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The Symbolic Meaning of Kuadai Dance Performance in the Society of Semende Lampung

Catharsis · Vol. 7 No. 2 (2018) · hlm. 150–159

DOI
10.15294/catharsis.v7i2.23613
ISSN
2502-4531, 2252-6900
Terbit
2018-07-27
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Kudai dance as a medium of collective expression of Semendesociety is identical with the women strength as the source of life. In the aspect of its performance, It contains social interaction through the symbols that is expressed through the aesthetics of the female body.The purpose of the article is to explain the symbolic meaning of Kuadai dance performance expressed by Semende society in Lampung.This research used qualitative method with interdisciplinary approach. The data collection used the technique of observation, interview, and documentation. The data validity was based on the credibility criteria with triangulation technique. The data analysis used the procedure of dance research by Gertrude Prokosch Kurath that is focused on dance analysis especially on symbol and meaning in Kuadai dance. The results showed that Kuadaidance is a form of tradition reality imitation which exists among Semendesociety as an agrarian society that outs forward the tradition of tunggu tubang (the first daughter as a shelter and a manager of family’s treasure. The personality of tunggu tubang that is full of patience, consistence, and responsibility is manifested through the Kuadai dance movements.The plate as property is a symbol of a respect as well as a representation of a woman that should be treated gently, carefully, lovingly, and with sacred. The dominant floor pattern symbolizes the Semende society that always respects the customs’ regulation. The dance accompaniment with slow tempo symbolizes Semende society that is full of tranquility and togetherness.

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  • State University of Semarang
  • Universitas Bhayangkara Surabaya
  • Sultan Agung Islamic University
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Rekan penulisOrganisasiArtikel bersama
Udi UtomoAfiliasi tidak diketahui13
Triyanto TriyantoAfiliasi tidak diketahui10
Agus CahyonoAfiliasi tidak diketahui8
Wahyu LestariAfiliasi tidak diketahui6
Ani RusilowatiState University of Semarang6
Malarsih MalarsihAfiliasi tidak diketahui5
Wiyanto WiyantoState University of Semarang4
Haryono HaryonoUniversitas Bhayangkara Surabaya4
Sunyoto Eko NugrohoState University of Semarang4
Syakir SyakirAfiliasi tidak diketahui3
Restu LanjariAfiliasi tidak diketahui3
Wadiyo WadiyoAfiliasi tidak diketahui3
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Ian YuliantiAfiliasi tidak diketahui2
Farid AhmadiAfiliasi tidak diketahui2
St. Budi WaluyaAfiliasi tidak diketahui2
Langlang HandayaniAfiliasi tidak diketahui2
Masturi MasturiState University of Semarang2
Muhammad JazuliAfiliasi tidak diketahui2
Sunarto SunartoAfiliasi tidak diketahui2
Tjetjep Rohendi RohidiAfiliasi tidak diketahui2
Saiful RidloState University of Semarang2
Barokah IsdaryantiState University of Semarang1
Miftah RahmanState University of Semarang1
Yohanes Leonardus SukestiyarnoState University of Semarang1
Wahyu WidodoSultan Agung Islamic University1
Nurdjanah HamidAfiliasi tidak diketahui1
Ria Mardiana YusufAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Budi UtomoAfiliasi tidak diketahui1
Adi Kurniawan YusimAfiliasi tidak diketahui1
Lusi HariniAfiliasi tidak diketahui1
Afifah HayatiAfiliasi tidak diketahui1
Darojatun FikriAfiliasi tidak diketahui1
Elly ArlianiAfiliasi tidak diketahui1
Novi SusantiAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">The Symbolic Meaning of Kuadai Dance Performance in the Society of  Semende Lampung</dc:title>
	<dc:creator>Saputri, Amelia Hani</dc:creator>
	<dc:creator>Hartono, Hartono</dc:creator>
	<dc:creator>Florentinus, Totok Sumaryanto</dc:creator>
	<dc:description xml:lang="en-US">Kudai dance as a medium of collective expression of Semendesociety is identical with the women strength as the source of life. In the aspect of its performance, It contains social interaction through the symbols that is expressed through the aesthetics of the female body.The purpose of the article is to explain the symbolic meaning of Kuadai dance performance expressed by Semende society in Lampung.This research used qualitative method with interdisciplinary approach. The data collection used the technique of observation, interview, and documentation. The data validity was based on the credibility criteria with triangulation technique. The data analysis used the procedure of dance research by Gertrude Prokosch Kurath that is focused on dance analysis especially on symbol and meaning in Kuadai dance. The results showed that Kuadaidance is a form of tradition reality imitation which exists among Semendesociety as an agrarian society that outs forward the tradition of tunggu tubang (the first daughter as a shelter and a manager of family’s treasure. The personality of tunggu tubang that is full of patience, consistence, and responsibility is manifested through the Kuadai dance movements.The plate as property is a symbol of a respect as well as a representation of a woman that should be treated gently, carefully, lovingly, and with sacred. The dominant floor pattern symbolizes the Semende society that always respects the customs’ regulation. The dance accompaniment with slow tempo symbolizes Semende society that is full of tranquility and togetherness.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2018-07-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/23613</dc:identifier>
	<dc:identifier>10.15294/catharsis.v7i2.23613</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 7 No 2 (2018); 150-159</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v7i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/23613/11145</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 Catharsis</dc:rights>
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