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Lengger Mask Dance Performance: Art Tourism-Based Art Education

Catharsis · Vol. 11 No. 3 (2022) · pp. 218–229

DOI
10.15294/catharsis.v11i3.61572
ISSN
2502-4531, 2252-6900
Published
2022-12-23
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

The Lengger Mask Dance is a traditional populist dance and a type of social dance performed by two dancers: the lengger dancer and the mask dancer as escort. The performance of the Lengger Mask Dance and tourist packages differ. The Lengger Mask Dance performance typically lasts between six and eight hours; however, the performance at Ting Njanti Market is compressed and only lasts one hour. The focus of the research is the Lengger Giyanti Mask Dance performance. The purpose of this research is to analyze the performance process. The researcher employs both an ethnochoreological and an art education approach. The research method is qualitative, and the design is a case study. Before the show, during the show, and after the show were identified as the three major phases of the performance process by the study. There are three processes in the pre-performance phase: training, workshop, and rehearsal. The performance stage is comprised of four processes: warm-up, public performance, larger events/contexts that support public performances, and cool-down. The stage following the performance is comprised of three processions: critical responses, archives, and memories. This research concludes that there are ten processes in a performance, which are divided into three main sections: before the show, during the show, and after the show.

Collaboration network of the authors

40 authors · 130 co-authorship links · 4 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • State University of Semarang
  • Yogyakarta State University
  • Universitas Gadjah Mada
  • Diponegoro University
  • Hasanuddin University
  • National University of Malaysia
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Triyanto TriyantoAffiliation unknown11
Udi UtomoAffiliation unknown10
Wahyu LestariYogyakarta State University7
Malarsih MalarsihAffiliation unknown7
Ani RusilowatiState University of Semarang6
Muhammad JazuliAffiliation unknown6
Syakir SyakirAffiliation unknown5
Wiyanto WiyantoState University of Semarang4
Projo DanoedoroUniversitas Gadjah Mada4
Wadiyo WadiyoAffiliation unknown4
Sunarto SunartoAffiliation unknown3
Totok Sumaryanto FlorentinusState University of Semarang3
Restu LanjariAffiliation unknown3
Eko SugiartoAffiliation unknown3
Sunyoto Eko NugrohoState University of Semarang3
Totok Sumaryanto FlorentinusAffiliation unknown2
Ian YuliantiAffiliation unknown2
Saiful RidloState University of Semarang2
Murbangun NuswowatiState University of Semarang2
Bambang SubaliAffiliation unknown2
St. Budi WaluyaAffiliation unknown2
Langlang HandayaniAffiliation unknown2
Masturi MasturiHasanuddin University2
Muhammad KamalAffiliation unknown2
Donal DonalAffiliation unknown2
Ova EmiliaAffiliation unknown2
Sugito SugitoAffiliation unknown2
Supartono SupartonoAffiliation unknown2
Sri Mulyani Endang SusilowatiAffiliation unknown2
Ahmad FudholiNational University of Malaysia2
Suharto SuhartoAffiliation unknown2
Totok SumaryantoAffiliation unknown2
Tjetjep Rohendi RohidiAffiliation unknown2
Budi UtomoDiponegoro University1
Darojatun FikriAffiliation unknown1
Elly ArlianiAffiliation unknown1
Novi SusantiAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 8 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">Lengger Mask Dance Performance: Art Tourism-Based Art Education</dc:title>
	<dc:creator>maroatussofa, chiga</dc:creator>
	<dc:creator>Hartono, Hartono</dc:creator>
	<dc:creator>Cahyono, Agus</dc:creator>
	<dc:description xml:lang="en-US">The Lengger Mask Dance is a traditional populist dance and a type of social dance performed by two dancers: the lengger dancer and the mask dancer as escort. The performance of the Lengger Mask Dance and tourist packages differ. The Lengger Mask Dance performance typically lasts between six and eight hours; however, the performance at Ting Njanti Market is compressed and only lasts one hour. The focus of the research is the Lengger Giyanti Mask Dance performance. The purpose of this research is to analyze the performance process. The researcher employs both an ethnochoreological and an art education approach. The research method is qualitative, and the design is a case study. Before the show, during the show, and after the show were identified as the three major phases of the performance process by the study. There are three processes in the pre-performance phase: training, workshop, and rehearsal. The performance stage is comprised of four processes: warm-up, public performance, larger events/contexts that support public performances, and cool-down. The stage following the performance is comprised of three processions: critical responses, archives, and memories. This research concludes that there are ten processes in a performance, which are divided into three main sections: before the show, during the show, and after the show.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-12-23</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/61572</dc:identifier>
	<dc:identifier>10.15294/catharsis.v11i3.61572</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 11 No 3 (2022); 218-229</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v11i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/61572/23284</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Catharsis</dc:rights>
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