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Narrative Structure of Babad Cirebon: Vladimir Propp Analysis

Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia · Vol. 7 No. 1 (2018) · pp. 67–76

DOI
10.15294/seloka.v7i1.17602
ISSN
2502-4493, 2301-6744
Published
2018-06-07
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

The purpose of this research is to analyze babad story of Cirebon based on Propp theory’s in order determine the function of the perpetrator, to formulate the story frame, to distribute the function among actors, and to determine the scheme of story movement. The results showed that the story contained 17 functions of the actors in the form of the absence prohibition, violation, deficiency, intermediary event of contact, the beginning of reply, departure, first donor, reaction of the hero, acceptance of magic tools, unrecognized returns, the heroes were given a difficult task, tasks completed, completion, incarnation, and married heroes. The frame of the babad story of Cirebon begined with the description of the King Prabu Siliwangi's son who still live in the palace and the meeting situation, followed by a series of abuser functions contained in the babad story of Cirebon. Furthermore, the story is closed by the information that would be the leader of Cirebon named Syarif Hidayatullah. The babad story of Cirebon there contained the environment of donor actions, environmental auxiliary measures, the environment of the acts of daughters and their fathers, the environment of intermediary acts, and the environment of the hero's actions. Meanwhile, the babad story of Cirebon consisted of a storyline with four interrelated movements. From those scheme, the essense of the babad story of Cirebon could be known.

Collaboration network of the authors

24 authors · 35 co-authorship links

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  • State University of Semarang
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Teguh SupriyantoAffiliation unknown3
Masrukhi MasrukhiAffiliation unknown1
Yanuar AkhmadAffiliation unknown1
Mukh DoyinAffiliation unknown1
Ratih AnjarwaniAffiliation unknown1
Agus YuwonoAffiliation unknown1
nur izza fadhlianiAffiliation unknown1
Imelda Dian PertiwiAffiliation unknown1
Nurula Ma FazaAffiliation unknown1
Mujimin MujiminAffiliation unknown1
Titi Puji LestariAffiliation unknown1
Apik Ilma AnnisaAffiliation unknown1
Hildan UdayanaAffiliation unknown1
Liliyek Puji RustantiAffiliation unknown1
Riris PurnamasariAffiliation unknown1
Fathur RokhmanState University of Semarang1
Mohammad Saiful AnamAffiliation unknown1
Shabrina AlaniaAffiliation unknown1
Hari Bakti MardikantoroAffiliation unknown1
Endang Pudji DwirahayuAffiliation unknown1
Krisnani WiryadiningsihAffiliation unknown1
Satria Nugraha AdiwijayaAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/seloka/oai, first harvested 6 Nov 2026, last seen 6 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">Narrative Structure of Babad Cirebon: Vladimir Propp Analysis</dc:title>
	<dc:creator>Widianti, Nurhannah</dc:creator>
	<dc:creator>Indiatmoko, Bambang</dc:creator>
	<dc:description xml:lang="en-US">The purpose of this research is to analyze babad story of Cirebon based on Propp theory’s in order determine the function of the perpetrator, to formulate the story frame, to distribute the function among actors, and to determine the scheme of story movement. The results showed that the story contained 17 functions of the actors in the form of the absence prohibition, violation, deficiency, intermediary event of contact, the beginning of reply, departure, first donor, reaction of the hero, acceptance of magic tools, unrecognized returns, the heroes were given a difficult task, tasks completed, completion, incarnation, and married heroes. The frame of the babad story of Cirebon begined with the description of the King Prabu Siliwangi's son who still live in the palace and the meeting situation, followed by a series of abuser functions contained in the babad story of Cirebon. Furthermore, the story is closed by the information that would be the leader of Cirebon named Syarif Hidayatullah. The babad story of Cirebon there contained the environment of donor actions, environmental auxiliary measures, the environment of the acts of daughters and their fathers, the environment of intermediary acts, and the environment of the hero's actions. Meanwhile, the babad story of Cirebon consisted of a storyline with four interrelated movements. From those scheme, the essense of the babad story of Cirebon could be known.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2018-06-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/seloka/article/view/17602</dc:identifier>
	<dc:identifier>10.15294/seloka.v7i1.17602</dc:identifier>
	<dc:source xml:lang="en-US">Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia; Vol 7 No 1 (2018): April 2018; 67-76</dc:source>
	<dc:source>2502-4493</dc:source>
	<dc:source>2301-6744</dc:source>
	<dc:source>10.15294/seloka.v7i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/seloka/article/view/17602/10987</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia</dc:rights>
</oai_dc:dc>