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Quality Testing of Iretsu Dyeing Result on Primissima Cotton and Chiffon Fabrics Using Water Glass as a Fixator

TEKNOBUGA: Jurnal Teknologi Busana dan Boga · Vol. 14 No. 2 (2026) · pp. 243–249

DOI
10.15294/teknobuga.v14i2.41798
ISSN
2528-7087, 2085-4056
Published
2026-02-27
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Textiles are essential materials for human clothing, and dyeing plays a crucial role in enhancing their aesthetic value. Textile dyeing generally employs natural and synthetic dyes. In recent years, synthetic dyes have been more widely used due to their availability, efficiency, and applicability to various fabric types. However, certain synthetic dyes are specifically designed for particular fabrics. Iretsu dye, for instance, is commonly used for polyester-based textiles. This study aimed to evaluate the dyeing quality of iretsu synthetic dye on two different fabrics, namely primissima cotton and chiffon, using two dye formulations with the same immersion time. An experimental method was employed by dyeing primissima cotton and chiffon fabrics using two dye concentrations, 12 g and 24 g, with an immersion time of 1 hour. Water glass was applied as a color fixative. The color direction of the dyed fabrics was assessed through an organoleptic test conducted by panelists consisting of 2022 cohort students of the Fashion Education Study Program, Universitas Negeri Semarang, who had completed the Textile Dyeing Techniques course. The results of the organoleptic test indicated that primissima cotton dyed with a 12 g formulation produced a pewter color direction (50%), while chiffon dyed with the same formulation resulted in a flint color direction (50%). Using the 24 g formulation, primissima cotton exhibited a porpoise color direction (55%), whereas chiffon predominantly showed a flint color direction (70%). These findings suggest that variations in dye concentration influence the resulting color direction on different fabric types when dyed with iretsu synthetic dye.

Keywords

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40 authors · 63 co-authorship links · showing the 40 most connected

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Co-authorOrganisationJoint articles
Sita NurmasitahAffiliation unknown4
Sri Endah WahyuningsihAffiliation unknown2
Yeri SutopoAffiliation unknown2
Retno MarlangenAffiliation unknown2
Samsudin AnisAffiliation unknown2
Dwi WidjanarkoAffiliation unknown2
Ade Novi Nurul IhsaniAffiliation unknown2
Aryo Baskoro UtomoAffiliation unknown2
Melinda NovitasariAffiliation unknown1
Arlina LilayantiAffiliation unknown1
Keisha Nur Ananda PutriAffiliation unknown1
Zulva Alya LuthfianezaAffiliation unknown1
Rina RachmawatiAffiliation unknown1
Zidny NafilaAffiliation unknown1
Stefanie Ratna WidhasariAffiliation unknown1
Sekarlita Hapsari NolandiAffiliation unknown1
Diyan Satwika SaniAffiliation unknown1
Amelia SagitaAffiliation unknown1
HENI FERA WATIAffiliation unknown1
Elga Hayu KAffiliation unknown1
Alda Talia PutriAffiliation unknown1
Yovika OkvisiaAffiliation unknown1
Laila Nurul HimmahAffiliation unknown1
Ayu NahdiyahAffiliation unknown1
ELIZABETH HARIANIAffiliation unknown1
Mia ArifahAffiliation unknown1
Octavianti ParamithaAffiliation unknown1
Gerard Bintang SoemantoroAffiliation unknown1
Gerard Bintang SoemantoroAffiliation unknown1
Erika Wahyu Nur HidayahAffiliation unknown1
Aliyya RaharjantiAffiliation unknown1
Suci Meta HandayaniAffiliation unknown1
Dhea AmeliaAffiliation unknown1
Chincyn HidayahAffiliation unknown1
Rofiatul ChoirinaAffiliation unknown1
Puja Rahmatika Lingga PutriAffiliation unknown1
Fakhma Aniqa HaqAffiliation unknown1
Revalin TrisanyAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/teknobuga/oai, first harvested 6 Nov 2026, last seen 6 Nov 2026.
Original metadata (oai_dc)
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">Quality Testing of Iretsu Dyeing Result on Primissima Cotton and Chiffon Fabrics Using Water Glass as a Fixator</dc:title>
	<dc:creator xml:lang="en">Meishinta Alvionita Junia Mirantika</dc:creator>
	<dc:creator xml:lang="en">Adhi Kusumastuti</dc:creator>
	<dc:subject xml:lang="en">Iretsu</dc:subject>
	<dc:subject xml:lang="en">Primissima cotton</dc:subject>
	<dc:subject xml:lang="en">chiffon</dc:subject>
	<dc:subject xml:lang="en">water glass</dc:subject>
	<dc:subject xml:lang="en">color direction</dc:subject>
	<dc:subject xml:lang="en">organoleptic test</dc:subject>
	<dc:description xml:lang="en">Textiles are essential materials for human clothing, and dyeing plays a crucial role in enhancing their aesthetic value. Textile dyeing generally employs natural and synthetic dyes. In recent years, synthetic dyes have been more widely used due to their availability, efficiency, and applicability to various fabric types. However, certain synthetic dyes are specifically designed for particular fabrics. Iretsu dye, for instance, is commonly used for polyester-based textiles. This study aimed to evaluate the dyeing quality of iretsu synthetic dye on two different fabrics, namely primissima cotton and chiffon, using two dye formulations with the same immersion time. An experimental method was employed by dyeing primissima cotton and chiffon fabrics using two dye concentrations, 12 g and 24 g, with an immersion time of 1 hour. Water glass was applied as a color fixative. The color direction of the dyed fabrics was assessed through an organoleptic test conducted by panelists consisting of 2022 cohort students of the Fashion Education Study Program, Universitas Negeri Semarang, who had completed the Textile Dyeing Techniques course. The results of the organoleptic test indicated that primissima cotton dyed with a 12 g formulation produced a pewter color direction (50%), while chiffon dyed with the same formulation resulted in a flint color direction (50%). Using the 24 g formulation, primissima cotton exhibited a porpoise color direction (55%), whereas chiffon predominantly showed a flint color direction (70%). These findings suggest that variations in dye concentration influence the resulting color direction on different fabric types when dyed with iretsu synthetic dye.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2026-02-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/teknobuga/article/view/41798</dc:identifier>
	<dc:identifier>10.15294/teknobuga.v14i2.41798</dc:identifier>
	<dc:source xml:lang="en">TEKNOBUGA: Jurnal Teknologi Busana dan Boga; Vol. 14 No. 2 (2026); 243 - 249</dc:source>
	<dc:source>2528-7087</dc:source>
	<dc:source>2085-4056</dc:source>
	<dc:source>10.15294/teknobuga.v14i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/teknobuga/article/view/41798/8510</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2026 TEKNOBUGA: Jurnal Teknologi Busana dan Boga</dc:rights>
</oai_dc:dc>