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Perlindungan Hukum Bagi Pencipta Atas Pembajakan Film Di Era Digital Guna Memberikan Kepastian Hukum

Zaaken: Journal of Civil and Business Law · Vol. 6 No. 3 (2025) · pp. 476–486

DOI
10.22437/zaaken.v6i3.45182
ISSN
2721-5318, 2721-8759
Published
2025-11-20
Publisher
Universitas Jambi, Fakultas Hukum
Language
en
License
creativecommons.org/licenses/by/4.0

Abstract

This research highlights the continued weakness of legal protection against the rapidly growing practice of film piracy in the digital era, especially through platforms such as Telegram and illegal streaming sites. The main objective of this study is to identify and analyze applicable legal provisions, as well as to evaluate the effectiveness of government policies in ensuring legal certainty for film creators. The method used is a normative juridical approach, by examining laws and regulations, socio-legal dynamics, and relevant case studies. Research data is sourced from primary, secondary, and tertiary legal materials, which are analyzed deductively to produce a deep and systematic understanding. The main findings indicate that legal protection against digital copyright infringement has not been effective, due to the ambiguity of norms in Article 40 paragraph (1) letter m and Article 55 paragraph (1) of Law Number 28 of 2014, which hinders the law enforcement process. This regulatory inaccuracy indicates that existing legal instruments have not been able to address the complexity of violations in the constantly evolving digital space. Therefore, it is concluded that legal reforms are needed that are more firm and responsive to the development of information technology, as well as increased coordination among related institutions, in order to create a comprehensive legal protection system capable of protecting both the economic and moral rights of cinematographic creators.

Keywords

Collaboration network of the authors

40 authors · 85 co-authorship links · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Cenderawasih University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Supeno SupenoCenderawasih University3
Indriya FathniAffiliation unknown3
Dony Yusra PebriantoAffiliation unknown2
Sasmiar SasmiarAffiliation unknown2
M HosenAffiliation unknown2
Syed Mohd Uzair IqbalAffiliation unknown1
Elizabaeth SiregarAffiliation unknown1
Yulia MonitaAffiliation unknown1
Erwin ErwinAffiliation unknown1
Elizabeth SiregarAffiliation unknown1
Dony Yusra PebriantoAffiliation unknown1
Indriyah FatniAffiliation unknown1
Valiant Asri NugrahaAffiliation unknown1
Helmi HelmiAffiliation unknown1
Retno KusniatiAffiliation unknown1
Hafrida HafridaAffiliation unknown1
Bustanuddin BustanuddinAffiliation unknown1
Indra LestariAffiliation unknown1
Astra VigoAffiliation unknown1
Yosephine Mory Kezia SimbolonAffiliation unknown1
Ariyanto AriyantoAffiliation unknown1
Raffles RafflesAffiliation unknown1
Alya Rihadatul Aisy SetyonegoroAffiliation unknown1
Fitria YusevaAffiliation unknown1
Rifda Marsall AqilaAffiliation unknown1
Oldie GilbertAffiliation unknown1
Pahlefi PahlefiAffiliation unknown1
Shelomita Retno WulandariAffiliation unknown1
ENJELINA SIMANULLANGAffiliation unknown1
Firya OktaviarniAffiliation unknown1
Ineke Dian PrameswariAffiliation unknown1
JaenudinAffiliation unknown1
Nadia SyafrinaAffiliation unknown1
Mohamad RapikAffiliation unknown1
Andi NajemiAffiliation unknown1
Yusuf Sani AbubakarAffiliation unknown1
Sitta Saraya Sitta SarayaAffiliation unknown1
Rian Saputra Rian SaputraAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://online-journal.unja.ac.id/index.php/Zaaken/oai, first harvested 6 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en">Perlindungan Hukum Bagi Pencipta  Atas Pembajakan Film Di Era Digital Guna Memberikan Kepastian Hukum </dc:title>
	<dc:creator xml:lang="en">Furqon, Muhammad</dc:creator>
	<dc:creator xml:lang="en">Rosmidah, Rosmidah</dc:creator>
	<dc:subject xml:lang="en">Copyright</dc:subject>
	<dc:subject xml:lang="en">Film</dc:subject>
	<dc:subject xml:lang="en">Legal Protection</dc:subject>
	<dc:subject xml:lang="en">Digital Piracy</dc:subject>
	<dc:subject xml:lang="en">Legal Certainty</dc:subject>
	<dc:subject xml:lang="en">Digital Era</dc:subject>
	<dc:description xml:lang="en">This research highlights the continued weakness of legal protection against the rapidly growing practice of film piracy in the digital era, especially through platforms such as Telegram and illegal streaming sites. The main objective of this study is to identify and analyze applicable legal provisions, as well as to evaluate the effectiveness of government policies in ensuring legal certainty for film creators. The method used is a normative juridical approach, by examining laws and regulations, socio-legal dynamics, and relevant case studies. Research data is sourced from primary, secondary, and tertiary legal materials, which are analyzed deductively to produce a deep and systematic understanding. The main findings indicate that legal protection against digital copyright infringement has not been effective, due to the ambiguity of norms in Article 40 paragraph (1) letter m and Article 55 paragraph (1) of Law Number 28 of 2014, which hinders the law enforcement process. This regulatory inaccuracy indicates that existing legal instruments have not been able to address the complexity of violations in the constantly evolving digital space. Therefore, it is concluded that legal reforms are needed that are more firm and responsive to the development of information technology, as well as increased coordination among related institutions, in order to create a comprehensive legal protection system capable of protecting both the economic and moral rights of cinematographic creators.</dc:description>
	<dc:publisher xml:lang="en">Universitas Jambi, Fakultas Hukum</dc:publisher>
	<dc:date>2025-11-20</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://online-journal.unja.ac.id/Zaaken/article/view/45182</dc:identifier>
	<dc:identifier>10.22437/zaaken.v6i3.45182</dc:identifier>
	<dc:source xml:lang="en">Zaaken: Journal of Civil and Business Law; Vol. 6 No. 3 (2025): Oktober 2025; 476 – 486</dc:source>
	<dc:source>2721-5318</dc:source>
	<dc:source>2721-8759</dc:source>
	<dc:source>10.22437/zaaken.v6i3</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://online-journal.unja.ac.id/Zaaken/article/view/45182/23843</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Muhammad Furqon, Rosmidah</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>