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Creativity of Cengklungan Artists in Podho Rukun Temanggung Community

Catharsis · Vol. 9 No. 2 (2020) · hlm. 85–96

ISSN
2502-4531, 2252-6900
Terbit
2020-09-05
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Cengklungan art is a native traditional art of Temanggung Regency which has several additional electrical components. This study aims to provide an overview of the creativity of Paguyuban Podho Rukun artists and the factors that influence their creativity. The study was conducted by using qualitative analysis research methods with the research location in Temanggung Regency. The instruments and data collection techniques used observation, interviews and document study. The data validity technique used data triangulation technique. Meanwhile, the data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The creativity of the Cengklungan artist in Podho Rukun is the addition of several components to the curved instrument namely cables, spulls, tunning pegs, boards, and guitar strings. In addition, the Cengklungan artist also produced several songs with a pentatonic nuance. The work process of cengklungan artists has also been discussed from several 4P factors including person, process, press, and product.

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  • State University of Semarang
  • IPB University
  • Sultan Agung Islamic University
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  • Organisasi sama
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Rekan penulisOrganisasiArtikel bersama
Sunarto SunartoAfiliasi tidak diketahui11
Wadiyo WadiyoAfiliasi tidak diketahui10
Hartono HartonoAfiliasi tidak diketahui8
Triyanto TriyantoAfiliasi tidak diketahui7
Agus CahyonoAfiliasi tidak diketahui5
Widodo WidodoIPB University4
Faruq AlfiantoAfiliasi tidak diketahui4
Syahrul Syah SinagaAfiliasi tidak diketahui3
Totok Sumaryanto. FAfiliasi tidak diketahui3
Haryono HaryonoAfiliasi tidak diketahui3
Tjetjep Rohendi RohidiAfiliasi tidak diketahui3
Muhammad JazuliAfiliasi tidak diketahui3
Farid AhmadiAfiliasi tidak diketahui3
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Malarsih MalarsihAfiliasi tidak diketahui2
Syahrul Syah SinagaAfiliasi tidak diketahui2
Fakhruddin FakhruddinAfiliasi tidak diketahui2
Sigit SaptonoState University of Semarang2
Kustiono KustionoAfiliasi tidak diketahui2
Barokah IsdaryantiState University of Semarang1
Miftah RahmanState University of Semarang1
Yohanes Leonardus SukestiyarnoState University of Semarang1
Wahyu WidodoSultan Agung Islamic University1
Slamet HaryonoAfiliasi tidak diketahui1
Tri Danu SatriaAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Eko SugiartoAfiliasi tidak diketahui1
Prima Suci LestariAfiliasi tidak diketahui1
Suharto SAfiliasi tidak diketahui1
Tegar AnugrahitaAfiliasi tidak diketahui1
Nur Lintang Dhien HayatiAfiliasi tidak diketahui1
Dedy FirduansyahAfiliasi tidak diketahui1
Willy LontohAfiliasi tidak diketahui1
Setyati Dyah HandayaniAfiliasi tidak diketahui1
Firdaus PerdanaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">Creativity of Cengklungan Artists in Podho Rukun Temanggung Community</dc:title>
	<dc:creator>Puspita, Nisa Rahma</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:creator>Florentinus, Totok Sumaryanto</dc:creator>
	<dc:description xml:lang="en-US">Cengklungan art is a native traditional art of Temanggung Regency which has several additional electrical components. This study aims to provide an overview of the creativity of Paguyuban Podho Rukun artists and the factors that influence their creativity. The study was conducted by using qualitative analysis research methods with the research location in Temanggung Regency. The instruments and data collection techniques used observation, interviews and document study. The data validity technique used data triangulation technique. Meanwhile, the data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The creativity of the Cengklungan artist in Podho Rukun is the addition of several components to the curved instrument namely cables, spulls, tunning pegs, boards, and guitar strings. In addition, the Cengklungan artist also produced several songs with a pentatonic nuance. The work process of cengklungan artists has also been discussed from several 4P factors including person, process, press, and product.
&amp;nbsp;
&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-09-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/40679</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 9 No 2 (2020); 85-96</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v9i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/40679/16839</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
</oai_dc:dc>