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Creativity of Cengklungan Artists in Podho Rukun Temanggung Community

Catharsis · Vol. 9 No. 2 (2020) · pp. 85–96

ISSN
2502-4531, 2252-6900
Published
2020-09-05
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Cengklungan art is a native traditional art of Temanggung Regency which has several additional electrical components. This study aims to provide an overview of the creativity of Paguyuban Podho Rukun artists and the factors that influence their creativity. The study was conducted by using qualitative analysis research methods with the research location in Temanggung Regency. The instruments and data collection techniques used observation, interviews and document study. The data validity technique used data triangulation technique. Meanwhile, the data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The creativity of the Cengklungan artist in Podho Rukun is the addition of several components to the curved instrument namely cables, spulls, tunning pegs, boards, and guitar strings. In addition, the Cengklungan artist also produced several songs with a pentatonic nuance. The work process of cengklungan artists has also been discussed from several 4P factors including person, process, press, and product.

Collaboration network of the authors

40 authors · 132 co-authorship links · 5 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • IPB University
  • Universitas Bhayangkara Surabaya
  • Sultan Agung Islamic University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Sunarto SunartoAffiliation unknown11
Wadiyo WadiyoAffiliation unknown10
Hartono HartonoAffiliation unknown8
Triyanto TriyantoAffiliation unknown7
Agus CahyonoAffiliation unknown5
Widodo WidodoIPB University4
Faruq AlfiantoAffiliation unknown4
Syahrul Syah SinagaAffiliation unknown3
Totok Sumaryanto. FAffiliation unknown3
Haryono HaryonoUniversitas Bhayangkara Surabaya3
Tjetjep Rohendi RohidiAffiliation unknown3
Muhammad JazuliAffiliation unknown3
Farid AhmadiAffiliation unknown3
Totok Sumaryanto FlorentinusAffiliation unknown2
Malarsih MalarsihAffiliation unknown2
Syahrul Syah SinagaAffiliation unknown2
Fakhruddin FakhruddinAffiliation unknown2
Sigit SaptonoState University of Semarang2
Kustiono KustionoAffiliation unknown2
Barokah IsdaryantiState University of Semarang1
Miftah RahmanState University of Semarang1
Yohanes Leonardus SukestiyarnoState University of Semarang1
Wahyu WidodoSultan Agung Islamic University1
Slamet HaryonoAffiliation unknown1
Tri Danu SatriaAffiliation unknown1
Suharto SuhartoAffiliation unknown1
Wandah WibawantoAffiliation unknown1
Metha BertinaAffiliation unknown1
Eko SugiartoAffiliation unknown1
Prima Suci LestariAffiliation unknown1
Suharto SAffiliation unknown1
Tegar AnugrahitaAffiliation unknown1
Nur Lintang Dhien HayatiAffiliation unknown1
Dedy FirduansyahAffiliation unknown1
Willy LontohAffiliation unknown1
Setyati Dyah HandayaniAffiliation unknown1
Firdaus PerdanaAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">Creativity of Cengklungan Artists in Podho Rukun Temanggung Community</dc:title>
	<dc:creator>Puspita, Nisa Rahma</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:creator>Florentinus, Totok Sumaryanto</dc:creator>
	<dc:description xml:lang="en-US">Cengklungan art is a native traditional art of Temanggung Regency which has several additional electrical components. This study aims to provide an overview of the creativity of Paguyuban Podho Rukun artists and the factors that influence their creativity. The study was conducted by using qualitative analysis research methods with the research location in Temanggung Regency. The instruments and data collection techniques used observation, interviews and document study. The data validity technique used data triangulation technique. Meanwhile, the data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The creativity of the Cengklungan artist in Podho Rukun is the addition of several components to the curved instrument namely cables, spulls, tunning pegs, boards, and guitar strings. In addition, the Cengklungan artist also produced several songs with a pentatonic nuance. The work process of cengklungan artists has also been discussed from several 4P factors including person, process, press, and product.
&amp;nbsp;
&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-09-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/40679</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 9 No 2 (2020); 85-96</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v9i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/40679/16839</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
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