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Religiosity in Mustofa Bisri's Collection of Lukisan Kaligrafi Short Story

Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia · Vol. 9 No. 3 (2020) · pp. 291–299

DOI
10.15294/seloka.v10i1.44864
ISSN
2502-4493, 2301-6744
Published
2020-12-30
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Lukisan Kaligrafi comes as a literary work that is thick in the value of religiosity, transcendent, teaching about religious social life, both vertical and horizontal. The objectives of this study are to describe religiosity in a collection of Lukisan Kaligrafi short stories, to analyze the correlation between religiosity and social reality, and to reveal the author's point of view of religiosity. The researcher used the approach of structuralism and literary sociology in this research. The method used is the hermeneutic method, which is to turn and reconstruct a text in a bound of interactions between the author and the reader. The results of the study (1) the dimension of belief or ideology, (2) the dimension of religious practice or worship, (3) the dimension of religious experience, (4) the dimension of religious knowledge, and (5) the dimension of consequence. There are several attitudes described in describing the correlation of short story religiosity with social reality, among others are: (1) education, (2) peace, (3) Social supervision, (4) worship of solidarity, (5) transformative, (6) creative, (7) sublimative, (8) harmony, (9) emotionally religious, and (10) tolerance.

Collaboration network of the authors

40 authors · 121 co-authorship links · showing the 40 most connected

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  • Thicker line = more joint articles · bigger circle = more articles
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Co-authorOrganisationJoint articles
Teguh SupriyantoAffiliation unknown14
Nas Haryati SetyaningsihAffiliation unknown6
Subyantoro SubyantoroAffiliation unknown6
Mulyono MulyonoAffiliation unknown5
Wagiran WagiranAffiliation unknown5
Rustono RustonoAffiliation unknown4
Yusro Edy NugrohoAffiliation unknown4
Suseno SusenoAffiliation unknown3
Haryadi HaryadiAffiliation unknown3
Suminto A SayutiAffiliation unknown2
Suminto A. SayutiAffiliation unknown2
U’um QomariyahAffiliation unknown2
Hari Bakti MardikantoroAffiliation unknown2
Sumartini SumartiniAffiliation unknown2
Ayu OktafiyaniAffiliation unknown2
Ida ZulaehaAffiliation unknown2
RM. Teguh SupriyantoAffiliation unknown2
Deby Luriawati NaryatmojoAffiliation unknown2
U’um QomariyahAffiliation unknown2
Adennia ThaffanaAffiliation unknown1
Muhamad BurhanudinAffiliation unknown1
Dhoni ZustiyantoroAffiliation unknown1
Mukhammad Nur RokhimAffiliation unknown1
Yacinta KurniasihAffiliation unknown1
Dian Nuzulia ArmarienaAffiliation unknown1
Edward HarringtonAffiliation unknown1
Tri MulyonoAffiliation unknown1
S. Prasetyo UtomoAffiliation unknown1
Turahmat TurahmatAffiliation unknown1
Anisa Diyah EkasariAffiliation unknown1
Wagiran SuwitoAffiliation unknown1
Aprisia KhairunisaAffiliation unknown1
Arini Mega SilvianaAffiliation unknown1
Eva Kristian AndrianiAffiliation unknown1
Fitria Nur RohemiAffiliation unknown1
Arifa AmaliaAffiliation unknown1
M. Abdul MufidAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/seloka/oai, first harvested 6 Nov 2026, last seen 6 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">Religiosity in Mustofa Bisri's Collection of Lukisan Kaligrafi Short Story</dc:title>
	<dc:creator>Ali Azizi, Fakhri</dc:creator>
	<dc:creator>Nuryatin, Agus</dc:creator>
	<dc:creator>Doyin, Mukh</dc:creator>
	<dc:description xml:lang="en-US">Lukisan Kaligrafi comes as a literary work that is thick in the value of religiosity, transcendent, teaching about religious social life, both vertical and horizontal. The objectives of this study are to describe religiosity in a collection of Lukisan Kaligrafi short stories, to analyze the correlation between religiosity and social reality, and to reveal the author's point of view of religiosity. The researcher used the approach of structuralism and literary sociology in this research. The method used is the hermeneutic method, which is to turn and reconstruct a text in a bound of interactions between the author and the reader. The results of the study (1) the dimension of belief or ideology, (2) the dimension of religious practice or worship, (3) the dimension of religious experience, (4) the dimension of religious knowledge, and (5) the dimension of consequence. There are several attitudes described in describing the correlation of short story religiosity with social reality, among others are: (1) education, (2) peace, (3) Social supervision, (4) worship of solidarity, (5) transformative, (6) creative, (7) sublimative, (8) harmony, (9) emotionally religious, and (10) tolerance.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-12-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/seloka/article/view/44864</dc:identifier>
	<dc:identifier>10.15294/seloka.v10i1.44864</dc:identifier>
	<dc:source xml:lang="en-US">Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia; Vol 9 No 3 (2020): December 2020; 291-299</dc:source>
	<dc:source>2502-4493</dc:source>
	<dc:source>2301-6744</dc:source>
	<dc:source>10.15294/seloka.v9i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/seloka/article/view/44864/18192</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia</dc:rights>
</oai_dc:dc>