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The Preservation of the Terbang Papat Music at Ash-Shiddiqin Musalla in Kudus Regency

Catharsis · Vol. 9 No. 3 (2020) · pp. 232–243

DOI
10.15294/catharsis.v9i3.45272
ISSN
2502-4531, 2252-6900
Published
2020-12-31
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

Terbang Papat is a typical traditional art from Kudus, the name of Terbang Papat was taken from the instruments of Terbang in the amount of four and used one Jidor. The art of Terbang Papat, now is starting to fade because it has been replaced by the times. This study aims to provide a preservation overview of the Terbang Papat art form in Kudus. The study was conducted by using a qualitative analysis research method with the research location in the Kedungdowo Kaliwungu village, Kudus Regency. The data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The result of preserving the Terbang Papat music is from musical elements namely the time element and the characteristics of the accompanying instruments.

Collaboration network of the authors

40 authors · 132 co-authorship links · 4 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • IPB University
  • Sultan Agung Islamic University
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Sunarto SunartoAffiliation unknown11
Wadiyo WadiyoAffiliation unknown10
Hartono HartonoAffiliation unknown8
Triyanto TriyantoAffiliation unknown7
Agus CahyonoAffiliation unknown5
Widodo WidodoIPB University4
Faruq AlfiantoAffiliation unknown4
Syahrul Syah SinagaAffiliation unknown3
Totok Sumaryanto. FAffiliation unknown3
Haryono HaryonoAffiliation unknown3
Tjetjep Rohendi RohidiAffiliation unknown3
Muhammad JazuliAffiliation unknown3
Farid AhmadiAffiliation unknown3
Totok Sumaryanto FlorentinusAffiliation unknown2
Malarsih MalarsihAffiliation unknown2
Syahrul Syah SinagaAffiliation unknown2
Fakhruddin FakhruddinAffiliation unknown2
Sigit SaptonoState University of Semarang2
Kustiono KustionoAffiliation unknown2
Barokah IsdaryantiState University of Semarang1
Miftah RahmanState University of Semarang1
Yohanes Leonardus SukestiyarnoState University of Semarang1
Wahyu WidodoSultan Agung Islamic University1
Slamet HaryonoAffiliation unknown1
Tri Danu SatriaAffiliation unknown1
Suharto SuhartoAffiliation unknown1
Wandah WibawantoAffiliation unknown1
Metha BertinaAffiliation unknown1
Eko SugiartoAffiliation unknown1
Prima Suci LestariAffiliation unknown1
Suharto SAffiliation unknown1
Tegar AnugrahitaAffiliation unknown1
Nur Lintang Dhien HayatiAffiliation unknown1
Dedy FirduansyahAffiliation unknown1
Willy LontohAffiliation unknown1
Setyati Dyah HandayaniAffiliation unknown1
Firdaus PerdanaAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">The Preservation of the Terbang Papat Music at Ash-Shiddiqin Musalla in Kudus Regency</dc:title>
	<dc:creator>Ryandana, Mylza Nova</dc:creator>
	<dc:creator>Florentinus, Totok Sumaryanto</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:description xml:lang="en-US">Terbang Papat is a typical traditional art from Kudus, the name of Terbang Papat was taken from the instruments of Terbang in the amount of four and used one Jidor. The art of Terbang Papat, now is starting to fade because it has been replaced by the times. This study aims to provide a preservation overview of the Terbang Papat art form in Kudus. The study was conducted by using a qualitative analysis research method with the research location in the Kedungdowo Kaliwungu village, Kudus Regency. The data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The result of preserving the Terbang Papat music is from musical elements namely the time element and the characteristics of the accompanying instruments.
&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-12-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/45272</dc:identifier>
	<dc:identifier>10.15294/catharsis.v9i3.45272</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 9 No 3 (2020); 232-243</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v9i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/45272/18436</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
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