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Where grief lingers: Agnes’s journey through loss in Maggie O’Farrell’s Hamnet

Rainbow: Journal of Literature, Linguistics and Culture Studies · Vol. 14 (2025) · pp. 1–12

DOI
10.15294/rainbow.v14i.29006
ISSN
2721-4540, 2252-6323
Published
2025-07-31
Publisher
Universitas Negeri Semarang
Language
eng
License
creativecommons.org/licenses/by/4.0

Abstract

Death and loss, no matter how common at the time, are personal and emotionally tolling. Written as historical fiction, Hamnet tries to fill the gap in the history of the death of Shakespeare’s son, Hamnet, during the bubonic plague in late 16th-century England. Investigations into the novel Hamnet, particularly concerning Agnes and her grief journey as the protagonist, have not been previously conducted, so this study seeks to address this gap and examine grief with a focus on Agnes. This research intends to explore Agnes's journey through grief and how her feelings of loss influence her relationships with those around her. Faced with the death of her son, Hamnet’s protagonist followed the Kübler-Ross trajectory of stages of grief: denial, anger, bargaining, depression, and acceptance, though some emotions may emerge due to a trigger. The research indicated that the most significant stage of grief that Agnes went through was the depression phase, as it profoundly impacted her sense of identity and her relationships. Apart from acceptance, these grief stages, manifestations of emotional responses to grief, brought damage to Agnes’s relationship with other people. Conversely, the acceptance stage brought conciliation to the relationship.

Collaboration network of the authors

23 authors · 49 co-authorship links

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Syahrul Syah SinagaAffiliation unknown2
Ibnu Amar MuchsinAffiliation unknown2
Ruly Indra DarmawanAffiliation unknown1
Sri SumaryaniAffiliation unknown1
Eka Titi AndaryaniState University of Semarang1
Fryda Aulia RahmaAffiliation unknown1
Marisya PratiwiAffiliation unknown1
Prayudias MargawatiAffiliation unknown1
Bambang PurwantoAffiliation unknown1
Aswin Rizal AssegafAffiliation unknown1
mohamad ikhwan rosyidiAffiliation unknown1
Nugraha Hery SetiawanAffiliation unknown1
Zuhrul AnamAffiliation unknown1
Agung Ginanjar AnjaniputraAffiliation unknown1
Henrikus Joko YuliantoAffiliation unknown1
Antonius Edi NugrohoAffiliation unknown1
Indrawan NurcahyonoAffiliation unknown1
Fajry Sub'haan Syah SinagaAffiliation unknown1
Hendi PratamaAffiliation unknown1
Widya AmaliaAffiliation unknown1
Fatma HetamiAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/rainbow/oai, first harvested 6 Nov 2026, last seen 6 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en">Where grief lingers: Agnes’s journey through loss in Maggie O’Farrell’s Hamnet</dc:title>
	<dc:creator xml:lang="en">Harinda, Natalie Anabella</dc:creator>
	<dc:creator xml:lang="en">Widayanti, Maria Johana Ari</dc:creator>
	<dc:description xml:lang="en">Death and loss, no matter how common at the time, are personal and emotionally tolling. Written as historical fiction, Hamnet tries to fill the gap in the history of the death of Shakespeare’s son, Hamnet, during the bubonic plague in late 16th-century England. Investigations into the novel Hamnet, particularly concerning Agnes and her grief journey as the protagonist, have not been previously conducted, so this study seeks to address this gap and examine grief with a focus on Agnes. This research intends to explore Agnes's journey through grief and how her feelings of loss influence her relationships with those around her. Faced with the death of her son, Hamnet’s protagonist followed the Kübler-Ross trajectory of stages of grief: denial, anger, bargaining, depression, and acceptance, though some emotions may emerge due to a trigger. The research indicated that the most significant stage of grief that Agnes went through was the depression phase, as it profoundly impacted her sense of identity and her relationships. Apart from acceptance, these grief stages, manifestations of emotional responses to grief, brought damage to Agnes’s relationship with other people. Conversely, the acceptance stage brought conciliation to the relationship. </dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-07-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/rainbow/article/view/29006</dc:identifier>
	<dc:identifier>10.15294/rainbow.v14i.29006</dc:identifier>
	<dc:source xml:lang="en">Rainbow: Journal of Literature, Linguistics and Culture Studies; Vol. 14 (2025): Special Issue; 1-12</dc:source>
	<dc:source>2721-4540</dc:source>
	<dc:source>2252-6323</dc:source>
	<dc:source>10.15294/rainbow.v14i</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/rainbow/article/view/29006/5565</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Natalie Anabella Harinda, Maria Johana Ari Widayanti (Author)</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>