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The Form of Javanesse Gamelan in the Worship Liturgy in the Baptism Church Indonesia (GBI) Ngembak

Catharsis · Vol. 7 No. 3 (2018) · hlm. 283–288

DOI
10.15294/catharsis.v7i2.24877
ISSN
2502-4531, 2252-6900
Terbit
2018-08-10
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Baptism Church Indonesia (GBI) Ngembak uses Javanesse gamelan (traditional music accompaniment) to accompany the Sundays’ worship which is held every Sunday in the end month. The purpose of this research is to analyze the form of Javanese gamelan music in a worship liturgy of Baptism Church Indonesia (GBI) Ngembak. The research method used qualitative with case study research design. Data collecting techniques are observation, interview, and document study. To maintain its validity, the researcher uses the technique of source triangulation. While the technique of data analysis is done by the process of reduction, presentation, and conclusion (verification). The research findings show that the form of musical composition in one of worship songs in GBI Ngembak is a song titled Puji Nama-Nya (Praise His name) uses bar of 4/4, the types of melody is stepping and jumping. Its harmony is one voice although in the book of Nyanyian Pujian (Hymn) provides the harmony of Soprano, Alto, Tenor, and Bass. The structure of musical form in Puji Nama-Nya song has two parts, they are part A and part B. and the lyrics of this song is a, a, a, a. This song uses a particular musical arrangement of Javanese gamelan accompaniment laras Pelog.

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  • State University of Semarang
  • Sebelas Maret University
  • Jenderal Soedirman University
  • Universitas Bhayangkara Surabaya
  • Lampung University
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Rekan penulisOrganisasiArtikel bersama
Udi UtomoAfiliasi tidak diketahui12
Wadiyo WadiyoAfiliasi tidak diketahui8
Udi UtomoState University of Semarang3
Martien Herna SusantiAfiliasi tidak diketahui3
Haryono HaryonoUniversitas Bhayangkara Surabaya3
Malarsih MalarsihAfiliasi tidak diketahui2
Syahrul Syah SinagaAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Puji LestariJenderal Soedirman University2
Farid AhmadiAfiliasi tidak diketahui2
Sumarno SumarnoState University of Semarang2
Satria Dwi AstutiAfiliasi tidak diketahui2
Barokah IsdaryantiState University of Semarang1
Miftah RahmanState University of Semarang1
Yohanes Leonardus SukestiyarnoState University of Semarang1
Wahyu WidodoJenderal Soedirman University1
Syahrul Syah SinagaAfiliasi tidak diketahui1
Mantaaba Zukhruf NabilunnuhaAfiliasi tidak diketahui1
Nimas Hayuning AnggrahitaAfiliasi tidak diketahui1
Anada Leo VirgantaAfiliasi tidak diketahui1
Muhammad JazuliAfiliasi tidak diketahui1
Nur Lintang Dhien HayatiAfiliasi tidak diketahui1
Sagaf Faozata AdzkiaAfiliasi tidak diketahui1
Hartono HartonoAfiliasi tidak diketahui1
Wulan WidiyantiAfiliasi tidak diketahui1
Bagus IndrawanAfiliasi tidak diketahui1
Totok Sumaryanto F.Afiliasi tidak diketahui1
Firdaus PerdanaAfiliasi tidak diketahui1
Triyanto TriyantoSebelas Maret University1
Ahmad Fikri AriefAfiliasi tidak diketahui1
Harriska HarriskaState University of Semarang1
Putra AfriadiAfiliasi tidak diketahui1
Barkah Bangkit WijayaAfiliasi tidak diketahui1
Hartono HartonoState University of Semarang1
Amelia Hani SaputriLampung University1
M. Rukhul ArqamState University of Semarang1
Tutut PristiatiAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">The Form of Javanesse Gamelan in the Worship Liturgy in the Baptism Church Indonesia (GBI) Ngembak</dc:title>
	<dc:creator>Kristanto, Alfa</dc:creator>
	<dc:creator>Florentinus, Totok Sumaryanto</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:description xml:lang="en-US">Baptism Church Indonesia (GBI) Ngembak uses Javanesse gamelan (traditional music accompaniment) to accompany the Sundays’ worship which is held every Sunday in the end month. The purpose of this research is to analyze the form of Javanese gamelan music in a worship liturgy of Baptism Church Indonesia (GBI) Ngembak. The research method used qualitative with case study research design. Data collecting techniques are observation, interview, and document study. To maintain its validity, the researcher uses the technique of source triangulation. While the technique of data analysis is done by the process of reduction, presentation, and conclusion (verification). The research findings show that the form of musical composition in one of worship songs in GBI Ngembak is a song titled Puji Nama-Nya (Praise His name) uses bar of 4/4, the types of melody is stepping and jumping. Its harmony is one voice although in the book of Nyanyian Pujian (Hymn) provides the harmony of Soprano, Alto,&amp;nbsp; Tenor, and&amp;nbsp; Bass.&amp;nbsp; The structure of musical form in Puji Nama-Nya song has two parts, they are part A and part B. and the lyrics of this song is a, a , a , a. This song uses a particular musical arrangement of Javanese gamelan accompaniment laras Pelog.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2018-08-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/24877</dc:identifier>
	<dc:identifier>10.15294/catharsis.v7i2.24877</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 7 No 3 (2018); 283-288</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v7i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/24877/11252</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 Catharsis</dc:rights>
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