudho Rahayu.

Collaboration network of the authors

14 authors · 22 co-authorship links

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  • Yogyakarta State University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Nainul KhutniahAffiliation unknown1
dian sarastitiAffiliation unknown1
Novy Eka NorharyaniAffiliation unknown1
Bintang Hanggoro PutraAffiliation unknown1
Devi HartantiAffiliation unknown1
Kes NurshantiAffiliation unknown1
Agus CahyonoAffiliation unknown1
Priska Diyan HapsariAffiliation unknown1
Wahyu LestariYogyakarta State University1
Sriyadi SriyadiAffiliation unknown1
Restu LanjariAffiliation unknown1
Satitra NindrayaniAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/jst/oai, first harvested 6 Nov 2026, last seen 6 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">Pengaruh Reog Trimudho Rahayu Terhadap Sikap Sosial Penonton Di Desa Gatak Kecamatan Ampel Kabupaten Boyolali</dc:title>
	<dc:creator>Kurniawati, Presti</dc:creator>
	<dc:creator>Iryanti, Veronica Eny</dc:creator>
	<dc:description xml:lang="en-US">



&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Reog Trimudho Rahayu art tells about people who fight for throne in the past. This art comes from Boyolali Regency. This study is focused on the show of the Reog Trimudho Rahayu and the influence of the art on social attitudes of society. The aims of this research is to describe the show of the Reog Trimudho Rahayu art and the influence of it in Gatak village, Ampel, Boyolali Regency. Describtive qualitative is used as the method in this study. The approach which is used in the emic ethical approach. Data are collected by doing observation, interview, and documentation. The data are analyzied by using Ashead theory. The validity technique which are used are source triangulation, method triangulation, and time triangulation. The influence of this art on soscial attitudes of society in Gatak village, Ampel, Boyolali Regency is on the form of show. It includes movement, actor, cosmetics and cotumes, music or accompaniment, stage or lighting. Positive attitude includes cooperation, solidarity, and tolerance. The suggestion for Reog Trimudho Rahayu group is creating new innovations in working on movements, music, and clothing so they dont look monotonous, so that people are more enthusiastic to see the Reog Trimudho Rahayu.



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	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-07-05</dc:date>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://journal.unnes.ac.id/sju/jst/article/view/37940</dc:identifier>
	<dc:identifier>10.15294/jst.v9i1.37940</dc:identifier>
	<dc:source xml:lang="en-US">Jurnal Seni Tari; Vol 9 No 1 (2020): Vol 9 No 1 (2020); 11-18</dc:source>
	<dc:source>2503-2585</dc:source>
	<dc:source>2252-6714</dc:source>
	<dc:source>10.15294/jst.v9i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/jst/article/view/37940/16384</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Jurnal Seni Tari</dc:rights>
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